Quotes of All Topics . Occasions . Authors
Whoever has not experienced the pleasure of taking a young lady to her first game of ball should seize the first opportunity to do so. Her remarks about plays, her opinions of different players and the umpire, and the questions she will ask concerning the game, are all too funny to be missed.
Women are such incredible people. We're so multifaceted, we're so interesting, and any opportunity to celebrate that - because there's been many years of not being able to - and expose what it's like to be female and how we can be whoever we want to be, and do whatever we want to do, is great.
Before my marriage, I was really wild, and I was very open about it. My wife knows about it. From the age of 19 to 30, I was this mad, wild person. I just wanted to have a good time, not get serious with anyone. I didn't allow relationships to happen, and I made it clear to whoever I was with.
When I first made 'Green Street' and I was considered a hot director, I pitched everybody, but there was always this feeling that I was being underestimated in the room. I pitch TV, and nobody underestimates me. They literally think you could be the next whoever, and that is a very cool thing.
Obviously I'm fast, and I'm going to have to utilize that speed, but I'm also going to have to be smart. I'm also strong, and I have a punch, so I'm going to have to use all my qualities to be able to fight against Angulo, and I just feel whoever's the best prepared that night is going to win.
It is our job to work for the government of the day and so that means working for Gordon Brown as Prime Minister, and we need to do those preparations just to be sure that we're ready for whoever you, the British public, elect and that's core to our civil service values over the last 150 years.
I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
I can't say what people use the experience of listening to songs for, but I would never tell somebody what it is supposed to mean. That defeats the purpose of making it. Hopefully, whoever connects with it connects with it in their own way, and it can mean whatever it is supposed to mean to them.
In the old days, when you took out a mortgage, it was probably through a local bank or a credit union, and whoever gave you your loan held on to it for life. If you lost your job or got too sick to work and suddenly had trouble making your payments, you could call a human being and work things out.
For those of us who spent our careers competing with David Broder, the hardest thing to abide was the inevitable comparison. If someone said Jack Germond - or Jules Witcover or Walter Mears or whoever - 'is a pretty good political reporter,' the default response would be, 'but he's no David Broder.'
'What is your desired salary?' The unwritten rule when it comes to salary is this: whoever proposes a number first loses. When you interview, you should never feel pressured to answer this question. Simply let your interviewer know that the most important thing to you is how well you fit the position.
I want what's best for people who want to improve the quality of their life. I hope whoever our leader is will do all that he can do to make our country safe and improve the quality of life for a lot of the people we have in our country, and I don't think I am qualified to determine who that should be.
Do whatever rejuvenates you. It might be a cooking class, cocktails with the girls, or just private time with the hubby. We all have our moments where we run out of steam because we've given everything we've got to everyone else. Whoever decided that was a good thing? It's not. Everyone needs to refuel.
It's important to remember that whatever the presidential candidates of either party say, they will have to interact with the United States Congress, particularly the Senate, when it comes to crafting policy... we play an important role. And I'm going to continue to play that role, whoever is president.
'Nuclear' is nothing but trouble. Do you say 'new-clear' or do you say 'nuke-you-ler'? Whoever invented that word had obviously never studied the human mouth. We don't have enough muscles in our face to make that group of letters come out smoothly. The word is missing a middle syllable, for cryin' out loud.
Thought is more than a right - it is the very breath of man. Whoever fetters thought attacks man himself. To speak, to write, to publish, are things, so far as the right is concerned, absolutely identical. They are the ever-enlarging circles of intelligence in action; they are the sonorous waves of thought.
It's always boiled down to the quality of your music and the quality of your deal with whoever's distributing your music: There are artists who sold a lot of records and didn't make money because of their deal, and artists who didn't sell nearly as much who made a great living because they own their masters.
One of my friends, Bruno Andrade, was so quick, he just used to knock the ball past whoever he was playing against, and I thought, 'Why can't I do that?' Until then, I would try to dribble and maybe try a stepover, but Andre would just knock it then - beep, beep - and he was so fast, he would get there first.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
I'm aware that I have a career. But, if I was the hottest in the game, songs all over the radio - let's say whoever produced made me super big. Like, that would be cool, but there would be something in me that goes, 'You only wrote the raps. You didn't make the beats. You didn't direct. You didn't do all that.'
Once in a while, you'll get somebody who watched 'One Tree Hill' and 'Supernatural,' but by and large, whoever watches one show is very distinct. There's not a lot of crossover. It's like, 'This is my show, and I love this show. I know everything about this show. My show is my show, and it will be until I die.'
When you first come in the NBA, you have a lot of conversations about saving your money, financially educating yourself, not just trusting whoever it is handling your money, not just having those meetings once a year, and not really putting the effort into learning the same way you learn your craft on the court.
It is imperfection - not perfection - that is the end result of the program written into that formidably complex engine that is the human brain, and of the influences exerted upon us by the environment and whoever takes care of us during the long years of our physical, psychological and intellectual development.
I can have a song with Ariana Grande that is going to be the song for all the kids and the teen girls, and then another song that could be for a different group of people who all love the song. I'm with whoever. Whatever type of people want to love the music and whatever they love about the music is fine with me.
