Window Quotes - Page 21

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I love New York. I first came here with my Mom when I was in 9th grade. I took the subway for the first time and the doors closed between me and my Mom, and I was so scared. I could see her through the window and I didn't know what to do. I got off at the next stop and she caught up to me, but I couldn't stop crying.

In the preseason, you usually only get a small window of opportunity, but when you get out there for four quarters and you're able to put it together, then you're able to go out there game after game and continue to get better, it was great, especially when I was able to prove a lot of my critics and naysayers wrong.

On the second flight, we were doing a lot of science experiments, and we've got a really cool window called the cupola. It's a big, circular window with six panes around, sort of at angles so you can see the Earth, you can see the edge of the Earth, you can go out - look out into the universe. It's pretty spectacular.

There are a lot of things I might be good at, such as competitive figure skating, window washing from ten stories up, and being an open heart surgeon. I might also make an excellent Kamikaze pilot - except for the fact that I don't want to learn how to fly and have no interest in taking my own life on behalf of Japan.

The way Trump talks about Obama: presidents don't do that! What we're seeing now is a whole new level of vulgarity. I'm really hoping that it's not the rule from here on out. It's really distressing for me to witness this. I really hope we don't have to throw all decency out the window, just because Trump's president.

While I was living in New York a friend and I flew to Miami and travelled through a storm. I could see lightning strikes through the window. I grabbed my friend's hand tightly and kept repeating: 'We're going to die! We're going to die!' Thank goodness he was there as I don't know what I'd have done if I was on my own.

I found that through my life, living in the city of Toronto, I look above the Pizza Pizza sign, and I look above the other signs and window dressing, and I see evidence of a city that no longer exists in the keystones and the decorations that line the tops of buildings. That presence of the old city has always moved me.

I had a Super Beetle that I restored and painted deep purple in honor of Jimi Hendrix that was stolen. After that, I got a Ford Falcon that had no windshield wipers, so whenever it rained - which, thankfully, in L.A. it doesn't do very much - I'd have to lean out my driver's side window like 'Ace Ventura: Pet Detective.'

I had this moment in church, which I think really turned me off. I was 7 or 8 years old and I was sitting at church, and we happened to be playing with the sunlight that was coming down from the stained glass window, and the monsignor came down to the pew and grabbed us by our neck collars and said, 'I'll deal with you.'

The art of living demands that our interest in bringing forth flowers in our family life equal the interest we take in bringing them forth in our window gardens. So long as their home-life aesthetics have not become ethics, women need not expect husbands, children, or servants to feel happy in the homes of their creation.

This whole thing is - our window to be able to fight and make money is very short. It's a short window to be able to take advantage of this and make as much money as we can and save it for the future. When you're not fighting, and the money's not coming in, you can't do that, and that's the part that sucks about this job.

There are many days when I want to throw my computer out the window, when I tell myself I'd be better off selling shoes at the mall. But I always keep at it, because I have to. Writing is completely part of who I am. Even if I never published another book, I would keep at it - because it feeds my life and makes it richer.

If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.

The idea of critical windows extends beyond just vision, of course: almost every system in the brain has a critical window when it needs to experience certain stimuli, or it won't get wired up properly. The most obvious example is language: if you don't learn a language early on, it's nigh impossible to become truly fluent.

I've had teammates that are mirror guys. While they want to win, what they're really concerned about is themselves. In a win, they could be upset. In a loss, they could be happy. All that mattered was their own success. Window people, on the other hand, measure success by the contribution they make into the lives of others.

Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.

I don't want to be in a position that could make me vomit, like air travel. I've purloined airsick bags and stuffed them everywhere, just in case I ever feel the need to throw up. I haven't vomited since 1977, but I think about it all the time. I recognize that it's irrational, but I'd rather jump out of a window than vomit.

The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing.

I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.

Books were the window from which I looked out of a rather meager and decidedly narrow room onto a rich and wonderful universe. I loved the look and feel of books, even the smell... Libraries were treasure houses. I always entered them with a slight thrill of disbelief that all their endless riches were mine for the borrowing.

I never saw my mother in jeans, even in the country. She had one pair, which I have, but she never wore them. They were from 'Rear Window,' in the end when she's wearing jeans and loafers and a shirt. They were comfortable things that zip at the back, with really tight little pleats. They're very dark, they're not proper denim.

There's no other company that could make a MacBook Air and the reason is that not only do we control the hardware, but we control the operating system. And it is the intimate interaction between the operating system and the hardware that allows us to do that. There is no intimate interaction between Windows and a Dell notebook.

I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.

Performance was a shock to me. The first time I remember feeling I could do it was during the making of my first video, 'Fun for Me.' I couldn't sleep the night before the shoot, I was so frightened. I had to play a ghost and a piece of merchandise in a shop window, and I had no idea whether I was going to be able to pull it off.

The International Space Station is a phenomenal laboratory, an unparalleled test bed for new invention and discovery. Yet I often thought, while silently gazing out the window at Earth, that the actual legacy of humanity's attempts to step into space will be a better understanding of our current planet and how to take care of it.

