Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.

I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.

I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.

I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.

You have a diasporic black world, and the only way to put it back together again is symbolic. It's like Humpty Dumpty. Whoever could edit the 'Encyclopedia Africana' would provide symbolic order to the fragments created over the past 500 years. That is a major contribution.

In this film George presents issues that are important, essential and vital, whoever you are, about constitutional rights and the bedrock of a democracy. I am drawn to those kinds of stories because they inspire me - they are responsible to a populace and responsible to man.

'Instagram' is great if you want to share photos, but you're not that technical. Or, if you're not interested in sharing publicly, 'Instagram' becomes a place where you can not only consume photos and videos from musicians, or whoever, but send them directly to your friends.

Any time guys move to 'Raw' and 'SmackDown,' I think that is what has kept NXT so relevant and has kept the fans so invested because they are now conditioned that whoever leaves or comes in, NXT, as a product, is going to give really exciting sports entertainment every time.

My appeal to the composers, whoever touches an old classic, will only be this much: take it up only if you can express it your way, too; work hard with the writers; make them see your new vision for the song; change the lyrics, yet, keep the soul of the original song intact.

I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.

Whenever something in the system changes, you have to prove yourself again. But wherever you go, you have to prove that you're better than whoever else is on the team. At a team like Arsenal, that's always going to be hard so I always have to be on it in training and matches.

That's what's beautiful about sports in general is you give someone a bat, a ball, a piece of sporting equipment and what it does to help them just be better people, 'to get out of whatever situation they might be in temporarily for that moment, to be whoever they want to be.

There's times where you get the loud, crazy comments from me, and there's times where I say basic things, and stay quiet because I don't want to cause any drama. Sometimes I'm in the mood where I'm just going to tell it how it is, and have fun. And whoever doesn't like it, OK.

I admire our ancestors, whoever they were. I think the first self-conscious person must have shaken in his boots. Because as he becomes self-conscious, he's no longer part of nature. He sees himself against nature. He looks at the vastness of the universe and it looks hostile.

We use the word 'synoptic' to talk about Matthew, Mark, and Luke, and it really means 'seeing together,' because they all have a similar perspective. Matthew and Luke - whoever wrote those Gospels - used Mark as a focus and as a basic story. So all of them have a lot in common.

You can wish as hard as you like but all that really matters is the shape you're in on the day of the race. I've always felt these really big races aren't necessarily won by whoever is the fastest. They're won by the athlete who is the smartest and in the best shape on the day.

I'm just confused as to where we lost that in America because it is everyone's God-given right to think the way they think and that's fine. That's why our ancestors came here to America, to believe what they want, pray how they want and follow a religion with whoever they want.

I want you to know that California is your sanctuary. We will always be a place where you can be whoever you are and become whoever you dream of being. California will always stand up for you. That's a principle that's bigger than partisanship, more powerful than any president.

My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt very authentic in the moment.

I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.

It would be really cool to have some more roles where it doesn't matter how a character looks. You get a script, you see it, and it doesn't matter: there's no description of how the character looks in any way shape or form; it's just, whoever is right for the role is the person.

My wife may be the role model for our daughter in some ways, but I think I represent what she'll put up with. You know, I think one day she'll say, 'OK my dad behaved this way, so if whoever I happen to fall in love with behaves this way it's got to be OK because I love my dad.'

When I represent my country on the field, I do so with heartfelt gratitude to the people who fight for and defend our fundamental freedoms - to believe in whatever I want, to love whoever I want, and to be a valued member of society while doing so. That's the America I play for.

It's a fascinating job, to come in and be the most interesting person in an episode. Whoever the guest star is, that's the job - to maintain the interest and the focus for that 42 minutes or whatever, and it should be a huge relief to those people that are the leads in the shows.

I walked into the wrong examination room. I'm bad enough at facial recognition... I saw more that day than I cared to. Fortunately, I didn't recognize her from that angle, whoever it was, and I didn't ask. I'm off to a rocky start on the road to fatherhood, but I got a free view.

I've always worked closely with the designers and whoever's making the costumes. Comfort is the last thing you want on your mind when you're competing. In an ideal situation, you'll have something where you'll put it on and you're fine and you don't have to worry about it at all.

It doesn't matter what your pedigree is, who your family is or what degrees you have. What really matters is how you perform your job and how you produce results. Whoever could do the best job, that's who the focus is on - and it definitely doesn't matter if I am a woman or a man.