Whoever makes something, having bought or contracted for all other held resources used in the process... is entitled to it. The situation is not one of something's getting made, and there being an open question of who is to get it. Things come into the world already attached to people having entitlement over them.
I'm always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I'm always down in my basement, singing along to riffs or whoever I'm collaborating with.
Anything anyone wants to say about me is fair. There's not a single thing that any viewer has ever said about anything I do on television that has bothered me in the least. And every single person has the right to hate whoever they want to hate on television, whether it be singers, actors, pundits. That's the deal.
I use a Bruce Lee technique: 'The way of no way.' He had the idea that he would learn everything, so that whoever he had to fight, he could improvise anything. The best way of starting a gig is just to not think of anything - to clear your mind, not in an empty Zen state, but more just to go on and see where you go.
There are many singers who have got an exceptional talent, but spend their lives singing in local trains or hotels. Does the country even know who they are? Music in India is restricted only to Bollywood. Whoever manages to make a mark there is remembered. The ones who fail to reach and make it big there are forgotten.
When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.
Impeachment must not be a raw exercise of political power in which the House impeaches whoever it wishes for any reason it deems sufficient. Indeed, it is the solemn duty of all of the members of the House in any impeachment case to exercise their judgment faithfully within the confines established by our Constitution.
When Captain America is in a room full of Marvel superheroes, he is always Top Dog, even though his powers are pretty modest. He could be stood next to Thor, Iron Man, whoever. He is the one that everyone looks up to. To me, that is Superman, too. Even de-powered in the Legion arc, he was still Superman. Still Top Dog.
I have mixed feelings about 'Car 54, Where Are You?' Because we shot it as a musical and whoever the studio head was at Orion, or whoever the powers that be were, cut all but, like, two musical numbers out of it. That is the same as cutting the musical numbers out of 'The Wizard Of Oz'; it wouldn't be that interesting.
I have a big passion about civil rights for everyone - whoever is being downtrodden at the moment, it doesn't matter: racial discrimination or sexual orientation or gender. Whatever it is, I'm there. I think I was a born civil rights activist. I can't stand the smashing of a community. It's not fair and it's not right.
When a new record came out, the world would stop that day, and we would sit in somebody's house - whoever had the best stereo system - and sit in the middle of the two speakers and listen and discuss and listen again and go over the album notes and get out the guitar and start playing it and discuss and play some more.
Your father tells you a story when you're a kid, or your mother or your uncle or whoever it is. You sit there with your mouth open, and your mind goes to all these places they're telling you about that you've never seen, and you're agape. You just can't believe that things can happen like that - but it's just so direct.
I long for the day when we can all be ourselves, whoever we are, and express ourselves in whatever way we like, and we don't have these kinds of funny constraints in our heads that make us feel 'Ooh, there's a different power relationship because that's a man and that's a woman'. And we still get that. It's not helpful.
I've had parties where I found photos of whoever is coming, put them in a cute little woven frame and used that as their place card at dinner. Then they get to take it home afterwards. It's the little things that make people feel special and like they were a part of the thought process that went into assembling a dinner.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
I think that we all desperately try to fit in to different molds: our parents, our bosses, our partners, social status, friends. We all figure out a look that we think will get us the job or make his parents approve of us or get that girl to want to go on a date, whatever. We all change ourselves to please whoever it is.
I went back to my ex a couple of times, and regardless of how many times you hear from your parents or your best friends or whoever that 'Oh, you should let it go and be over it and let him go. Move past it and find somebody new.' Regardless of the advice that you're given, you kind of have to do whatever makes you happy.
I wanted to prove that I could be a starter. And then once I realized I was gonna be a sixth man and it wasn't gonna change, I just relished the role. I just said, 'I'm going to make it really hard on whoever it is that has to guard me these next 10-11 minutes that I'm in here.' And after a while you just create an identity.
Doing a movie about Steve Jobs is just generally a provocative thing to do, whoever does it, and it begs a lot of questioning and skepticism only in that, what is this going to be? What am I going to be looking at? And curiosity as well. I think that's all positive in any film, because you want people to be curious about it.
I really struggled with what I was going to do with fantasy suites, but I didn't really want to think too much about it until we got there. I had a lot of other things on my mind at that point... but really that was just a personal decision between me and whoever I decided to go into the fantasy suite with or decided not to.
Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.
I've learned the importance of changing people's minds at the grassroots level so that whoever does run will have a much better chance of encountering public opinion that reaches a critical mass and brings about a change not only in White House policies but in the Congress and in the state legislatures and all around the world.
I was surprised by some of my French colleagues who immediately assumed that because I spoke English with an American accent, that, therefore, you must be a supporter of whoever is the current president of the United States. There seems to be this widespread feeling that, 'Oh, American accent - therefore, you like cowboy boots.'
When the crying child is immediately isolated, and it is explained to him at the same time that whoever annoys others must not be with them, if this isolation is the absolute result and cannot be avoided, in the child's mind a basis is laid for the experience that one must be alone when one makes oneself unpleasant or disagreeable.
It is easy to say that there are the rich and the poor, and so something should be done. But in history, there are always the rich and the poor. If the poor were not as poor, we would still call them the poor. I mean, whoever has less can be called the poor. You will always have the 10% that have less and the 10% that have the most.
I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.