The Central Bank should have a permanent window for discounting high quality securities where banks could go and discount these. It gives peace of mind to the banks. In the absence of this facility, what banks tend to do is to keep a liquidity cushion for emergency requirements. This is a very expensive way of managing liquidity.

Everything is up for grabs, everything is relative. Except nothing is if you are serious about it because the moment you become serious about answering a question you have a stake in it. Relatively goes out of the window, in one sense because you're putting your a** out there - you are depending on the answer, you need the answer.

I love the idea of a tiny window between the back stoop and the pantry, where the milkman would pass through the cheese. But of course, there is no milkman anymore. So somebody coming by the house and seeing the window would say, 'Oh, that must be original, because that's where the milkman passed the cheese through to the pantry.'

I look out the window in the morning sometimes, and the sun is rising, and the people are going to work. I look at Washington as being that big, sleeping giant, just stretching and waking up, and going about its business. And to know that I'm working in the capital of the most powerful nation in the world - I feel good about that.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.

The great majority of Baghdad is a slum - a lot of it's new, but it's still slum. It's usually this concrete-block, one-room design with a door and a window, arranged one-up, one-down, often with a shop with nothing in it on the first floor, and then a one-room apartment above it. There's street after street after street of that stuff.

My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.

It changes your perspective to be able to look out the window and see the planet. One of the thoughts that I had when I first got up here was, 'We really do live on a planet, and we are in a solar system, and we are flying through space right now.' I mean, this is something that you know, obviously, but to see the planet - it's amazing.

I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget. You have a pre-conceived notion of what you want the scene to be, but once you get there, that goes out the window and it turns out to be a way that you never imagined.

It's true that the biggest value of life is that it's going to stop. I was thinking when I was in New York the last time that all that we see that has importance is man-made. It isn't nature-made. And when I was looking through the window, looking at New York, I was so moved by humanity's desire for immortality-because that's what it is.

We're fighters. We go out there, and we'll open a window of opportunity, and they're only open for so long, and we have to take advantage of that time right then. When I did it, I was 30-31 years old. Maybe it was a little too late that I should have did it, but I did it right. I was okay with the money that I got, the money that I made.

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'

Look, it's no longer about capacity, how many ships, how many air wings, how many battalions. It's about capability. If we dominate cyber space and know and can read the other guy's mail, and with a very accurate laser-guided munitions put it in this window or that window, it's not how much, it's knowing exactly where to pinpoint a target.

When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.

The lunar flights give you a correct perception of our existence. You look back at Earth from the moon, and you can put your thumb up to the window and hide the Earth behind your thumb. Everything you've ever known is behind your thumb, and that blue-and-white ball is orbiting a rather normal star, tucked away on the outer edge of a galaxy.

Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.

I went to a party when I was a student and they had a mynah bird up in the bedroom where people put their coats. I was completely captivated - I just sat there all night talking to it. The next day I passed a pet shop and they had a conure - it's a little parakeet - in the window. I bought it, not knowing what it was or how to look after it.

There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.

I am an outsider looking in, absolutely. You're not going to see me at the Academy Awards 'Vanity Fair' party any time soon. I'm not somebody who, no matter where I go, there are paparazzi or any of that nonsense. But I have a little window into that world, and I can enter it and dance around. I want to be the audience's ticket into the party.

My parents told me they were going to kill me at least a thousand times growing up. "I'm gonna kill you," and then they'd whack me on the side of the head or whatever. And "What's wrong with you?" And "I'm gonna lock you up," and "I'm gonna throw you out the window," and "I'm gonna kill you." You know, all these things that you say in the heat of a normal chaotic household.

As you start the company, you start spending spending spending ahead of revenue but then you come out of it and very quickly you should become a company that spends less than it makes. And what I mean by very quickly, is that window of time should be in that 6 to 8 year time frame. And the reason is because if you build your business model correctly it's almost unavoidable.

The vitrines and shelves that I make, the objects displayed can be easily exchanged. This is a key to the work-the objects are mere signs of capitalism. The reason for their existence is in anticipation of their own destruction. They are meant to trigger a resemblance to the way store windows appear just before they are smashed by demonstrators. They represent targets for potential violence.

I travel alone so much, and the first thought is to grab the damn phone. In airports, just look around. Nobody looks at anybody, or even out the window. It's obvious we can't live without it anymore, and as a comic on the road the phone is an essential tool. It's probably doing more good than bad for me, but it does make me sad that those of us who grew up without mobile phones, we know what we're missing.

In the last two years we've seen a sea change in the United States on media issues. Two years ago, people would have read this, then opened the window on the ledge of the 18th floor and jumped. They would have said, "Okay, it's over, there's nothing I can do, it's just getting worse." But in the last two years, what we've seen is that millions of Americans have gotten aware of the issue, they've organized on it, they've risen up, and we're seeing the beginnings of a burgeoning media reform movement across this country.

Part of the failure of the corporate media is that they don't dig out stories anymore. They are looking down from the top floors. Media work used to be something that was down on the ground level. Now they are looking out of the windows in the top suites, and they don't know what's going on out there. And then there are the corporate owners who don't want this stuff reported because if one town learns that the next town has defeated Wal-Mart or stopped sweatshop goods, then other towns are going to want to do the same thing.

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