Quotes of All Topics . Occasions . Authors
Whitney Houston and Ella Fitzgerald are my musical mothers. I learned everything I know about true R&B, pop and jazz singing from these stunning performers and unparalleled musicians.
I like listening to old soul music. I like Sam Cooke. When I was growing up, the first things I was listening to was Whitney Houston and Cher. They were really big inspirations for me.
We've never performed the song live outside of recording it in the studio. That was a dream come true because Whitney, she's an icon and she's been one of my main mentors in this business.
When she connected, I didn't see Whitney Houston's face. I just felt an energy, the energy of a woman who was interested in connecting with her former husband and had a message to deliver.
We have a long, proud history of making things here in Connecticut. We're home to large companies like Electric Boat, Pratt & Whitney, and Sikorsky, as well as their thousands of suppliers.
I love jazz and pop rock and country. I grew up listening to Michael Jackson, Whitney Houston, Def Leppard, AC/DC, Anne Murray - if I hear something really great... I want to be a part of it.
I remember being an art student and going to the Whitney in 1974 to see the exhibition of Jim Nutt, the Chicago imagist. It was then I transferred to school in Chicago, all because of that show.
I have total respect for the self-contained rock artist. Whether you're dealing with Jerry Garcia or Lou Reed or Patti Smith or a Whitney or an Aretha, they know what they want with their career.
I'm not being arrogant or blase, but I got a bigger buzz sitting opposite Jean-Bernard Delmas over lunch at Chateau Haut-Brion than I did from interviewing Elton John, Liza Minelli or Whitney Houston.
I know I don't want to do another single-camera show. It's so time-consuming. I did a couple of episodes of 'Whitney' as her mom, but I have been laying low. I love being with my kids and being a mom.
As a little kid, I used to lock myself in my room and put on my Whitney Houston CD's and pretend to be her and try and hit every single note that she hit. I used to dream that one day that would be me.
Given how majestically slim she always was, it's a little odd to admit that I can remember bellowing that Whitney Houston was The Heavyweight Champion of the World! on the MTV News floor back in the '90s.
Although becoming a singer was my plan A after first hearing Whitney Houston when I was 17, I started off with plan B by going to the teacher-training college that my dad went to. It was a slow coming of age.
I'm not one of those people that's like, 'I'm about to serve on this Whitney Houston song at like 2 A.M.' No. Karaoke? I'm just like, 'Live your best life.' We're not worried about those notes, we just living.
I didn't grow up with a musical family. My mom had a lot of CDs in the house, particularly Whitney Houston, Mariah Carey, Celine Dion, ABBA, all the sort of like diva icons. She's Swedish, so she loves pop music.
I'd always sing 'Greatest Love of All' by Whitney Houston. I just want to make clear, though, you know those people on 'Star Search' who are the little 7-year-olds that sound like Christina Aguilera? That wasn't me.
I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.
I come from a strong religious background, and I had a very conservative upbringing. So I was nervous, and confused. Here I was wanting to be Whitney Houston, so why did I have to dress in lingerie to do that? I didn't get it.
One of my biggest inspirations growing up was Whitney Houston, so I was devastated to hear about her passing. I'm from East Orange, New Jersey, and started singing at New Hope Baptist Church, so she was like my fellow Jersey girl.
I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
With Whitney she has such a unique sound and powerful instrument that she made those songs her own. She might as well have written them because she brought such a power and passion to them that were very unique. She has a great gift.
One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
I feel like nowadays it's almost become a corny thing to say that you want to be a role model or do something good for the world, but the artists I've looked up to - like Michael Jackson, Whitney Houston, and Prince - were about something.
Interesting-looking people have always been comedians, and it's rare that someone who has the choice to model ends up being a comic. Except for maybe Whitney Cummings, but that's about it. That's why she's special: because she can combine it.
There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
I don't know exactly what genre to put it in, I just know that I grew up listening to a lot of soul music - Stevie Wonder, Michael Jackson, Prince, and Whitney Houston. I was inspired by all these great big voices, and I try to do music that's timeless.