Wikipedia is a strange thing. Whoever gets there first, you know, they decide. Like the picture: You can't choose it! You can't be like, 'You know, I hate that picture of me doing stand-up from 2005 - that doesn't exemplify who I am.' You take it down, and someone puts it back up.

An example I often use to illustrate the reality of vanity, is this: look at the peacock; it's beautiful if you look at it from the front. But if you look at it from behind, you discover the truth... Whoever gives in to such self-absorbed vanity has huge misery hiding inside them.

You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.

In my own career, I have always tried to treat my colleagues with respect and kindness, whoever they are, and am proud to have developed and mentored the careers of many excellent young scientists who will be tackling tomorrow's biological problems long after I have left the scene.

When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.

And I can tell you that history will back up what I'm about to say and that is that there is no government run by conservatives, Republicans, put whoever you want there, if you give government the opportunity to spend more money than it has, it will do it. It will do it every time.

If people are stealing the resources of this nation, if people are taking bribes - if judges or persons in authority, whether they are judges or whoever they may be in government, ministers, whoever, if they are taking bribes - it attacks the fundament of our existence as a society.

In ancient, prehistoric times, the temples of the spirit were outwardly visible, but today, when our life has become so unspiritual, they no longer exist where we can see them with our physical eyes. Yet spiritually they are still present everywhere, and whoever seeks can find them.

I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.

Whoever hired me might've just heard 'Refugee.' Well, I'm not the secret to 'Refugee.' The secret to 'Refugee' is the song. But if somebody really good calls me up to play on something because they like the way I played on 'Refugee,' then I wind up playing on another really good song.

I've played Frankie Cosmos shows where the promoter or whoever sees that I'm the lead singer, and then they go up to David, the bassist, and are like, 'So, do we pay you?' And he's like, 'No, you pay her; she's the boss.' Those are moments where I'm just like, 'I'm clearly in charge.'

Causes brings over 140 million people together to form the world's largest giving community. The belief that everyone has something to give is at the core of what we do; people just need a little inspiration, and to know that whoever they are, there is something meaningful they can do.

Most friendship groups will have someone who starts a new relationship, and you just don't see them for four months. And that's always kind of sad, almost like an inverted break up. I guess the ideal situation is that whoever the new partner is can be subsumed into the friendship group.

I need a close contact to the client, whoever it is, and a commitment of the client to go out and do a process together. I want to do the best for him. I need his respect and his patience. I want to work with a sophisticated person who's interested in a good building and not in my name.

I get really frustrated - actually, it almost makes me angry - when I see, sometimes, magazines will publish a musician's playlist. They'll go and they'll ask, I don't know, somebody from Aerosmith or whoever, Coldplay, to list their five favourite albums. And it's always the same stuff!

I feel compelled not to pass on a vision of bleakness, destruction or cynicism. I want to tell the truth as I see it, but I also have to believe that individuals - my kids, your kids, whoever - can do something about it, and I want to show the ways in which they can do something about it.

We built our fashion around three fundamental concepts: Sicily, tailoring, and tradition. Our dream is to create a style which is timeless, and to create clothes with such a strong personality that whoever sees them can instantly say without a shadow of a doubt: this is a Dolce & Gabbana.

With San Cisco, young kids are more willing to yell at whoever is standing on stage. The difference between the yelling and the quietness is if the older crowd are quiet, they're showing you respect. When you do get a cheer back from them, it's special because they are actually listening.

I literally remember when I made my audition tape for 'Buffy'. I went to the Arsenal Mall. I got my outfit at Contempo Casuals in the Arsenal Mall and put some safety pins in my jeans. I remember telling whoever the clerk was that I was making a tape for 'Buffy', and they were so excited.

We know that men are saved by repentance and faith, and whoever does call upon the name of the Lord shall be saved. But salvation is a supernatural work of God that will always produce fruit. And the evidence, not the cause, but the evidence of salvation is a changed life, a changing life.

'Freaky Friday' was really fun. They had a ping-pong table on set because Jamie Lee Curtis is really good at ping-pong. She's awesome at it. And they had a tournament, and we would play during filming. Whoever won the tournament would get to keep the table. I think it was Jamie who kept it.

During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.

The parents say, 'Can you talk to my daughter and say that it's OK? That she can have muscles?' They'll say, 'I show her pictures of you so they can know she's good at what she does but still looks like a girl. She wears dresses.' It releases people to be whoever they want to be in the sport.

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