Quotes of All Topics . Occasions . Authors
When I was playing Gandalf, I didn't think, 'Oh my dear, I'm playing a 7,000 year old wizard,' because I've never met one, and I don't know what they're like.
When the Beatles were on 'Ed Sullivan,' life went from black and white to color like in 'The Wizard of Oz' - and the irony I'm in the band Toto is not lost on me.
I've turned into a technological wizard. I can send emails now, which for me is unbelievable. They don't make any sense, but I can send them. I call it e-mithering.
The noun phrase straw man, now used as a compound adjective as in 'straw-man device, technique or issue,' was popularized in American culture by 'The Wizard of Oz.'
I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.
I don't think there's a part that I've played or something I've written or directed that hasn't smacked of 'The Wizard Of Oz.' It's the film all roads lead to for me.
I think probably the scariest thing, as weird as it sounds, was 'The Wizard of Oz' and the flying monkeys with the witch. I remember seeing that - it still seems freaky.
I have a Saint Laurent burgundy velvet jacket that has gold stars embroidered all over it and it's my magic piece of clothing that makes me feel like a wizard or something.
We don't consider the Wizard of Oz or Father Christmas to be too old. They're still magical characters, and the fact they've been around the block only adds to their magic.
My first professional acting role was a small part in a television series called 'The Wizard.' I later had the opportunity to work on Michael Jackson's Moon-walker music video.
I think when, like, things like 'The Wizard' and even like 'Tron,' when it first came out, I was a teenager, and, man, I really wanted to kind of just kind of disappear into it.
My favourite books series as a young child was the Frank L. Baum 'Wizard of Oz' series. They were beautifully written, oversized fat books with wonderful type and illustrations.
Teaching sometimes seems like not one profession, but every profession. We ask them to be doctor and diplomat, calf-herder, map-maker, wizard and watchman, electricians of the mind.
I hope fans will go back and listen to the Beatles and the Beach Boys or Led Zeppelin, or put on 'Tommy' and let them experience like I did that moment when 'Pinball Wizard' comes on.
I can't imagine how much time it took Matt Bucy to cut up 'The Wizard of Oz' and reassemble every word of dialog into alphabetical order. The resulting movie is called 'Of Oz the Wizard.'
When I started, I was pretty sure I was going to be writing some goofy little wizard novels that might make me some part-time money and would hopefully lead to something I could do better.
I've been acting since I was 8 - I used to play hockey and there was a kids' theatre down the street from my house and one day I just walked in and signed up for auditions for 'The Wizard Of Oz.'
In 1900, as the immigrants come down the gangplank into Jersey City, they expect the streets to be paved with gold, and they were only paved with gold in Frank Baum's 'The Wizard of Oz,' of course.
And then I went to visit my sister in the states and all of a sudden it was just like, it's like... it's like the movie Wizard of Oz when all of a sudden it changes from Black and White to glorious Technicolor.
The fact is that 'The Wizard Of Oz' has never really worked in the theatre. The film has one or two holes where, in the theatre, you need a song. For example, there's nothing for either of the two witches to sing.
I went out of my way to make 'Immortal' sound perfect. 'Immortal,' 'Just What I Am,' and 'King Wizard,' those are perfect beats. Not a lot of people can perform on them. I say that meaning they're tailor-made for me.
'Lord of the Rings' was my jam. I was so depressed when I realized that I couldn't live in Middle-earth. And I was so sad when I was eleven and didn't get a letter from Hogwarts saying that I was going to be a wizard!
Films like 'The Wizard of Oz' and 'Shrek' are hits because they hit on different levels with different age groups. Striking that balance is what I strive for. But I won't know if I've done it until the audience sees it.
The figure of the witch was interesting to me, because of the primal, archetypical witch nightmares I had, even as an adult. But as a kid, it started with Margaret Hamilton in 'The Wizard Of Oz' as this inescapable horror.
I'm no wizard, and I don't like being thought of in that light at all. I think of a wizard as being some sort of magician or something, doing something on the sly or something, and I don't want to be thought of in that way.
I always had this curiosity about acting, but I was really into sports, and I never really thought about acting as a career. My senior year, I tried out for the high school production of 'The Wizard of Oz,' and that was it for me.
I'm going to get hated for saying this, but honestly, fantasy is easy to write because you can do anything. It's like when Raymond Chandler brings in a bloke with a gun when he's stuck - in fantasy, up pops a wizard, and off we go.
