Quotes of All Topics . Occasions . Authors
When I did 'Frankenstein,' the record company said, 'Now you can do 'Dracula' and 'Wolf Man' and we'll call the whole thing Monster Rock!' and I said, 'No, that's not going to happen, I'm not going to do that.' I kind of enjoy defying categorization. I love music in and of itself. I love the beauty of harmony and rhythm.
My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
I wanted to write a very simple story about a boy, a wolf, a girl, a bear and a forest, so I thought I might set it in the past. I didn't realise that it went back to when I was 10: I used to love the Stone Age when I was a kid and wanted to live in it, and I got rid of my bed and slept on the floor, but I didn't remember it.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
Why do so many children love the idea of being snowed in or shipwrecked, of having to survive on one's own? When I was a child, I was no exception. I wanted to hunt with a bow and arrow like the Stone Age people: to skin deer and build my own shelter. And I desperately wanted a wolf. As we lived in London, my options were limited.
Judging by the volume of titles published each year, mystery readers are restless in their pursuit of literary escape. They might travel to far-flung places or stick close to home with their favorite hobbies. They can solve the world's greatest conspiracies or root for a lone wolf grappling with personal problems mundane and bleak.
When you think of Grimm's fairy tales, they are deeply, deeply psychological. They're so powerful, so bloody, and really, really disturbing. Think about five-year-olds reading that stuff. Even 'Little Red Riding Hood' is a really freaky story. Grandma is gobbled up by a wolf, and the wolf is going to eat the girl. That's scary stuff.
A lot of people still don't realize that, before Rascal Flatts, I was in a Christian band for four or five years, and I had the opportunity to work with some of the greatest pop musicians and producers in L.A. I learned a lot from Peter Wolf; he was one of my heroes growing up in the '80s. He was a producer of a lot legendary pop music.
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
It'd been about four months since shooting 'Power Rangers,' and 'Stranger Things' was the first thing I saw that made me think, 'I need this.' I had one day to get my act together, so I made a short film rather than a self-tape. It had an opening score, opening titles, and I may or may not have put on a g-string and danced to 'Hungry Like a Wolf.'
