Quotes of All Topics . Occasions . Authors
I think it's mainly when I need inspiration I look at the old pictures. I don't find it as much in the new stuff. I love Carole Lombard. I think she's wonderful. Gloria Grahame was really great. Garbo. Dietrich. People knew how to create an illusion. Now everything is very realistic and straightforward. Everyone's grunge.
The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
There is a universal, intelligent, life force that exists within everyone and everything. It resides within each one of us as a deep wisdom, an inner knowing. We can access this wonderful source of knowledge and wisdom through our intuition, an inner sense that tells us what feels right and true for us at any given moment.
Once, the world was full of mysteries, some of them frightening, some of them wonderful, some of them merely fascinating. Now, it can be a banal and predictable place, the tracks of daily life so well-beaten and defined, our culture awash with the imbecile obvious, our existence suffocating in safety. But mysteries remain.
There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.
As long as I focus on what I feel and don't worry about where I'm going, it works out. Having no expectations but being open to everything is what makes wonderful things happen. If I don't worry, there's no obstruction and life flows easily. It sounds impractical, but 'Expect nothing; be open to everything' is really all it is.
I'm fascinated by the ways in which people express themselves, because their responses are often counter to what they're actually feeling. Like when they're frightened, they tend to freeze. When they're angry, it doesn't always come out as volume. There are wonderful contradictions in the way that people express their emotions.
What's wonderful about 'Star Trek' having been rebooted so successfully by the J. J. Abrams movie franchise is that - the corollary effect is that it creates a new generation of fans, and they're interested in all of it. They don't just sit around and wait for the next movie to come out; they'll go back and re-examine episodes.
I really believe that the more distractions and fixes I remove from my life, the better I'll feel about myself. The biggest of those is Depeche Mode. It's the one marriage that survived, but I'm not sure it works - for me, anyway. Jumping on a plane to go somewhere else and be told how wonderful I am doesn't feel good any more.
Sarajevo was this beautiful city, very cosmopolitan, multiethnic, full of wonderful people, artists and writers and poets and Serbs and Muslims and Croats, and living side by side. And then this medieval siege, and it was a medieval siege, came, and the Bosnian Serbs were on the hills lobbing in rockets and grenades and mortars.
By 1973, we had a space station, the Skylab, and we had multiple probes going up to planets. So, all this wonderful stuff happened in 10 to 15 years. About that time, there should have been enormous initiatives to make it affordable for people to fly in space, not just a handful of trained NASA astronauts and Russian cosmonauts.
If my son came to me years from now and told me, 'I'm gay,' I'd say, 'That's wonderful. I'm so glad you know who you are.' But if he said, 'I want to be a woman,' I would say, 'Ahhh. This is gonna be hard. Let's get started.' Because it doesn't matter that that's where happiness lies - it's on the other side of a lot of struggle.
If I am told my loving you had to happen because of some Freudian stuff about my childhood, that might be degrading or deflationary, but if I am told it had to happen because you are such a wonderful person that I couldn't possibly resist your charms, or because we are so incredibly compatible, then necessity seems very romantic.
I'm just a country boy from north Georgia, and I have three children and a wonderful wife. And when I look at my three children, who are 8, 11, and 12, and they really represent the faces and the future of the children all across my congressional district, and what the Tea Party stands for is not extremism; it's about their future.
You want to know what makes me tick, I'll tell you what makes me tick. I was a boy growing up in Brooklyn; I read a two-penny magazine called 'The Hawk's Nest.' Nobody entered that nest that didn't leave a little richer and a little wiser. And that 11-year-old boy said, 'Isn't that a wonderful thing.' And that's all there is to it.
I came up with the idea of a daredevil who's going to go upside down, in a metal car, at 90 mph, and it's never been done before. I get into this metal car, I'm strapped in. You pull back, and it's a roller coaster at Magic Mountain, with kids and nuns and everything else! I pass out while everybody else is having a wonderful time.
I would have to say 'The Crucible' stands out because it was one of the best experiences I've ever had, but, you know, Arthur Miller being present on the set - which was wonderful and incredible - but, to have him in your eye line is quite intimidating. It's such a beautiful language he created, so that was challenging but exciting.