Someone asked me who I would be if I were a character in the 'Wizard of Oz.' I would be the curtain. I would be the one who saw both sides that nobody noticed, that was pretty and there to be used and discarded when they were done.
'California Bones' is the first volume in my trilogy about Daniel Blackland, a wizard trying to survive in a world that eats wizards. It's a book about friends and family, trust and betrayal, the love of power and the power of love.
I'm fanatical about movies: African, European, Viking, Roman. I got into witchcraft and magic from watching 'Bewitched' and 'The Wizard of Oz,' which shows in some of my outfits. I dress to reflect the whole spectrum of the universe.
Most of the female 'superhero' role models of my childhood came from novels, and they rarely had powers. Take Dorothy, for example, from 'The Wizard of Oz;' or Laura Ingalls and her sisters in the 'Little House on the Prairie' novels.
Though we hear various reports of his existence we can never find the young wizard who is able so they say to graft the soul of a girl to the soul of her lover so that not even the sharp scissors of the Fates can ever sever them apart.
There was another Judy Garland movie on TV, and it wasn't 'The Wizard of Oz,' and I was so confused. I was like, 'Wait a second, what is Dorothy doing in this movie?' And that's when I became fascinated. I didn't realize there were actors.
When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
This little hobbit saves the world. The wizard kills the dragon and saves the town. So many people connect to that character; it doesn't matter if it's an elf or a hobbit or a dwarf. It doesn't matter. They're human in their heart and soul.
Month after month, Wizard Academy equips people who want to make a difference. This is why journalists and scientists and artists and educators and business owners and advertising professionals and ministers are attracted to our little school.
I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
So vast is the shadow cast by the MGM production of 'The Wizard of Oz,' so indelible are its characterizations, so perfect its music, and so assured is its cinematic immortality, that most people think of it as 'The Original.' In fact, it isn't.
When you hear the words 'magic' and 'story', they will probably evoke thoughts of your favourite fairy tales from childhood. Storybook pages abound with all manner of magic: fantastical fairies, wish-granting genies, or even a certain boy wizard.
Sometimes I regret that the wonderful children's stories that have been made into movies were - people no longer read 'The Wizard of Oz'; they think they know the story. They don't know anything about all the bits and pieces they had to leave out.
'The Master' with Joaquin Phoenix puts up a good fight, but my favorite movie of all time is 'The Wizard of Oz.' I just love it. I watched it over and over again as a child, and I think it has all the elements of wonder, and it's a beautiful story.
My role is different than Freddie Blassie, the Grand Wizard, and Lou Albano's, and Bobby Heenan's, Jimmy Hart's and J.J. Dillon's as well. I legitimately consider myself Brock Lesnar's advocate. That's my primary purpose to serve to the WWE Universe.
In the late '90s, the magazine formerly known as 'The Wizard' came after me strong and hard. I was the brunt of jokes for an entire staff of angry fanboys; as much as can be poured on was poured on. But I kept focus, as anyone in that situation should.
Whenever I start a 'Potter' film, I get these dreams. The last dream I had, I was in a war and the sky was blotted with broomsticks and I couldn't find my wand. It was so intense. I always have mental, intense, war wizard dreams when I'm doing the films.
I've always been a bit of a clown. But I think the seminal moment was when I was sixteen, and I auditioned for a little production of The 'Wizard of Oz,' and I was like, 'Clearly I'm Dorothy!' And they were like, 'We'd like you to play the Wicked Witch.'
I grew up a poor kid in Florida, and I was always in Florida living with my stepfather and my mother, and we used to, every year, sit down and watch 'The Wizard of Oz.' And I think to this day that's probably the foundation for everything I've done since.
But I had two very special people who helped to take my style to the next level. Thank God for my first MC Cowboy and my first student Grand Wizard Theodore, and to go out after creating this art form and finding everyone jamming to it - that too was pretty scary.
I worked at an old folks' home once in Harlem, and I was an activities volunteer. I used to do all these plays with the old people. I did 'The Wizard of Oz;' it was adapted. There was a guy there who played the harmonica, so we had an overture, and The Wizard was 96.
I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better - as in the 'Chronicles Of Narnia,' 'The Wizard Of Oz,' 'The Phantom Tollbooth,' the 'Dungeons & Dragons' cartoon on Saturday morning in the '80s.
I've wanted to act since I was seven. The year before, I'd been a munchkin in 'The Wizard of Oz' and was overcome with terror. The next year I just watched. My sister was in 'The Little Mermaid' and I had this deep knowing that I needed to be there on stage, not in the audience.