Quotes of All Topics . Occasions . Authors
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
The one thing I loved so much about making 'Pitch Perfect 2' - especially in comparison to a movie like 'Ten Thousand Saints' - is you can go and be yourself, and you just know that all your weirdness and craziness and imperfections are completely embraced and accepted.
My sense of injustice about our family's 'weirdness' in not owning a car was amplified by the fact that we did not own a television, either - my parents were unapologetic about this and told me very cheerfully that I would thank them for it when I was older, which was quite true.
I think in the old days, the nexus of weirdness ran through Southern California, and to a degree New York City. I think it's changed so that every bizarre story in the country now has a Florida connection. I don't know why, except it must be some inversion of magnetic poles or something.
However long, it's definitely the presence of other people that brings out the weirdness - that collision of your own way of being with the everyday lives of others, the abrupt awareness - always a surprise no matter how often it's happened - that their lives are very different from your own.
I'd watch shows like 'The Kids in the Hall' or 'Twin Peaks,' and I'd see weird people being celebrated and appreciated without compromising their weirdness. On 'The Facts of Life,' I'd see girls who were pudgy, beautiful, popular, tomboyish - many ways of being female - and I'd feel quietly reassured.
I remembered what it was like: the weirdness, being the odd man out, trying to make my way around campus, and trying to figure out who my friends would be, who to steer clear of. I wrote it all down in a fanciful way - the feelings of alienation, the feelings of uncertainty, of being away from home for the first time.
I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.
The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.
When I was around 12 or 13 my older brother had this friend who was a goth. He was dressed all in black... You know like super, super goth! I was just so drawn to that darkness and weirdness. I just wanted to rebel. And now that I think about it, rebel against what? I mean I have lovely parents and brother and things were always very great.