Quotes of All Topics . Occasions . Authors
It's very important that we keep these special, wild places. It defines the United States. Imagine our country without our national parks and our monuments. Here in California, imagine if you didn't have in Southern Cal the Channel Islands or the great Highway 1, Big Sur up to Point Reyes up to the Redwood country.
When I turned 40, I invited Johnny Cash to my party, even though I knew there was gonna be 200 people roasting a pig and wild as can be. He didn't come, but the next day, I got a bowl of chili he'd made and a note that said, 'John, I'd love to come to your party, but that would mean I would have to leave my house.'
I wound up through a wild set of circumstances getting into coaching. I went in and volunteered with Don Coryell, who was a big part of my past, great coach. A lot of people say he was one of the greatest coaches ever. He was very good in high school, college and pro. Another guy on that staff was named John Madden.
Into the Breach' is a wonderful strategy game where you play that you are trying to stop an alien invasion. But of course, 'Zelda: Breath of the Wild' and 'Super Mario Odyssey' are just two of the most superlative games ever made, and so when I have time to completely lose myself in those, it's really, really a joy.
We owe each other a debt and we owe each other an obligation, and because of these fundamental American imperatives, there are things that we own in common with each other, and that we are obliged to protect for our posterity. The water. The trees. The wild places in the land. We lose sight of these truths sometimes.
We need financial regulation that allows businesses and the banks they use to have access to the tools that help keep prices of consumer goods - like groceries and home heating oil - steady, while ensuring that the taxpayers are never again on the hook for the types of wild bets that helped crash the economy in 2008.
Fraud is common when you give away billions. Fraud related to Hurricane Katrina spending is estimated to top $2 billion. In addition, debit cards provided to hurricane victims were used to pay for Caribbean vacations, NFL tickets, Dom Perignon champagne, 'Girls Gone Wild' videos, and at least one sex change operation.
I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks the heavy perfume of wild roses in early July and the song of crickets on summer humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.
I just had the absolute best luck in the world in terms of meeting The Young Bucks, and they might look like wild little rock stars who are irresponsible, but they are business geniuses. They set up the deal with Hot Topic, and they're going to be the first 7-figure downside characters that New Japan Pro Wrestling has.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
'Reinventing the Bazaar,' by John McMillan, is a great and fun introduction to the wild variety and importance of markets throughout history and around the world. I finally understood how a Middle Eastern souk actually works economically and how to compare that to modern-day telecom-spectrum auctions. I love that book.
Having been kept pretty strict in prep schools, I guess I couldn't cope with all the freedom at Yale. I had a wild, wonderful time, got abysmal grades and was bounced out in my freshman year. I then came back the following fall as a repeating freshman, lasted until April and got bounced out again - for the same reason.
I was raised in a little church, the Grundy Methodist Church, that was very straight-laced, but I had a friend whose mother spoke in tongues. I was just wild for this family. My own parents were older, and they were so over-protective. I just loved the 'letting go' that would happen when I went to church with my friend.
Animal abuse is rampant in the U.S., right under everyone's eyes, for the entertainment of the public. The brutal confinement and pain of training methods of wild animals in the circus, the aquatic and theatrical shows, leads to retaliation by the animals. Eventually they find the right time to strike out, and they will.
What Joe and I love about the film industry, it's like the wild West. We're two guys who grew up a million miles away from the film business; it doesn't matter where you come from or where you go to school. All that matters is, can you find a way to practice the craft and express yourself in a way that people respond to.
My costar James Lafferty, and his little brother Stuart Lafferty, and another buddy of ours, Ian Shive, are working on this project called 'Generation Wild.' It's about getting people to realize that being outdoors is not scary - you can go on adventures like we do, in national parks, and practically in your own backyard.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
In my college days, I went wild with my hair. I dyed it every color in the book and, quite naturally, my hair would break off from all the damage. When our hair breaks off, of course, there's only one thing to do - braid it up. I wore braids for a while and would always feel like I just never knew what to do with my hair.
War reporters are often seen as a wild bunch of thrill-seekers who wade into danger zones simply for the sake of the adrenalin high the settings inevitably provide. But this one-dimensional explanation leaves out the core of the story, which is that reporters go to these places because they feel the tug of responsibility.
We all have original ideas. Even if we don't see ourselves as supercreative or as wild nonconformists, we have insights every day about how the world around us could be better. It might be a better way of running meetings in your office that would be less mind-numbing. It might be a little twist on a product or a service.
I started working full time as a comedian in 2005, shortly after we did the Vince Vaughn 'Wild West Comedy Show.' I worked at the Four Seasons hotel from 1998 to 2005, so about seven years, just trying to put some food on the table and pay the rent while I went out to the open mics and got my feet wet with stand-up comedy.
I'm not trying to take anything away from film acting, because it's also really hard, and I worship the people who are great at it. But to actually have to go out on stage night after night and do it with your audience right there is so wild and scary and exciting and fun and all the things that I remember loving about it.
There is no excuse for keeping wild animals in amusement parks or circuses. Until our governments take action, we should avoid supporting places where captive wild animals perform for our amusement. If the public will not pay to see them, the businesses that profit from keeping animals captive will not be able to continue.
Sendak's 1963 classic 'Where The Wild Things Are' has long been a favorite of mine because of the creative imagery, fantastic adventures and, most of all, because of how this timeless story shows us that children need to be free to roam, explore and invent in order to understand their place in the world that surrounds them.
You know, I don't really understand a suburban environment. I want to be out in the woods, I want to be where it's wild, I want to wake up and hear birds, I want to walk outside and see a gaggle of turkeys bouncing across my lawn - I want to be someplace like that - or I want to be right in the middle of an urban environment.
