Quotes of All Topics . Occasions . Authors
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.
In earlier cultures with pagan belief systems, light and dark were celebrated equally, people were around death a lot. In contemporary Western culture, we don't have that, and horror is a place you can be immersed in it.
Multiculturalism asserts that all cultures are equal and therefore none may criticize another; intellectuals and politicians are therefore reluctant to declare the obvious superiority of Western culture to Islamic culture.
It's incredible being a woman. I was, of course, fortunate to have an Irish mother who is an empowered woman. She comes from the western culture where women's rights and empowerment happened much earlier in the 19th century.
We're used to saying that women in other cultures are oppressed, but the question that I had when making the film was: Isn't the objectification of a woman's body that we often see in Western culture another kind of oppression?
In our Western culture, although death has come out of the closet, it is still not openly experienced or discussed. Allowing dying to be so intensely present enriches both the preciousness of each moment and our detachment from it.
In a lot of Western science fiction, you need some form of conflict, whether it's aliens or robots. I think in Western culture, being more suspicious of science, and hubris, you'll see a lot of fear of creating something that goes out of control.
It's a pleasure to land here and see Australia upholding its commitment to free speech and Western culture - something that may not be here for much longer if left-wing Australian politicians continue their pathological worship of multiculturalism.
There is certainly a longstanding idea within western culture that civilization is only a thin veneer. As soon as something happens, say a war or a natural disaster or an epidemic like we're going through right now, the worst comes out in each of us.
If you ask me, I'd say what the world now considers K-Pop began with SM Entertainment. SM was the very first company to take musical influences from Western culture and incorporate Korean culture into that by rearranging and writing lyrics with our style.
A lot happened in Vancouver. It was my first Western experience. I learned English, which is my second language. I became very acquainted with Western culture. I had my first sewing machine when I was 9. I trained in fashion illustration when I was in school.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
In western culture, we have ignored death. We're running the other way - everything is about life and youth. So, there's something resonant about walking around with our own death masks. Zombies are the visible embodiment of death staring at us with our own faces.
I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves.
Of course all such conclusions about appropriate actions against the rich and powerful are based on a fundamental flaw: This is us, and that is them. This crucial principle, deeply embedded in Western culture, suffices to undermine even the most precise analogy and the most impeccable reasoning.
We're so terrified of death in Western culture that we have to make up a myth of an afterlife. I think there's something to be said for living your life very mindful of the fact that you're going to die because I think you carry yourself differently. It doesn't have to be this big, negative bummer.
Yes, the Bible should be taught in our schools because it is necessary to understand the Bible if we are to truly understand our own culture and how it came to be. The Bible has influenced every part of western culture from our art, music, and history, to our sense of fairness, charity, and business.
In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
I believe that human brilliance manifests itself only in flashes, among rare individuals. For this reason, humanity as a whole is enormously destructive: the creation of something as devastating as Western culture, which is now allowed to spread throughout the world, offers sufficient proof of this fact.
Especially for those of us living in the Western culture, death to a large extent is still a taboo subject. It's considered something dreadful that shouldn't be happening. It's usually denied. The fact of death is not faced. What we don't realize in Western culture is that death has a redemptive dimension.
They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?
Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
I want to look my best for God. So many people have the attitude that if you're a Christian you've got to dress bad, wear an old color, not do anything to your hair, have nothing. It's no wonder that Christianity is not very attractive. I mean, how many people do you know in a Western culture that's going to go, 'Yeah, give me some of that?'
Radical feminism is the most destructive and fanatical movement to come down to us from the Sixties. This is a revolutionary, not a reformist, movement, and it is meeting with considerable success. Totalitarian in spirit, it is deeply antagonistic to traditional Western culture and proposes the complete restructuring of society, morality, and human nature.
The indigenous peoples understand that they have to recover their cultural identity, or to live it if they have already recovered it. They also understand that this is not a favor or a concession, but simply their natural right to be recognized as belonging to a culture that is distinct from the Western culture, a culture in which they have to live their own faith.