Columbia was a wonderful label for me. Wonderful. The records I made there garnered me an audience. I won a number of polls during the years that I was at Columbia. The Downbeat Jazz Poll. Leonard Feather, who was a huge critic back in the day, different polls that he had. The Playboy poll, a number of polls. So the music was great.
I read everything, but generally more fact than fiction - especially autobiographies and biographies. I've read 'Long Walk to Freedom' by Nelson Mandela at least twice on holiday. Every time, I'm totally awed by his vision, strength and forgiveness. I feel honoured to have got to know him and his wonderful wife Graca over the years.
Finally if I had a pot that needed decoration, I would hand it to Alix [MacKenzie] and I would say, "Can you do something with this?" And she'd look at it for a while and then proceed with a brush to embellish the form and enhance the form, and it was wonderful. She could bring the pot to life, whereas if I did it, it was a disaster.
What's lovely about 'Eureka' is that it's a sci-fi show, but it's not monsters from outer space; it's not craziness from outer space. It's just about this community of people and what they do. These geniuses have sometimes done wonderful things and sometimes created global warming. It has this wonderful left-of-center sense of humor.
I think it's wonderful when a love story begins with a great deal of romance and affection, passion and excitement, that's how it should be. But I don't necessarily know that it's the wisest thing in the world to expect that it ends there, or that it should, 30 years down the road, still look as it did on the night of your first kiss.
Producing is a wonderful foil to being an actor: acting being largely about getting out of my head, being present, a little irresponsible, whilst producing is the polar opposite. You need other players to act; you can't act in a void, but producing is about making something out of nothing - conjuring a thought or an idea into reality.
Shooting of a sex scene is never going to something where you're having a wonderful time. It's a very intimate thing and a very intimate space to be put into - that's usually a space reserved for one. To have someone else in that proximity is pretty jarring, but we're all in the same boat and we're all experiencing the same anxieties.
The wonderful police officers who spend time with me I don't think appreciate that, but I do still drive. I do still cook: not often, but just last week, I really felt like making one of my mum's old recipes - so I did. I do still go to our local department store to buy things like maternity jeans that no one else can really do for me.
Being appointed as the next Gewandhauskapellmeister of the Gewandhausorchester is a completely overwhelming honour. This extraordinary orchestra and its wonderful musicians are unique in so many respects, and particularly in their creation of an exceptional sound world based on outstanding tradition that is, at its heart, inspirational.
When you see reference to a new paradigm you should always, under all circumstances, take cover. Because ever since the great tulipmania in 1637, speculation has always been covered by a new paradigm. There was never a paradigm so new and so wonderful as the one that covered John Law and the South Sea Bubble - until the day of disaster.
You don't have to be very brilliant. You don't have to have such a wonderful education. You can be an outstanding success if you will only take what little you have, whether it's little or much, and start using it, putting it into operation, doing something about it, and doing something with it. And, of course, that calls for initiative.
Greg Rucka always writes lovely, believable female characters in books like 'Whiteout,' 'Queen and Country,' and 'Lazarus.' I am a fan of Kelly Sue DeConnick, who does a wonderful female lead in 'Captain Marvel.' And DC's 'Batwoman' is currently the only book at the Big Two with a lesbian solo lead character, and it's always outstanding.
In those times when a kid first tries to express themselves creatively, it sets them on a different path. Sometimes, that path can be really wonderful and can lead to a career doing some of the things you love. I also think that the price on that is a certain amount of alienation or distance created between a lot of the people around you.
'Lady Bird' probably doesn't need more attention than it has gotten. It's a perfect movie, and some of its perfection is in its casting, but this is a movie crammed with wonderful work by people who aren't Laurie Metcalf and Saoirse Ronan: people like Lucas Hedges, Tracy Letts, Stephen McKinley Henderson, and, yes, that Timothee Chalamet.
I'm in my apartment in trendy Tribeca. I've been down here for 37 years, from before it was a fashionable neighbourhood. It's a wonderful place; it looks over the Hudson River. I can see 30 miles into New Jersey. My landlord would like me to die because the rent is very low. I'm trying to outlive him. He can get a lot more if I disappear.
