I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.

Twenty-five years ago I couldn`t walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don`t ask me about my movies and they don`t ask me about my salad dressing because they don`t know who I am. Am I happy about this? You bet.

Every day when I'm thinking about something or want to do something, I say, "Hey, can we shoot some stuff?" or "Hey, can you come with me to the grocery store?" or "Hey, can you..." Just so I can share my personality and who I am, and also use it as a platform to do bigger, more important things.

Having a sense of humour is really key. You have to have a sense of humour with these things and I've just tried to remain who I am. My life has changed. It's changed in the fact that I don't have the freedoms I did before, but I've also got a huge amount of other freedoms that came along with it.

If I were to make a list, I would include the interceptions, the sacks, the really painful losses. Those times when I've been down, when I've been kicked around, I hold on to those. In a way those are the best times I've ever had, because that's when I've found out who I am. And what I want to be.

I don't think I'd be exaggerating to say that the essence of who I am today is a result of the weight training. It's made me and given me the life that I have. And it goes way back to the eighth grade getting cut, your friends telling you that you can't do it, and you telling yourself that you can.

In your cocoon, occasionally you shout complaints, such as, "Leave me alone!" "Bug off!" "I want to be who I am!"... which comes from fighting against your environment... You can raise your head and just take a little peek out of the cocoon... The environment is friendly. It is called "Planet Earth.

I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.

It's why we oppose Citizens United from that right-wing Supreme Court. In 2012, I also said the Tea Party "acted like terrorists" and called a donut shop manager in Milwaukee who wanted lower taxes a "smartass." And I said the number one issue is a three-letter word, J-O-B-S." I'm proud of who I am.

I'm doing exactly what I was supposed to do. Yeah. I didn't exactly choose this. My own life, if it were up to me, would be very, very quiet. I'd be like a shopkeeper, a book collector, or something like that. I'm not like this. Myself as a performer and an artist is totally different from who I am.

My problem was that I felt ashamed of feeling sad or angry. Now, I don't hide my vulnerability in my lyrics. There's no way I was going to get raped and not get something out of it. I learned about power and hope and forgiveness. I like who I am now and I wouldn't be who I am if that hadn't happened.

I've never worn a dress shirt that's been comfortable. I've always just worn dress shoes. On more than one occasion, I've heard that a champion should dress like a champion. But I'm a champion because of who I am. Who I am is not that guy. If everybody wears three-piece suits, everyone looks the same.

I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.

I think my greatest insecurity would just be standing in the middle of the room and having everyone watching me thinking that's what I want. If I am interesting to you because of who I am, then that's incredible. But if I'm interesting to you only because of what I am, then let's not bother, you know?

When you do the first season, you're putting your life out there and you're kind of hesitant about it, and then by the time you get around to the second season, you don't care. It's like, "This is who I am - like it, accept it, or don't." There are so many misconceptions that now they can see who I am.

I've really come into my own as an artist. I'm much more sure of my identity and understand it much better, and have accepted the fact that I like to jump around a lot in terms of who I am and what kind of music I create, and that it is okay - in fact, that is my main identity, the fact that I do that.

You can hear some artists, hear five of their albums and still have no idea who they are. But if you've heard most of what I've recorded, you know me. You go from 'Honesty' to 'Going Through Hell' - you can listen to the hits, and they pretty much reflect who I am. 'Take a Back Road' is the same thing.

I don't want to cower at somebody's interpretation of what I'm about. I'm supposed to be doing it and I'm going to throw this word out there-with excellence. There's no reason for me to give anything less that all I've got in everything I do. That's scriptural. For me, that's the foundation of who I am.

Sometimes when Australians go overseas, it's as though the "Aussie" is refined out of them. I don't know why. It's never happened to me, because I'm really proud of it. I'm not embarrassed about where I'm from or who I am any more. I know who I am. I don't fit in everywhere, but I know where I do fit in.

Language both reflects and shapes society. Culture shapes language and then language shapes culture. Little wonder that the words we use to talk to each other, and about each other, are the most important words in our language: they tell us who I am, they tell us who you are, they tell us who 'they' are.

We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of "how do we find our authentic selves?" And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?

I'm from East Sheen, I went to public school where I learned Latin at the age of nine, and certain expectations were made of me to go to St Paul's, Oxbridge maybe, and all that kind of thing. And I failed systematically to meet the mark - who I am and what I should have been are two very different things.

I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.

I put myself on tape and the cool thing was that Martin Scorsese had never heard of me. He had never seen [Everybody Loves Raymond]. I was just an unknown actor to him. I don't want to sound conceited, like he has to know who I am, but that seemed a little odd. He's a film genius. He doesn't watch sitcoms.

I know who I am, and the thing about power for me is that it's connected to a source that's obviously greater than myself. Any time you can connect to the source and understand that that's where all of your energy, your creativity, your joy and your triumph come from, I consider that to be authentic power.

They've seen me make decisions, they've seen me under trying times, they've seen me weep, they've seen me laugh, they've seen me hug. And they know who I am, and I believe they're comfortable with the fact that they know I'm not going to shift principles or shift positions based upon polls and focus groups.

There are certain things about me that I will never tell to anyone because I am a very private person. But basically, what you see is who I am. I'm independent, I do like to be liked, I do look for the good side of life and people. I'm positive, I'm disciplined, I like my life in order, and I'm neat as a pin.

