Quotes of All Topics . Occasions . Authors
I mean, some of the shots I take now I wouldn't have dreamed of taking when I first put on a Heat uniform. I would've been like, 'Who am I to take that shot?' Some undrafted guy who averaged nine points a game his senior year in college.
A lot of nerds aren't aware they're nerds. A geek has thrown his hands up to the universe and gone, 'I speak Klingon - who am I fooling? You win! I'm just gonna openly like what I like.' Geeks tend to be a little happier with themselves.
I had the good fortune of speaking with Orson Wells many decades ago and he said 'Success is primarily luck anyway.' And I have been very lucky. Of course, Orson Wells was enormously talented and brilliant - so who am I to argue with him!
Oh, who am I trying to kid? It's a madhouse. The minute those cameras go off, things just explode, everyone is just at each other in one way or another, in closets or cat fights here and there. It's nuts. You know, I can't be a part of it.
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
I kind of feel, in a way, all of us will forever be asking those questions of ourselves: Who am I and how do I fit in in the world and what is all this about? Because those aren't really... there are no answers to those questions, in a sense.
I always describe Facebook and Twitter to some extent as 'them time': it's time about the world and what's outside of you. Pinterest, for a lot of users, is 'me time.' What do I want my future to be? Who am I? What are the things I want to do?
In a sense, I am achieving what I set out to do - to devote myself to Stephen, to give him the chance of fulfilling his genius. But what have I become in the process? Who am I? What is there left of me? I am beginning to doubt my own identity.
The greatest thing about being in a band, and the strength of having companionship and collaboration, is also the thing that makes a band break up because then you begin to feel confined. Like, who am I as an individual, as a writer, as a performer?
One night I went over to get some dope from some Hollywood tough guy. After I left, my son Scott, who was only fifteen, went over with a baseball bat to kill him. I was laughing out of one eye and crying out of the other. I thought, Who am I kidding?
If you want to open a supermarket chain and put your face all around the globe, selling your baby and your dog, if it makes you happy, who am I to disagree, as the song goes. But it's not for me. I've always tried to keep my integrity and keep my autonomy.
When the farmer can sell directly to the consumer, it is a more active process. There's more contact. The consumer can know, who am I buying this from? What's their name? Do they have a face? Is the food they are selling coming out of Mexico with pesticides?
All my life, I have taken inventory at intervals. For example, when I became a movie actor and suddenly I had to deal with fame, money and playing so many roles, I lost myself. I said, 'Who am I?' And I wrote my first book to deal with that, 'The Ragman's Son.'
The brain is behind the really big questions we have. Who am I, what is my identity? What is that based on? If memories are encoded in connectomes, your personality might be in your connectome. If that's the case, that's the basis of your uniqueness as a person.
There are a lot worse things you can do with all your bucks than giving them to even a mediocre mutual fund - such as, for example, giving them to a mediocre hedge fund. If supporting the lifestyle of a mediocre fund manager is your favorite charity, who am I to stop you?
When it comes to a specific sound, I don't feel like there's something I need to worry about. I'd much rather do something creative and credible. Like, 'Who am I? What am I trying to say? What do I stand for?' I stand for all of it, because I feel all of it, like everybody.
I think the question is who am I? That's what we all should be asking ourselves. Who am I? Well, if I am first a Christian conservative then that dictates my response to all questions so my response first as a Christian conservative is to vote consistent with my value system.
I felt this during the first few months of my motherhood. You lose who you are - you lose your identity - because when your baby comes, you give, give, give, and no one gives back, and you just wonder, 'Who am I?' 'What am I?' 'How do I live life now?' It's all for this baby.
I feel like if you told me I would be having a son, I would be like, 'Yeah, I'm gonna be a parent - I get that.' But when the doctor was like, 'You're gonna have a girl,' I was like, 'What? Who am I?' It's the craziest piece of information that changes who you are. It's sweet.
Young children seem to be learning who to share this toy with and figure out how it works, while adolescents seem to be exploring some very deep and profound questions: 'How should this society work? How should relationships among people work?' The exploration is: 'Who am I, what am I doing?'
When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.
I was anxious to get back to my life before 'Will & Grace.' You do need that time to find who you are again. Who am I without this? With fame, you can't help but lose yourself. You want to be the one who says, 'I'll always remain the same,' but it is humanly impossible to disallow fame to change you.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: 'who am I? Why am I here? What am I doing?' To feel fulfilment and have a deeper level of understanding, personally, that is the most important thing.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.
What I am very, very moved and struck by is that so many people in the world are often living a life that they hadn't planned for themselves. And they wake up one day and say, 'Hang on. Who am I? Is this really me? Is this what I really wanted?' And also, 'Can I change it? Have I got the courage to change it?'
My identity was a big issue when I was a teenager, and I had a lot of questions, like: 'Who am I?' 'Who do I belong to?' But when I was still quite young, I decided that belonging is a tough process in life, and I'd better say I belonged to myself and the world rather than belonging to one nationality or another.
When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
I guess 16, 17, 18, that whole period was a dark time for me. I guess it was a hormonal thing, going through all those changes as a young woman, learning who you are and being comfortable with yourself, and also, which goes along with that, boys. It was definitely an unhappy, 'Who am I?' period. 'Who am I gonna be?'
When I turned 50, I asked some of my girlfriends, all actresses of the same age, 'What are we going to do now?' I wanted to go live somewhere for a while, learn archaeology, or take part in healing the world on some level. I wanted to dig deep and say, 'Who am I now? What do I have to offer? What do I have to learn?'
I'm afraid my own approach to everything is exactly the same: Who am I? What do I want? What are the circumstances - difficult or non-difficult? What are the obstacles, physical and non-physical? Finally, given who I am, the circumstances, the obstacles, what do I do? That's the only thing you do. You've got to do the action.
Alan Turing is so important to me and to the world, and his story is so important to be told, so it was a big thing to take up, and I was a little petrified. Like, who am I to write the Alan Turing story? He's one of the great geniuses of the 20th century - who was horribly persecuted for being gay - and I'm a kid from Chicago.
I went to a friend's 40th in Manchester, and there was a karaoke machine, and no one was having a go. My mate said, 'No one's singing because you're in the room.' I said, 'Who am I, Frank Sinatra?' They made me sing flipping 'My Star' to a backing track that sounded like '80s Roxy Music. It was pretty embarrassing, but I did it.
I had been getting relaxers since I was eight or nine. I had no clue. It was a personal mission to really find out who am when I'm not altering myself to look like anybody else. Who am I when I wake up and I don't do anything to my hair? Who is that woman? I want to meet her. And that was what catapulted my journey into going natural.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
I played at Sony, Warner Bros., Universal, Big Machine, Capitol... after I played every one of those places, everyone offered me a record deal. I was just like, 'Who am I? Why do I even deserve this?' There are people busting their butts on Broadway doing this hardcore, playing three hours a night for tips, and I didn't even ask for it.
