I'm trying to get my head in the game, think about the questions I wanted to ask, breast milk is flying everywhere - over my notes - and I - how do you 'lean in' at that moment? What is the equivalent of that for Wolf Blitzer or Joe Scarborough?

I think Uber is just very different; there's no model to copy. It may be the reason why we've been a lightning rod in so many ways, because we don't do anything conventional... And then I think also, as an entrepreneur, I'm a bit of a lone wolf.

In a fit at the bookstore one day, I bought all my favourite composers' biographies: Schubert, Massenet, Wolf. I've still not had a chance to read them; it breaks my heart. But when you travel so much, you just can't take that many books with you.

My food hero has to be Auguste Escoffier. And the villain? The man who's been most responsible for the death of food in my time is Ronald McDonald. He's always scared me, I think he's evil - he's a wolf in sheep's clothing. Him and the Hamburglar.

I'll see Naomi Wolf on television periodically, I have nothing against her and what she says, but I'll feel that she's a politician, like she's got an agenda to get across and that she doesn't always say what's really true or exactly what she feels.

I have a fondness for historical fiction, something wondrous like 'Wolf Hall,' but I'll read most anything as long as the story grabs my mind or my heart, and preferably both. You would be hard pressed, however, to find science fiction on my shelves.

It may be a cliche, but cliche or not, I fear the day when the only marsh harriers or peregrines I can look at are in paintings by Joseph Wolf or Bruno Liljefors - and no matter how beautiful those works may be, life is the great thing: life, life, life.

'The Sea Wolf' is the story of a man who believes only in brute force. He is so firm in belief in his own ideas that he despises all who disagree with him. He preaches the doctrine of intolerance. He flaunts the notion that democracy is anything but weakness.

Anyone who thinks they stand apart from society and defies all which govern its existence has less in common with the lone wolf patriot standing up to dystopic forces of oppression - a myth - and more in common with the disease known as cancer - a harsh reality.

What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'

There are so few strong roles for women, especially young women. And Veronica is very serious but also very likable. She's a lone wolf, and it appeals to people that she isn't rich and doesn't have a lot of friends. No posse. She's just like you, like most of us.

Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.

The shepherd drives the wolf from the sheep's throat, for which the sheep thanks the shepherd as his liberator, while the wolf denounces him for the same act as the destroyer of liberty. Plainly, the sheep and the wolf are not agreed upon a definition of liberty.

It's much harder to detect a lone wolf than it is somebody who's associated with a larger organization who's having planning meetings and making phone calls to people in the organization. And so that is really how the jihad has really developed in the United States.

I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.

People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.

People ask me, 'How's 'Teen Wolf?' and I tell them it's literally the best job I've ever had. It's hard. Everybody wants to be a series regular. It's something that a lot of actors would kill to have. That being said, it's very demanding of you, in so many different ways.

These 'lone wolves,' people like to call them, you've got to look at them not like a lone wolf but an individual operator who's been convinced in their head, brainwashed, whatever, that this is the way to go. And they will carry out their assaults systematically throughout.

I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.

I have this creative mind where I can create a lot of different things, but a lot of people never really gave me the chance and opportunity to do that because when they see me, they just see this dumb fighter that fights in the cage and howls like a wolf and knocks people out.

Our team security said, even if you go to a supermarket, have someone with you. So everywhere I go - grocery shopping, practice, go to games, go to plays - I always have someone with me because you never know, a lone wolf, one of the crazy Erdogan supporters will do something.

When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.

If you read 'Lord of the Rings' and dismiss it as a lie because it has orcs and elves, you're missing the whole point of the story. If children don't have to be concerned about strangers because there's no such thing as a Big Bad Wolf dressed like Granny, you're missing the point.

My son, Wolf, was born when I was past 40 and the author of a best-selling novel. That means he has grown up a middle-class child - one who sometimes asks me for stories of my childhood but knows nothing of what it means to grow up poor and afraid. I have worked to make sure of that.

I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.

I want to do 'Chicago P.D.' for as long as it's on the air. I love the show; I love the Dick Wolf family. I think he's created something genius with the crossovers and having everyone on these shows inhabit the same universe as far as 'Chicago Med' and 'Chicago Fire' and 'Chicago P.D.'

The coolest thing about the series is that we stay very true to the books; it would be silly for us not to, because the books are exactly what the fans want to see. There's an action side to it, which I love, and there are werewolves now. There aren't just vampires. There's a wolf pack.

I say this about everything: when I was on 'Neighbours,' I said, 'These are the best years of my life!' When I was filming 'The Wolf Of Wall Street,' I said, 'These are the best months of my life!' I always think I'm having the best time ever, and that I'll never have so much fun again.