More or less the first thing that comes into my head is that some people are always looking for what they want to do in life and never finding it. I'm not one of those people. It has been very obvious to me from an early age who I am, and this has been tied up with creativity, and, specifically, with writing.

Not 'I don't give a f-' to just be reckless and do whatever, but 'I don't give a f- what they say.' … I know who I am and what I'm doing in my life and what I've accomplished and continue to accomplish as a performer, as a writer, as an artist, as a person, as a human being. I'm happy with the man I'm becoming.

Above all else, philosophy ought to aim for clarification - of the self, one's place in the world, and the ways we make meaning. Philosophy, when practiced well, can be useful. It can enable us to grapple in productive ways with questions about the meaning of life and who I am and how I want to be in the world.

I had wanted to come back to Greenwich Village ever since I had left Waverly Place, and since moving to West Eleventh Street, I have never lived anyplace else. I do not want to. That is not because of what the Village is but because of what I have made it, and what I have made it depends on who I am at the time.

I don't want to be a celebrity athlete. When you are, there's this pressure on you. It's like you have this halo over your head and have to walk on eggshells. That's not for me. All that glamour builds up a false sense of ego. It's not needed. I'm already happy with who I am. My job is just to get on the podium.

Actors are inherently self-centered. We're trained to focus on who I am. What do I want? Who is in my way? How do I get this? That's how we're trained. Unfortunately, that sometimes spills over into real life. But it's all very subjective. You just try to portray someone beyond the surface, the different layers.

I’ve never used music to sell my faith and I’ve never used faith to sell my music. I think they are both intrinsic parts of who I am. We’ve always tried to define our music outside of genres…what is a genre? A genre’s a cage or a box and for us our music is best with fangs and some claws running free in the wild.

When I first moved to LA, no one could understand a thing I said, you would think I was speaking another language. Every time I would order something at Starbucks, they would go, 'Huh? What did you say?' My accent was an issue and my low voice was as well. They thought I should be more girlie. But that's who I am.

I would love to continue to model. It just depends on what opportunities I get, of course, I want to always stay true to who I am and make sure in everything I do God is getting the glory. If modeling is one of those things that keeps presenting itself to me, I would love to do it and continue to get more involved.

It's irrelevant to me if other people know who I am. I'm just, I'm really happy. It calms me down, too. If you're on top of an oilrig, fighting with politicians, or whatever - you need a bit of wisdom to realize that you're not always right, or that you're not always being reasonable, or you're not always listening.

Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.

It's funny because being comedic and happy and lighthearted is who I am as a person, so they're easier emotions for me to connect with. The challenge is accessing pain, angst, depression. . . It's more exciting because it gives me somewhere to go and allows me to tap into a part of myself that everyone can relate to.

Acting is about giving something away, handing yourself over to whatever role you are asked to play. I'm not hiding or escaping or seeking anonymity. I reserve the right not to have a rubber stamp on my forehead saying this is who I am. Because who I am gets in the way of people looking innocently at the parts I play.

Being hapa, or more specifically, half-Japanese half-Euro mutt (English, Irish, Scottish, Dutch, French, Welsh, German. . .in case you were wondering), has definitely helped shape who I am. It's very cool to get to identify and learn about all these unique cultures and I think it's helped put the world in perspective.

Then I saw a small dark dot enter the lower left corner of the vision. It floated up a ways and then suddenly disappeared. The Lord authoritatively announced, "That dot represents all the evil of all beings and of all history combined. It's temporary and fleeting compared to Who I Am. So what are you going to magnify?"

I've tried to be clear about who I am, and be as open as possible with the press, and speak extremely candidly and openly about stuff. I feel like in almost every instance, it's completely backfired, and I feel like people have all these kind of absurd ideas about the way I think about myself, and my own self-identity.

I don't know that I'm beautiful or glamorous. I'm a pretty artificial looking person. I sure am flattered when people think I'm beautiful, but I think I'm leaning towards more cartoonish than beautiful. But I'm comfortable with who I am. And since I wasn't born as a natural beauty, I just make the most of what I've got.

I know who I am supposed to be with. Im just waiting until the time is right. I know what i want. I want to be so sure of everything in my life and be so good on my own that someone just comes in to compliment it. I want somebody who is happy. I dont want to meet someone who needs me. I want someone who is good on his own.

I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.

I'm a spiritual man and I've always felt connected to Rastafari. I'm not a Rastafarian but I've got so much respect for the lifestyle and religion, and I'm so thankful I was able to meet some of the most influential Rastafarians during my Jamaica trip. They taught me so much and really helped me evolve into who I am today.

My poems - like my family life, my life with friends, my teaching - these things express who I am. I don't feel any extra responsibilities or relishes or necessary evils in them. They are part of who I am, with all of those customary desires and doubts, purposes and confusions that come along with being a particular person.

I was in my house, alone in the living room, anxious about you, watching the flashes of lightning. And a flash of lightning lit up this truth for me, right in front of my eye. That night i lost you, I lost something inside me. Or perhaps several things. Something central to my existence, the very support for who I am as a person

Ask yourself these three questions, Tatiana Metanova, and you will know who you are. Ask: what do you believe in? What do you hope for? But most important - ask: what do you love? ... I know who I am, she thought, taking his hand and turning to the altar. I am Tatiana. And I believe in, and hope for, and love Alexander for life.

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