Quotes of All Topics . Occasions . Authors
The more you create, the more ambitious you become with your projects. Short films were a direct result of over 200 web series sketches and vlogs. After you create enough 2-minute videos, you start to wonder what else there is. Deadlines and discipline and quantity with a focus on quality have always been what keeps me going.
I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
You always have these moments when projects are over when you wonder if you'll ever work again. In the end, what it comes down to is that it's a fine line between becoming too enamored of your own success and maintaining the confidence to do what you do and do it well. That's the line every actor, if they're lucky, has to walk.
You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!
The life of an actor is very random. It can be exhilarating but terrifying - you do wonder day to day where the next job will come from. Some of my friends are very talented people, but you see them out of work - which can be tough. If you wanted that kind of security, though, I guess you wouldn't be an actor in the first place.
If I were not African, I wonder whether it would be clear to me that Africa is a place where the people do not need limp gifts of fish but sturdy fishing rods and fair access to the pond. I wonder whether I would realize that while African nations have a failure of leadership, they also have dynamic people with agency and voices.
If working remotely is such a great idea, why isn't everyone doing it? I think it's because we've been bred on the idea that work happens from 9 to 5, in offices and cubicles. It's no wonder that most who are employed inside that model haven't considered other options, or resist the idea that it could be any different. But it can.
So much of the world's suffering results from the sinful action or inaction of ourselves and others. For example, people look at a famine and wonder where God is, but the world produces enough food for each person to have 3,000 calories a day. It's our own irresponsibility and self-centeredness that prevents people from getting fed.
I am proud to have been born in Iowa. Through the eyes of a ten-year-old boy, it was a place of adventure and daily discoveries - the wonder of the growing crops, the excitements of the harvest, the journeys to the woods for nuts and hunting, the joys of snowy winters, the comfort of the family fireside, of good food and tender care.
Getting the role in '300' saved me. I'd been out of work for 11 months after 'The Brothers Grimm.' Once the film came out and didn't do so well, the director Terry Gilliam blamed me for absolutely everything. It was pretty appalling, and I had started to wonder if I'd ever get another job again when I was asked to audition for '300.'
Policy people suffer their own kind of agony, and no wonder. After all, what is the average life of the policy person? You go into government if you are lucky, do your best, aren't appreciated, take all the blame for policies for which you are only partly responsible, leave, realize your reputation has been damaged, maybe permanently.
After 'The Wonder Years,' I ended up having a voiceover career, which was something I never even knew was possible. But after the character I was playing on 'The Wonder Years,' people said, 'Oh, would you like to do a Burger King thing? And there's a 7 Up thing...' And then I got to do 'Dilbert.' I think my voice kind of fit for that.
I have spent many hours on the beach collecting sea glass, and I almost always wonder, as I bend to pick up chunk of bottle green or a shard of meringue white, what the history of the glass was. Who used it? Was it a medicine bottle? A bit of a ship's lantern? Is that bubbled piece of glass with the charred bits inside it from a fire?
I remember, my freshman year of college, sitting in my TV room at the end of my dorm hallway with one other girl watching the premiere of 'Beverly Hills, 90210.' And then, a year later, walking into a room packed with college students watching '90210,' and I thought, 'I wonder what it must be like to be part of a phenomenon like that.'
I spent most of the '60s, when I was starting to try to write novels, living and working in Greece and Turkey. These are countries where the ancient past is interfused with the daily present, and I remember being struck with wonder at the constant sense of continuity and connection, the reminders that lie in wait for you at every turn.
I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
In my later years, I have looked in the mirror each day and found a happy person staring back. Occasionally I wonder why I can be so happy. The answer is that every day of my life I've worked only for myself and for the joy that comes from writing and creating. The image in my mirror is not optimistic, but the result of optimal behavior.
As an angsty teenager and college student, I used to mock people who lived in gated communities, who were so afraid of the unfamiliar world they had to erect a physical boundary to keep it at bay. But now I wonder, aren't the boundaries we draw with Facebook just as secure as a man-made moat or an underpaid security guard manning a booth?
My real musical discovery started when I was 10 with Stevie Wonder and the Jackson 5, and acts that I connected with because they were young when they were doing it, like me. Then I kind of came into my own a couple of years later; I found new artists that shaped my musical landscape. For instance, Kings of Leon played a big part in that.
Wonder knows that while you cannot look at the light, you cannot look at anything else without it. It is not exhausted by childhood, but finds its key there. It is a journey like a walk through the woods over the usual obstacles and around the common distractions while the voice of direction leads, saying, 'This is the way, walk ye in it.'
I swear that he is an alien. There is something about his phrasing that is so unpredictable and cool. It makes you wonder where it came from. I wish I could play like that. I listen to Jeff Beck and think, 'Bloody hell!' The way that Jeff Beck and his band play together is just amazing. Yeah, those guys definitely come from another planet.
Some people think that our planet is suffering from a fever. Now scientists are telling us that Mars is experiencing its own planetary warming: Martian warming. This has led some people, not necessarily scientists, to wonder if Mars and Jupiter, non signatories to the Kyoto Treaty, are actually inhabited by alien SUV-driving industrialists.
I want to look my best for God. So many people have the attitude that if you're a Christian you've got to dress bad, wear an old color, not do anything to your hair, have nothing. It's no wonder that Christianity is not very attractive. I mean, how many people do you know in a Western culture that's going to go, 'Yeah, give me some of that?'
I never think it's right to chew gum in front of other people, but a lot of times I'll come in for a meeting chewing gum and I'll forget I'm chewing it. Then you don't want to swallow it because it stays in your system for seven years or something, so I've asked to throw it away. I've started to wonder if that's why I didn't get certain movies.
I am a first-generation Chinese-American; my husband is white. We have a little boy, so I think a lot about what it's like when people from different cultures and backgrounds start families, and how the world sees them. Most of my friends are in interracial relationships, and I just wonder what the world is going to look like for their children.
Certainly what constitutes a stage actor, what constitutes a film actor, I don't even know what that is. And both things are very accurate, in a sense. In terms of people's needs to concentrate on race, I wonder if it's completely necessary, but it's not something that is so dynamically relevant to me that I feel it should be one thing or another.
We were interviewing an author, and we started talking about how so many of them - Salinger, Shaw, Fitzgerald - were really an odd bunch. They put a barrier around themselves, and not many people got through it. This was the spark that I really latched onto - someone who could break through the barrier. Of course [FINDING FORRESTER] really began to take shape when I began to wonder, what if it was a young person?
I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
I don't like rides. I take everything in life quite literally, and so I genuinely feel terrified on rides and liable to vomit at any moment, and I hate to vomit even more than I fear rides. So, all this to say, I don't have a favorite ride. I don't go on rides. Well, that's not true. A few years ago I had a beautiful, romantic moment on the Ferris wheel at Coney Island, known as the Wonder Wheel, and so I guess that's my favorite ride, though even that, to be frank, terrified me.
In Donald Trump, you have somebody who praises Vladimir Putin all the time. America should really wonder about a President Trump, who had a campaign manager with ties to Putin, pro- Putin elements in the Ukraine, who had to be fired for that reason. They should wonder - when Donald Trump is sitting down with Vladimir Putin, is it going to be America's bottom line or is it going to be Donald Trump's bottom line that he's going to be worried about with all of his business dealings?