Witches are the kind of more traditional, home and family, craft people - so they're the ones who are making things; crocheting shawls and things like that. But then they also have that slightly confident, dangerous, edge. I always see them as having very extreme hair, either amazingly beautiful straight hair or kind of wild.
If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
Performing comedy in San Francisco to begin with is pretty wild. You've got to - you've got the human game preserve to play off of. And it's a lot of great characters everywhere. You work off that, and then you play the rooms, and eventually you get to a point where you're playing a club that is a comedy club, with other comics.
I'm not a malicious person. When you get past the tattoos and leather, I give people a fair shake. There are periods when I've sowed some wild oats, no doubt about it. And I can party with some of the heavyweights. There are some stories about me that, yeah, where there's smoke there's fire. But sometimes the smoke is just smoke.
Johnny Cash's legacy, I think if it was one word, it would be 'integrity.' He was the original wild man and grew from that guy that was doing all the crazy things that you read that rock n' rollers do to being someone who was like the father of our country, you know. He was a guest at the White House. He was Billy Graham's friend.
I went through the workroom at Central Saint Martins in London, which is the most competitive workroom of a design school in the world. Very high creativity, very conceptual, very international, age-diverse and cutthroat - people who have master degrees reapplying into a foundation there is just wild to me to launch their careers.
There are three elements of mountaineering - difficulty, danger, and exposure. Difficulty is the technical aspect of it. Danger, it is best to avoid, but some people like to increase danger to a point where their success is dependent only on luck. And exposure, which is what truly defines Alpinism, is what you face in wild nature.
A comedian is sort of like a wild animal. It really just depends on where you catch them. Sometimes they want to cuddle up, and sometimes they'll snap at you. But for me, more often than not, if I'm talking to somebody who makes their living in comedy, it'll be a very thoughtful conversation driven from an emotionally honest place.
The earth is such a voluminous, sparse, wild place that has its own rhythm that human beings try to control and strategize our way around, but the truth is, if you're out someplace like the ocean on a capsized boat, it doesn't matter if you have academic degrees, or if you're a martial-arts ninja. Nature is a bigger force than you.
Steve hadn't been to acting school. He had no preconceived notions. His background was exactly what you see on television; he's done that all his life. We thought we'd do one show. What happened was, it did really well, so we did a part two. And from then on, we found that Steve's natural behavior in the wild happens to be fascinating!
Animals raised on corn produce fattier meat, but it's not just that it's fattier, it's the kinds of fats. Corn-fed beef produces lots of saturated fats. So that the heart disease we associate with eating meat is really a problem with corn-fed meat. If you eat grass-fed beef, it has much more of the nutritional profile of the wild meat.
I've always been a history buff. It was one of the few subjects at school that really, really caught me. I think you'll find a lot of actors will be interested in history because it sparks your imagination so much. When you enter a period of history, your imagination just goes wild in creating the world, which is really what acting is.
It's 'Sharknado,' people. No one's expecting a tear-jerking, gut-wrenching emotional piece. This is just wild sci-fi action/adventure at it's finest. It's one of those dopey movies that come on in the middle of the night, and your eyes just stay open watching it 'cuz your glued to it, 'cuz you're just compelled to continue to watch it.
When my generation, those early days of television - I know I've been thinking about this lately - my two flashes of me as a little boy. One, I'm standing in front of the radio freaking out that Nat King Cole's singing 'Lady of Spain', just this stuff coming out of the radio, and Guy Williams singing 'Wild Horses' coming out of the radio.
I was making projections about 'Humans of New York,' back when I had zero followers, that made all my friends and family roll their eyes. I'd throw out these huge numbers: 'One day, a million people are gonna be looking at this. Trust me.' And even those wild, wild numbers I was throwing out have just been smashed. So, it's a good feeling.
'All the Stars in the Heavens' takes place during the golden age of Hollywood, around an imagined story about Loretta Young; Clark Gable; Alda, a young woman with a secret who is preparing to become a nun but is cast out of her convent; and the scenic artist she meets on the set of 'The Call of the Wild.' It's a big, lush historical novel.
Going to the woods is going home, for I suppose we came from the woods originally. But in some of nature's forests, the adventurous traveler seems a feeble, unwelcome creature; wild beasts and the weather trying to kill him, the rank, tangled vegetation, armed with spears and stinging needles, barring his way and making life a hard struggle.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
You can pick wild strawberries with your eyes closed, locating them by smell, for they are two parts perfume to one part taste. An hour of searching might yield a handful if you're lucky. Wild strawberries can't be encouraged, nor can they be discouraged: They come to you unbidden and unearned. They appear, or do not, by the grace of the sun.
You know, I guess there's enough information out there to support that I'm a crazy, wild dude and rock and roll and this, that and the other. And there's enough information to support that, you know, I'm a single father, that, you know, has been a pretty standup guy in his community and pretty private about that stuff. But it's on both sides.
I'll never forget a Podcast I did with Dr Joseph Mercola when my bestseller, 'The Plant Paradox' had just come out. He was wild about the book, and apoligized that he had never heard of me before the book. He asked what I had been doing for so many years. I replied that I was merely following the Buddha's advice to 'chop wood and carry water.'
When I was 23, my Norwegian relatives taught me how to sit still. During the long sunlit evenings in the summer of 1992, my cousins would lead me across the farm to the edge of the forest, each of us lugging a folding chair. There, in a scraggly bramble of wild blueberries, we would set them down a few yards apart, each in our own little patch.
People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along.