My dad listened to a lot of James Taylor when I was growing up. We had a couple of his cassettes in the car, and we'd go on a lot of long family car trips. It was either strange musicals or James Taylor - or Whitney Houston. It was quite the combination there.
I wasn't the biggest hip-hop fan, because I had to listen to whatever my parents listened to, so growing up, it was a lot of Dolly Parton, Elvis, and Whitney Houston. When they finally put a TV in my room and I got to listen to MTV Jams I was like: 'Here I am!'
Sometimes you have to be a diva. All the artists I admire from Madonna to Whitney to Mariah have all been called divas. If you are strong, if you have vision, if you are an artist, you have to do what you believe in. And if you get called a diva for it, then so what.
I used to listen to a lot of music in my studio - all the time. But as far as the music that interplays with my work, what I've done and still do is keep a lyric book and song title. The material typically comes from Eartha Kitt, Betty Davis, Donna Summer, Whitney Houston.
You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never really knew was there.
Mine is only one of the millions of hearts broken over the death of Whitney Houston, I will always be grateful and in awe of the wonderful performance she did on my song, and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed.'
I was in the 1993 Whitney Biennial and the 1994 'Black Male' show at the Whitney, and I've never seen such vicious press. Twenty plus years later, critics who hated that Biennial have come to Jesus and decided it was a really important, seminal show that they misunderstood.
I would love to play, perhaps not exactly Mimi in 'Rent,' but someone like her. Perhaps not on Broadway, but I think I feel like a musical is in my future. I sing, although I'm not Whitney Houston up in here. I'm a little bit shy about my singing, but I did it in school at Juilliard.
Whether looking at pop music, hip-hop or R&B, it's rare to find an artist who hasn't been touched or affected by the power and soul of gospel music. In fact, many of today's popular artists such as Whitney Houston, John Legend, and Katy Perry started their careers in the church choir.
When I was a little bitty kid, I was listening to the stuff my parents were listening to. My mom was a huge Whitney Houston, Mariah Carey, Mary J. Blige fan. My dad had a cover band that I sang with, and he loved Parliament, Prince, Jimi Hendrix, and Eric Clapton, the blues, James Brown.
My way of connecting to the community that I imagined was out there somewhere for me, but wasn't there right now was to download tons and tons of discographies of famed divas. So I had Christina Aguilera's discography, Whitney Houston's discography, Mariah Carey's discography, all of that.
Being on 'Whitney' is a job, but stand-up is my life. I could never stop. There's an art to it. I love having strangers laugh with me, so as long as I can continue doing that, I'll be happy. Working on a show and collectively sharing ideas with a cast is great, but stand-up is my first love.
What Whitney Houston has accomplished will never be accomplished. She's the most famous person on the planet as far as vocaling and her songs. So I'm very happy that I can sit here and say I had a chance to know her. And I'm still dazed that she's gone. But she lives because her music is so powerful.
It's easy to forget, given her scandal-tinged life and tragic death, how incredibly talented Whitney Houston was. She holds the world record as the most-awarded female act of all time, with over 415 major recognitions during her career. She is the only artist to chart seven consecutive number one songs.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic. And so those artists - Madonna, Prince, Janet Jackson, Whitney Houston - you still hear those songs all the time. And there's such a distinctive style - the clothes, the shoulder pads, the big hair, the perm.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
For the first time in my life, in my mid-20s, I started to question things. Had I been deceived? I thought I had been destined for something great - to be Whitney Houston or Jennifer Holliday or Phylicia Rashad. I started to realize that a lot of people think that, and it doesn't happen for almost everyone.
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
We like to think of the '60s as Martin Luther King, Jr. and Malcolm X and a little bit of friction - no, there were all of these different groups. There was the Student Nonviolent Coordinating Committee (SNCC), the Black Panthers, Martin and Malcolm, but also the Whitney Youngs of the world, the Bayard Rustins of the world.
I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.
I was a latecomer to romance, although I did read gothics. My father used to work for the 'Fort Worth Star-Telegram,' and their book reviewer, author Leonard Sanders, would pass on the gothics for my dad to give to me since Leonard didn't review gothics. I gobbled up books by Mary Stewart, Madeleine Brent, Victoria Holt and Phyllis Whitney.