To cut short the question of the law of retaliation, we must note that even in its primitive form it can operate only between two individuals of whom one is absolutely innocent, and the other absolutely guilty. The victim, to be sure, is innocent. But can the society that is supposed to represent the victim lay claim to innocence?

Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.

Most open letters undoubtedly come from a good place, rising out of genuine outrage or concern or care. There is, admittedly, also a smugness to most open letters: a sense that we, as the writers of such letters, know better than those to whom the letters are addressed. We will impart our opinions to you, with or without your consent.

A lot of people resent that I've been in someone's life for 50 years. Why shouldn't people have an affection for me and what I've done? Didn't I have to be genuine for them to buy into what I did? There are children who grow up today who will not have that when they're 55 years old. With whom will they have it? Name an example for me.

As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.

After a two-term presidency, many young voters seem to want someone who is radically different from, even the opposite of, the commander in chief to whom they have become accustomed. After all, a two-term president will have led their nation for a significant percentage of their lives. That's boring. Isn't it time for a transformation?

Suppose you could be hooked up to a hypothetical 'experience machine' that, for the rest of your life, would stimulate your brain and give you any positive feelings you desire. Most people to whom I offer this imaginary choice refuse the machine. It is not just positive feelings we want: we want to be entitled to our positive feelings.

For many observers, a child who has known nothing but war, a child for whom the Kalashnikov is the only way to make a living and for whom the bush is the most welcoming community, is a child lost forever for peace and development. I contest this view. For the sake of these children, it is essential to prove that another life is possible.

Anyone working in the media can tell you that there seems to be an always-ready-to-explode segment of the populace for whom offense is a fate worse than anything imaginable. You'd think offense is one of the most calamitous things that could happen to a human being; right up there with the loss of a limb, or just missing a parking space.

Like Nemesis of Greek tragedy, the central problem of America after the Civil War, as before, was the black man: those four million souls whom the nation had used and degraded, and on whom the South had built an oligarchy similar to the colonial imperialism of today, erected on cheap colored labor and raising raw material for manufacture.

I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.

I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail, while there are younger readers for whom what they write is pure oxygen.

Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.

In a field like acting, there is pressure of all kinds, and it becomes tricky to navigate this space. There isn't a particular path laid out to get what you want; you have to figure out ways to get there on your own. And yet, there is no guarantee of getting what you want. At times, you don't know whom to listen to or whose advice to follow.

There cannot be enduring peace, prosperity, equality and brotherhood in this world if our aims are so separate and divergent, if we do not accept that in the end we are people, all alike, sharing the Earth among ourselves and also with other sentient beings, all of whom have an equal role and stake in the state of this planet and its players.

Well, I think the American people have to understand that the Mexican government is committed, in a very substantial way, to eradicating the effect of the impact of the cartels on Mexico. We have - what are called vetted units down there. Units that have been vetted by our law enforcement people there, the people with whom we deal - primarily.

Acquaintance with the human kingdom is limited: between death and a new birth - and this begins immediately or soon after death - the soul has contact and can make links only with those human souls, whether still living on earth or in yonder world, with whom he has already been karmically connected on earth in the last or in an earlier incarnation.

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