The Westerns have probably affected me more than any one thing, Western-related material. I love Westerns.

I loved spaghetti westerns but besides these pure entertainment movies, there was also something different.

Even 'Bonanza' was derivative of other westerns and, of course, other westerns were derivative of 'Bonanza.'

In most Westerns, you know, people are shooting off guns all the time until you don't even notice it anymore.

I've thought about doing other dramatic roles besides westerns, but I grew up in the West and I know the West.

The Westerns I like aren't really comedies. I'm drawn to the scope of them and the land as a central character.

I made over forty Westerns. I used to lie awake nights trying to think up new ways of getting on and off a horse.

Spending two years on my uncle's ranch in Montana as a young man gave me the wisdom and the thrust to do westerns.

I do love Westerns. But, in a way, traditional Westerns, for me, have been hard to love viscerally and personally.

Hollywood cools, and when it cools you have to go to where the work is. I ran off to Italy to do spaghetti westerns.

In all good westerns, the good guy is always a little bit questionable because he kind-of has to make moral judgments.

The only thing I've kind of missed is finding a really good western that I want to do, because I watched westerns a lot.

My parents were huge fans of westerns, European cinema, and horror in particular. They wouldn't just show me kids' films.

I think that most of the best movies made in America in the 20th century were crime dramas, screwball comedies and westerns.

As a child, I was subjected to a lot of spaghetti Westerns and hated them. I wanted the Indians to win - or just not be so sad!

I do feel that I need to do at least one more Western - I think you need to make three Westerns to call yourself a Western director.

The impetus for 'The Sisters Brothers' was it occurred to me that there was no neurosis in westerns, or there's a minimal amount of it.

I like westerns, fantasy, sci-fi, graphic novels, thrillers, and I try to avoid the word 'genre' altogether. A good book is a good book.

Comedy, drama, Westerns, sci-fi... it's all fine if the story's compelling and the character is interesting to me. I do like action a lot.

Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.

Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.

Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.

Westerns are a type of picture which everybody can see and enjoy. Westerns always make money. And they always increase a star's fan following.

Traditional westerns typify some of the hardships men face: you have to be rugged, silent, stoic. It's a man against nature, against the world.

There are a lot of westerns that deal with people standing up for their principles, and that is the predominant theme that has been in my films.

The copycat effects of media violence, similar to those previously attributed to westerns, radio serials and comic books, are easy to exaggerate.

I would very much like to make Westerns. I love Westerns. I've worked on many Westerns in my youth, in Spain and here, and I love working on them.

What made us different from other westerns was the fact that 'Gunsmoke' wasn't just action and a lot of shooting; they were character-study shows.

I'm not a great horse person, but I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them.

War stories, westerns, spy stories are all accepted as respectable because they are read by men. It is only women's light reading which is derided.

When I was putting the 'Best of Hollywood' book together, I sat down and added up just the list of Westerns I've done, and it came to well over 200.

If I could just make Westerns for the rest of my life, that's all I would do. It's my favorite movie to make. There's something about being a cowboy.

All the traditional westerns are about choice and the individual. When progress comes it's much more difficult to define the individual in that world.

Westerns were all daddy liked to watch. Give me some Clint Eastwood, some Charles Bronson, and I was a happy girl. It was our father-daughter bonding.

My parents used to do these little film festivals in our house where we'd watch all the Marx Brothers movies, or Chaplin movies, and a lot of westerns.

I think Westerns are always so great for clearing out the clutter and the ambiguities, and getting right to the broad strokes of that kind of situation.

Westerns was why I got into the business. I grew up on a small farm in California and all I ever wanted to do was to play gangsters and cowboys in movies.

I can't go to bed with John Wayne, so I do the next best thing: I go to bed with my girlfriend, who once met the great man. That's how much I love westerns.

I'm crazy about westerns. I need to do a western once in a while. It's like you know, eating bread, eating pasta, drinking wine. It's in my blood. I need it.

Eventually I would like to touch all the genres. I would like to do some detective stories, and I want to do a Western. I would want to do humorous Westerns.

I just love westerns. One of my favourite actors is John Wayne, probably one of the most underrated actors there's ever been. He's quite an incredible actor.

It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.

'Red Dawn' was really the most fun I ever had making a movie, because I love Westerns, and I love the idea of being a tomboy, and riding horses and shooting guns.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

I was always the bad guy in Westerns. I played more bad guys than you can shake a stick at until I played the Professor. Then I couldn't get a job being a bad guy.

I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.

I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else.

Westerns are fun. I wish more of them would be made. When you're out there on a set, carrying a gun, riding a horse, you kind of get lost in that make believe world.

My respect for Westerns have gone way, way up. It's hard and treacherous work. It's hard to find people these days who can ride horses like that and jump onto trains.

In the John Wayne movies, the Indians were savages that were trying to scalp you. That culture has really suffered because of the stereotype you see in those westerns.

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