I once did a film in which I was being chased by wolves. I had a scene where the Alpha of the pack leapt on the hood of my car and stared me down through the windshield. I will never forget staring into those eyes; this wasn't a dog - not even a tough, bad-ass dog - no, this was a wolf.

Comic books and radio were my escape. I even remember 3-D comic books where you put on the red-and-green glasses and Mighty Mouse would punch you in the face. It was the literature of the day for kids my age who were too bored with listening to 'Peter and the Wolf' on the record player.

I didn't know what was going to happen with 'Teen Wolf.' I was only scheduled to do four episodes for them, but they kept me on, and I was like, 'Sweet! I'm still employed! That's awesome!' And then, they let me know that they were considering having me for the second half of the season.

It seems that, every several months, you have to expect there is going to be a terrorist incident or that there could be a terrorist incident somewhere. Right away, you're thinking, 'What are the consequences? Is this the first part of a larger attack? Is it coordinated, or a lone wolf?'

I grew up watching 'Buffy the Vampire Slayer' and used to dream that I would grow up to be just like her. In a way, 'Teen Wolf' has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love.

On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?

I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.

I was dirt-poor. I could barely hold down a job. Eventually, though, I started getting small parts on shows like 'Smallville,' 'Supernatural'... and lots of really bad sci-fi movies. I was running around the woods in wolf contacts, covered in fake blood made out of pancake syrup, roaring.

We have two dogs, Mabel and Wolf, and three cats at home, Charlie, George and Chairman. We have two cats on our farm, Tom and Little Sister, two horses, and two mini horses, Hannah and Tricky. We also have two cows, Holy and Madonna. And those are only the animals we let sleep in our bed.

I just want to be entertained. The stories that have aged the best are the ones where the wolf eats grandma, or the woman is going to bake children in an oven, or the bear is going to eat the girl for eating the porridge. There are lessons in there, but they're deeply engrained and hidden.

'Brotherhood of the Wolf' is a very important movie because it represents something new. The director Christophe Gans came up with the idea of taking a French legend and making it some kind of really strange, almost Chinese action movie. The result is something that I haven't seen anywhere before.

A good choreographer is one that's going to collaborate, teach, guide - everything. The wonderful thing on 'Brotherhood of the Wolf' was that we had Philip Kwok - he choreographed John Woo's 'Hard Boiled,' and in the '70s, he was a martial arts actor, stunt man, fighter, choreographer in Hong Kong.

Many years ago, large packs of wolves roamed the countryside in Ukraine, making travel in that part of the world very dangerous. These wolf packs were fearless. They were not intimidated by people nor by any of the weapons available at that time. The only thing that seemed to frighten them was fire.

I grew up in a small town in Kansas, so I love meeting the fans. Those are the people who spend time out of their day to watch the things that I've done, and I've gotten to do some great supernatural stuff - 'Teen Wolf' and 'The Gates' before that - so it's nice when I get to go to Comic-Con every year.

I think Trump is so dangerous because the people that he appeals to the most have this sense of despair and oppression that has become a central defining characteristic of their lives. And they feel like only he is their avatar; only he will fight for them; only he will keep the wolf from the proverbial door.

Some kinds of animals burrow in the ground; others do not. Some animals are nocturnal, as the owl and the bat; others use the hours of daylight. There are tame animals and wild animals. Man and the mule are always tame; the leopard and the wolf are invariably wild, and others, as the elephant, are easily tamed.

'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.

Perhaps most important for nomads was the belief in the symbiosis that existed between wolf and humans on the steppe. Wolves were an integral part of keeping the balance of nature, ensuring that plagues of rabbits and rodents didn't break out, which in turn protected the all-important pasture for the nomads' herds.

Violence against women is real and something I feel passionately about, and the gateway to all that is wolf whistling. It's allowing a man to impose his will on a woman who is just trying to walk down the street and live her life. It's all about unwanted versus wanted attention, and, of course, there's a fine line.

Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'

Pop managers are fixed in the dramatic stock character repertoire too, ever since the first British pop film musical, Wolf Mankowitz's 'Expresso Bongo' of 1959, with Cliff Richard as Bongo Herbert and Laurence Harvey as his manager. The key components were cast as X parts gay, X parts Jewish and triple X opportunistic.

I grew up in Los Angeles, and I was always fascinated by the La Brea Tar Pits. Right in the middle of the city, in an area called the Miracle Mile, for crying out loud, we have these eldritch ponds of dark, bubbling goo. And down in the muck, there're all these amazing fossils: mammoth and saber tooth cat and dire wolf.

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