Quotes of All Topics . Occasions . Authors
I have always believed in magic. I used to run into the woods as a little kid looking for witches. But I'm not superstitious, because I m not afraid of it. I see it as something really beautiful, and I wouldn't want to live in a world without magic.
The European wars of religion were more deadly than the First World War, proportionally speaking, and in the range of the Second World War in Europe. The Inquisition, the persecution of heretics and infidels and witches, they racked up pretty high death tolls.
What I'm dealing with in 'Hellboy' is a lot different, bigger in a certain way. It's very Shakespearean. It's demons and witches and stuff like that. But it has a similar core to a dude who's trapped in horrible circumstances who's just trying to be a good guy.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
The idea of witches has always scared me because of the idea that there are Machiavellian forces out there that conspire to hurt others. There are people who do not have your best interest at heart and are actively willing to do harm to you and actively sending energy in that direction.
I teach 18- to 21-year-olds - the 'Harry Potter' generation. They grew up as voracious readers, reading books in this exploding genre. But at some point, I would love for them to give Umberto Eco or A.S. Byatt a try. I hope 'A Discovery of Witches' will serve as a kind of stepping-stone.
No one ever bugged Jack Nicholson. When we made 'Witches,' and people were standing around to see him, he'd just come out and say, 'Hi everybody!' I was lucky enough to go with him to a Lakers game, too, and he was always friendly. No one bothers Jack, because he makes himself so accessible.
I would have killed to do 'Beauty And The Beast' at Warners, which went away. I would have killed to do 'The Witches' at Warners that went away. God knows there are many, many of them. All I can do is diligently do the screenplay, diligently do the design work, deliver a budget, and then await a decision.
If you go back far enough and get a wider enough picture of history, we have let go of many things that follow a religious narrative. We don't burn witches anymore. Most people would consider that barbaric. We don't sacrifice human beings, which was a religious act practiced by numerous cultures on this planet.
In 'Bras & Broomsticks,' Rachel Weinstein gets the shock of her life when she discovers that her mom and her younger sister, Miri, are both... witches! In 'Frogs & French Kisses,' Rachel and her witchy family are back - Miri is busy zapping up ways to save the world, while Mom has gone boy crazy and become a magicaholic.
Witches are the kind of more traditional, home and family, craft people - so they're the ones who are making things; crocheting shawls and things like that. But then they also have that slightly confident, dangerous, edge. I always see them as having very extreme hair, either amazingly beautiful straight hair or kind of wild.
One of the things that always fascinated me about the Renaissance was that it was a time both of great scientific discovery and also of superstition and belief in magic. And so it was a period in which Galileo invented the telescope, but also a time when hundreds were burned at the stake because people thought they were witches.
Tons of folktales have to do with hares and witches. Basically, witches all over Europe turn into hares and are able to do malevolent things in the form of a hare. It goes back to the great god Pan. Pan is, if we're going to do archetypal projections, related to the Christian Satan, but as a child, Pan was wrapped in a hare's hide.
I wrote a screenplay for 'The Witches,' which Alfonso Cuaron was producing, but we couldn't get it made! The studio just wouldn't greenlight that movie. It's my favorite Roald Dahl book, 'The Witches,' because I grew up with my grandmother a lot of the time, and the relationship between the boy and the grandmother speaks volumes to me.
I understand why society, especially American society, is gravitating toward fairy tales, given our economy. We've been exploring the world of witches and wizards for years. We've been exploring the world of vampires for years. Clearly the public - I mean, I feel like all of this was ushered in by 'Harry Potter' - in my own fannish beliefs.
I walked out of... was it 'Stardust?' That thing with the witches? I was so looking forward to it, but I just couldn't handle it, man. Ten minutes in, and I was gone. I didn't have to walk out of 'Transformers 2' because I didn't go. I loved the first 'Transformers.' I loved it, but I heard too many of my friends walked out of the second one.
