Quotes of All Topics . Occasions . Authors
Danny Williams broke my dream. Iron Mike, for me, was the dream. For many years, I would see Tyson and say, 'Mike, I want to fight you.' He was on his way back, and we were making conversation about a fight between me and him. So I was very surprised and disappointed when he lost.
When I was a teenager, I continued to visit imaginary places by spending all my free time at our local community theater. Whether I acted in a play or worked backstage, the world of Tennessee Williams or Shakespeare always seemed more real to me than the dreary life of high school.
'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.
Even when I first started modeling, my loyalty to those girls like Molly Goddard, Ashley Williams, and Dilara Findikoglu was important. I like to support them as much as I can. For me, it's as important to walk in their show or wearing their clothes as it is doing a Marc Jacobs show.
I trained as a classical actor in London for three years. We did Tennessee Williams and dialect and accent classes; they were one of my favorite things to do each week. And we'd strip it down to the phonetics and listen to the sound. It was a really interesting way to look at it all.
I get up in the morning. I usually do a radio interview early in the morning. I usually do a book signing, because I'm also a cookbook author, so I'm at some store, at a Walmart or a Williams Sonoma, for three hours, standing up, signing autographs, and taking pictures for three hours.
'A Tuna Christmas' is the second in a series of plays created by Joe Sears and Jaston Williams featuring the fictional town of Greater Tuna, the third-smallest town in Texas. What makes these plays so hysterically funny is the accurate portrayal of small-town life in the Lone Star State.
I sometimes fee like the spirit of the past resurrected... After all, didn't cultural studies emerge somewhere at that moment when I first met Raymond Williams or in the glance I exchanged with Richard Hoggart? In that moment, cultural studies was born. It emerged full grown from my head!
My personal opinion, Suni Williams - I think that when we really leave the planet - we all go as humans, not as people from one country or another. We are humans; we work together. This is our only planet as human beings that we know of. So we all should have an interest in preserving it.
I got a lot of influences. I got relevant influences today. I got influences that you wouldn't even think of. I'm very influenced by Marilyn Manson. His style is ridiculous. Like, honestly, if you want me to keep it 100, Marilyn Manson has as much style as Kanye West and Pharrell Williams.
A significant event for me was learning Hank Williams, reconnecting with his music's simplicity, which inspired me to inhabit the same territory. It's different, because I grew up on Led Zeppelin, The Stooges and punk, so in that sense I'm mutating country and folk more than a few degrees.
The movie I've seen a million times - wait, that's not possible - my favorite movie of all times is 'The Empire Strikes Back,' directed by Irvin Kershner, executive-produced by the great George Lucas and stars Harrison Ford, Mark Hamill, Carrie Fisher, Billy Dee Williams, James Earl Jones.
When we went to America, Robin Williams came to the gig, and Mike Myers had lunch with us and wanted to write a film for us. We're idiots - we turned it down. I think we were just sick of each other at that point. When you get famous, it takes some time to realise it isn't going to be good.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
My junior high school teacher, Bennie Williams, was really more than a music teacher. She taught us poetry. She helped us put on school shows. She did all these kinds of things to help us stand in each other's shoes, and it was a really powerful time. That's when I discovered that I could sing.
The thing about 'Harry Potter' is it's great fun because of the people - I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you're going to hang around on a set bored, you might as well do it with Julie Walters.
I have never been a major fashionista, but I love a suit, and I did have one made for me by the tailor Stephen Williams. The great thing about a bespoke suit is that it covers up my pot belly. When I buy a suit, I'll pick shoes, belt, tie, shirt and socks, and that will be what I always wear with it.
Hank Williams, Hank Jr. and myself, if you check your history, you'll see that they've always played in rowdy environments. Part of that is a lot of people are coming to forget their problems and not being told what to do for a couple of hours and not try to have anything sold to them or pushed on them.
My father took me to see Hank Williams on December 14th, 1952. I was two years and four months of age. And I remember a little cool eddy of hair hitting my cheek, and I remember the smell of his hair oil, and I remember the mingling tonality of the small talk before the show started. Those are my memories.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
Leading up to this fight Julian Williams talked, and I held it in. I did what I had to do to become the champion of the world and I deserve my respect. He disrespected me all the way up to the fight. I said I don't want your congratulations, I want your apology. I don't care what they say, I knocked him out.
The prospects for a coherent, hilarious and consistent American comedy seem to lessen every year, as the poor waterlogged, gassy corpse called 'Evan Almighty' proved when it floated ashore recently. So there's a temptation to think too highly of Robin Williams's uneven but occasionally funny 'License to Wed.'
I remember seeing 'Aladdin' when I was five or six and loving it. I looked at the big screen and said to my mum, 'Whatever this Genie guy does, I want to do.' Mum said I couldn't be a genie, but that Robin Williams, who did the voice-over in the film, was an actor. So I said, 'OK, then, I want to be an actor.'
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
I remembered a long time ago, Kit Williams hid a golden hare somewhere in Britain and wrote a book which was layered with clues about where the it was. This really fired my imagination, I read the book and it was way too cryptic for me to understand, but it seemed to fascinated people - it even got on the news.
My next project is 'Venus Vs,' which is a documentary that follows tennis star Venus Williams and her effort to get equal-award pay for women at Wimbledon. Most people don't realize that Venus fought for years to make sure women and men winners of that tennis championship received the same amount in award money.
When they told me there would be a statue erected at Wrigley Field, I was happy with that. I know there will be a meeting place for a lot of people. There will be a conversation every day. They say now, 'I'll meet you at Ernie Banks' statue.' After Sept. 7, they'll say, 'I'll meet you by Billy Williams' statue.'
All the Formula 1 teams that Dare To Be Different has come into contact with - Ferrari, McLaren, Force India, Williams - they're all very proactive in supporting us. They allow us to contact their female staff members and they're very conscious of wanting to help increase their percentage of women in the industry.
Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.
Seeing the intensity and power she brings to the game, it's hard to imagine her being anything but single-minded in pursuing tennis. But Serena Williams has other passions, too. In fact, there doesn't seem to be enough time in the day, week or month for one of the world's most gifted athletes to chase her many interests.
One of the best and most challenging books about Orwell is by the socialist literary critic Raymond Williams. As a critic - and, in some ways, as a figure, at least within the academy - Williams was what England had in the generation after Orwell, and toward the end of his life, he became more critical of his predecessor.
Black excellence is a thing. People - from Beyonce Knowles to Venus and Serena Williams to folks you haven't heard of - are into it. It's less a movement than a standard: believers set the bar high not only for themselves but also for others who share their vision, especially when it pertains to black history, stories, and style.
Remember Robin Williams's great work as the voice of the genie in Disney's 'Aladdin'? Because he wanted to leave something wonderful behind for his kids, he said, he did the voice for a cut-rate fee of $75,000, far below his usual $8 million payday. But then something happened: The movie became a huge hit, raking in $504 million.
I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.
In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
When the media began reporting that I might return, I was touched by the response from so many fans who wanted to see me back in the sport. That was certainly a factor in the decision, so I'd like to thank the fans for their support. But, at the end of the day, when I received the call it was an offer I couldn't refuse. It was Williams!
'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
During the years I was still playing, I would go to Puerto Rico in the winter and manage. When the day came, I had the experience without having to go to the minor leagues for four or five years and then wait for an opportunity. Still, there's a double standard. Some whites, like Pete Rose, Joe Torre and Ted Williams, never had to go to the minors.