My mother was the greatest mother in the world. She thought I was the greatest thing on two feet. I'd come home with a little composition I had written at school, and she'd look at it and say, 'It's wonderful! You're another Shakespeare!' I always assumed I could do anything. It really is amazing how much that has to do with your attitude.
People are stubborn about what they perceive to be the right thing or the wrong thing, and it takes a long time to filter this human condition. There's a waiting period until people catch up. But if you have patience - which it takes when someone thinks differently from you - everybody always catches up. That patience is a wonderful virtue.
At first, 'Family Ties' seemed to just be a wonderful project of its time. These were the Reagan years, the new conservatism. Alex P. Keaton quickly became the Fonzie of the '80s, so it seemed very much a product of its time. But I soon began to realize that it went far beyond that. These great family shows transcend whatever time they are in.
I'm extremely positive about investment in Africa. Africa has a wonderful climate, wonderful people, and amazing possibilities. Africa has been called dark and hopeless, but today it is neither of these. Africa is awakening. It's a huge market of almost a billion people with huge resources and a young population. It's the best place to invest.
She (Judy Garland) was a friend of mine, a trying friend, but a friend. That is what I tell myself: She did everything she ever wanted to do. She never really denied herself anything for me. See, I say, she had a wonderful life; she did what she wanted to do. And I have no right to change her fulfillment into my misery. I'm on my own broom now.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
This ghastly state of things is what you call Bunburying, I suppose? Algernon. Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life. Jack. Well, you've no right whatsoever to Bunbury here. Algernon. That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.
'Game of Thrones,' people say that it's a fantasy series, but it's a hell of a lot more than that. It attracts the so-called geeks and nerds, and God bless them, they're wonderful for getting right into the show. But primarily it's about family; it's power and betrayal and jealousy. It's all those wonderful things that a fantastic drama is about.
I can't tell you how lucky I feel. I've gotten to work Peter Facinelli 'American Odyssey,' and I got to do 'My Big Fat Greek Wedding 2' - which really gave me such a tremendous amount of pride and patriotism, and it was very close to my heart. I've really had such great support, so many great teachers, and so many wonderful people surrounding me.
I got sent off to my grandmother's for five months and watched a lot of TV and had a lot of grilled cheese with butter on it - because she was English and put lots of butter on everything - and yogurt. The English are big on dairy products, you know? I'd have an earache, and she'd be like, "Here, have some milk." Wonderful woman, but she had kind of screwed-up nutrition ideas.
The highlight of my career was my first sale, to F&SF, in 1989. Nothing yet has topped that moment. I was weeping in joy and relief. Publishing one story was all that I ever wanted, or expected. Everything since then - award nominations, getting into best-of anthologies, meeting my idols at conventions, drinking with my idols at conventions - has been wonderful, but it's all gravy.
I did have a deal for a little while a cigar company that never really materialized that much, except that I ended up with 100 boxes of my own cigars with my signature on them. Which is great, they are wonderful cigars but they never really fulfilled out so now I'm out of it. I can sign up with somebody else or go pick a blend or whatever. I probably will, there is no sense in not doing it.
Wasn't that a wonderful thing that I had a chance to work with more great actors, big stars, than just about anyone in the history of Hollywood? And some days I didn't know with whom I'd be standing face-to-face, and I was so impressed because they were all really wonderful people. And when you work with Burgess Meredith, Frank Gorshin, George Sanders as Mr. Freeze, it's a wonderful experience.
I never feel there's anything I can't do with comics. There are certain things in comics that you can't do in any other medium: for instance, in Mister Wonderful, Marshall's narration overlaps the events as they're going on. That would be difficult in film; you could blot speech out with a voiceover, but it wouldn't have the same effect. That's always of interest, to see what new things you can do in comics form.
The only reason the word "brand" gets a little tiresome is that something that is complex and wonderful and deep begins to sound like a can of tomato soup. I recoil at that, but I'm used to it. I know what it means: It means that The New Yorker is not merely the magazine that comes out in print once a week. It's the Web site, it's the festival, it's our mobile application - all these things - and what they stand for and what they mean.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.