Quotes of All Topics . Occasions . Authors
No female - young, old, black or white - could ever play the knight-on-charger with meager experience. If she presented herself as the human embodiment of national unity and world peace, everyone would have fallen down laughing.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
There must be an end to white monopoly on political power, and a fundamental restructuring of our political and economic systems to ensure that the inequalities of apartheid are addressed and our society thoroughly democratized.
Directly above them, framed in the doorway from the Brain Room, stood Albus Dumbledore, his wand aloft, his face white and furious. Harry felt a kind of electric charge surge through every particle of his body - they were saved.
The Negro wants to be everything but himself... He wants to integrate with the white man, but he cannot integrate with himself or with his own kind. The Negro wants to lose his identity because he does not know his own identity.
Wherever there is light, there is shadow; wherever there is length, there is shortness; wherever there is white, there is black. Just like these, as the self-nature of things can not exist alone, they are called non-substantial.
You just got to remember that mine and Dana White's relationship is like we're a husband and wife. I do the man's stuff around the house. I do the fighting, all the man's stuff, and he does all the woman stuff - all the yapping.
I once owned a really, really ugly pair of white leather boots. They were so bad. It was back in the '80s! It was just a really tacky fashion choice when I was in middle school, and I thought it was cool. I'm really embarrassed.
Never before had she seen such creatures, though they looked much live very large, very shaggy white goats. Thin black horns punctuated the top of their long faces. You look like a collection of grandfathers, she thought, amused.
As you know, Sunday at 11 o'clock is the most segregated hour in America. You have black churches; you have white churches; you have Hispanic churches. It's not really reflective of the world we live in, by and large, in America.
When people nowadays say that Elvis was the first white guy to sound black, I have to shake my head; what can you do? At the time of 'That's My Desire' 1947 they were saying that I was the only white guy around who sounded black.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
Integration is a man's ability to want to move in there by himself. If someone wants to live in a white neighborhood and he is black, that is his choice. It should be his rights. It is not because white people will not allow him.
Green grass, green grandstands, green concession stalls, green paper cups, green folding chairs and visors for sale, green and white ropes, green-topped Georgia pines. If justice were poetic, Hubert Green would win it every year.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
There's a lot that the majority, a big majority of the American people want to see us do and I'm very excited about that work. I think the Democratic Party has a record of being better for the economy when we hold the White House.
And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission.
Anormal day looks like, you know, shower, put on the same jeans, the same tattered Gucci loafers I got at the thrift store, white socks, and my t-shirt and my very beat-up Helmut Lang blazer. Im in the exact same outfit every day.
The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
I'm sort of fascinated by America's fascination with rednecks, the whole Duck Dynasty thing. Being a white guy from the South, I find it amazing that so many TV viewers are enchanted by beards, bad dentistry and moonshine accents.
There is a linear way in which black comedians are expected to talk about race by all audiences - black people are like this, white people are like this - and it really is hard to break through that. I never was doing it that way.
You know when you make popcorn there are always those fluffy white kernels that are fun and good to eat but there are also always those burnt, black kernels that don’t pop. You know why they don’t pop? Because they have integrity.
Ride It' did it for me. Not only did the Asian community love it, but the black community and the white community got to hear about it. The song became such a big hit for me and got me noticed by the CEOs of Cash Money in America.
She's (Christy Martin) voluptuous and intoxicating no smear lipstick. Here's a woman who pounds it out and her lipstick don't smear. Revlon should jump on that like white on rice, you know what I mean? Max Factor, Elizabeth Arden.
I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance.
I think racial justice - and addressing the sick and enduring legacy of structural racism - remains one of the greatest challenges of our time, and one that's particularly important for more and more white people to speak up about.
As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.
There is a consciousness as an agent of one's own destiny as a person in America, there are things that can be done, there are advantages and benefits which exist that are directly related to - and even rest upon - white privilege.
The typical white intellectual considers himself superior to ordinary white folks for two contradictory reasons. First, he constantly proclaims his belief in human equality, but they don’t. Second, he has a high IQ, but they don’t.
There wasn't much white people would allow us to do in those days. You could be a schoolteacher or an athlete to get away from the manual labor and servant-type jobs, but there wasn't much else they were going to allow you [to] do.
As a person of color, you're in a PhD level racism class, every day. Every day, I'm in a deep racism seminar. And I'm not saying that white people aren't taking that class, but they don't show up that often and they're auditing it.
The people I passed every morning as I walked up the school's steps were full of hate. They were white, but so was my teacher, who couldn't have been more different from them. She was one of the most loving people I had ever known.
No one has to come see my shows who doesn't like me talking about white Christians. They are free not buy a ticket. They're free to leave at any time. So I'm not imposing anything on anyone. Therefore I feel free to cross the line.
Last time I was down South I walked into this restaurant, and this white waitress came up to me and said: 'We don't serve colored people here.' "I said: 'that's all right, I don't eat colored people. Bring me a whole fried chicken.
A couple of months ago I hauled my white ass on stage alongside Chaka Khan and Stevie Wonder for Divas Las Vegas, singing in front of a celebrity audience. If I can hold my own there, I can hold my own at Top of the Pops, trust me.
When you call me European, I say yes. When you call me Arab, I say yes. When you call me black, I say yes. When you call me white, I say yes. Because I am in you and you are in me. We have to inter-be with everything in the cosmos.
I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.
There are still many large white spaces on the map of human knowledge. You can go discover them. So do it. Get out there and fill in the blank spaces. Every single moment is a possibility to go to these new places and explore them.
He [liberal white person] may stand with you through thin, but not thick; when the chips are down, you'll find that as fixed in him as his bone structure is his sometimes subconscious conviction that he's better than anybody black.
Shoes? I have loved them all: '60s pumps; white Courreges ankle boots; platform soles from the first time around, in the '70s; more boots - ankle, calf, and knee-high; 1980s sneakers; pin heels and wedges; Mary Janes and stilettos.
The alcohol smell is on my fingers, cold and remote, piercing like a steel pin going in. It smells like white enamel basins. When I look up at the stars in the nighttime, cold and white and sharp, I think they must smell like that.
There is a place where the sidewalk ends, And before the street begins, And there the grass grows soft and white, And there the sun burns crimson bright, And there the moon-bird rests from his flight To cool in the peppermint wind.
In the United States of North America, every independent movement of the workers was paralysed so long as slavery disfigured a part of the Republic. Labour cannot emancipate itself in the white skin where in the black it is branded.
[The Women's Room] is very much a white woman's piece of fiction, for sure. But for me, as a white woman, I related to a lot of it and continue to as I've gotten older, and especially at this moment in time, I want to read it again.
Weapons of mass destruction aren't pulled out of a black hat like a white rabbit at a magic show. They're produced in factories. There's science and technology involved. They're not produced in a hole in the ground or in a basement.
The Senate is the big prize. Until recently, Democrats felt confident they could get the four seats they needed to take back control if [Hillary] Clinton is in the White House and Vice President Tim Kaine held the tie-breaking vote.
Tennis players need to be very focused and very intense, and I can show tennis players are not just hitting the little yellow ball and moving in between the white lines. I'm always trying to show my personality outside of the court.
Lula had Eminem cranked up. He was rapping about trailer park girls and how they go round the outside, and I was wondering what the heck that meant. I'm a white girl from Trenton. I don't know these things. I need a rap cheat sheet.
All at once the cockpit lit up with a sort of white glow because your entry was at 25,000 miles an hour and it was ionising some of the first particles of air you had. So it was kinda a little bit like being inside a weak neon bulb.