Quotes of All Topics . Occasions . Authors
Anybody can reach anywhere from five to 15 million people weekly making a president look like an idiot, as I did back then, or Tina Fey did with Sarah Palin... You're always preaching to the choir one way or the other.
FOR a long time the conviction has been dimly felt in the community that, without prejudice to existing institutions, the legal day of weekly rest might be employed to advantage for purposes affecting the general good.
CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.
Occupy has to continue as a bold, in-your-face movement - occupying banks, corporate headquarters, board meetings, campuses and Wall Street itself. We need weekly - if not daily - nonviolent assaults right on Wall Street.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
Being on a weekly series, you see these people so much, and you have these genuine interactions with them where if you're away doing a film, it's a little different because there's - these definite end dates to everything.
I have a coach and I have a chiropractor, who works to keep me healthy. I pay their salaries. I pay for their flights as we travel around the world on a weekly basis, and I pay for their hotels and meals while we're on tour.
With 'Being the Elite' you'll see some of the most innovative stuff, but it's going to be very different then the weekly TV show. But that's by design and I want to keep it that way so you'll have outlets to see different things.
I had a bulletin board in my bedroom with every picture of Leo ever taken - keep in mind, this was pre-'Titanic' and pre-Us Weekly, practically pre-Internet. I had to buy 'The Leonardo DiCaprio Album' and cut out my favorite pics.
I think a lot of young girls see actresses, and they think of red carpets, and they think of 'Us Weekly,' and they don't really think about the breaking down of a script and what that requires and what you would need to pull it off.
As a 10-year veteran of the NFL, I had a unique perspective weekly to see the heartfelt commitment of the fan. Regardless of years of disappointing and winless seasons, the true fans remained die-hard in their loyalty to 'the Team.'
I think Vice is vastly overrated. And I think that if you are interested in reaching young males, which is what I think Vice's calling card has been, CNN's digital properties reach far more young men on a weekly basis than Vice does.
I can remember, as a child, the happy days of us all piling into the car and going to the drive-in. And that was a weekly routine for my father. He was a proud black man, and that all sort of vanished as America began to export jobs.
I have a business manager and a book-keeper who deals with our household bills. My husband and I sit down with her for a weekly report on how much money is going out, but I'm not terribly interested, and I don't have the patience for it.
If we want to preserve Heathrow's hub status, we need to stop clogging it up with point-to-point flights to places such as Cyprus and Greece, which between them account for 87 weekly flights, and contribute nothing to overall connectivity.
Also, I need deadlines, just like everybody else, especially coming from magazines, newspapers, and stuff like that. I need daily or weekly deadlines to get stuff done, or I continue to do things and not go off on a year of unproductivity.
In simple terms, I realised that food is the most fundamental need for a person. In difficult economic times, people's priorities change, and they might be willing to do something that secures for them the lowest possible weekly food bill.
In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
I didn't read a lot of comic books. But I was into 'Dandy and The Beano,' which were like a weekly pulp fiction that featured characters like Desperate Dan, Dennis the Menace, and Billy Whizz - pretty simplistic stuff but very entertaining.
In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.
Global affairs consultant Ian Bremmer, founder of the Eurasia Group, has started a newsletter called 'Signal,' aimed at millennials. For years, Bremmer has written a maddeningly all-lowercase yet fascinating weekly newsletter on geopolitics.
Typecasting is something I have to be careful with, since I play myself on Geek & Sundry so much on my weekly show 'The Flog.' That's why I did 'Dragon Age: Redemption' last year, so I could do something a little more dramatic and hard-edged.
I think they should take everyone who works for The National Enquirer and the Star, and everyone who works for Us Weekly, and put them all to work looking for terrorists. I think they would find the terrorists. All of them. It would be genius!
Although I may not know a lot about football, I do know a lot about food! As a result, not many people ask me to join their fantasy leagues, but they will come to me for suggestions on what to serve for guests for a weekly Sunday get-together.
It's strange - there's a public persona of me that does nothing for me: the side of me where it's 'US Weekly,' where 12 cars sit outside my house because of who I married. That side never shuts off. I would like that to shut off sometimes, yes.
I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
Most of all, however, critics of black conservatives say we've forgotten where we came from. I may forget a federal budget number or, God forbid, to set the alarm clock for my weekly 6 a.m. flight to Washington, but I know exactly where I came from.
I spend way too much time watching television, going to sports games, going to movies. It struck me that there's an awful lot of data in the public domain for these sectors. The movie industry publishes weekly sales numbers - not many industries do.
Writing used to be my hobby, but now that it's my job, I have no hobby - except watching TV and laying around the pool reading 'U.S. Weekly.' I have tried many hobbies, such as knitting, Pilates, ballet, yoga, and guitar, but none of them have taken.
There was an insurgency under President Hosni Mubarak in the 1990s. Egyptian police and soldiers fought weekly battles with Islamists in the sugarcane fields and thick reeds along the Nile in rural southern villages like Minya, Sohag, Enna and Assiout.
On a scale of the United States, the Hollywood influence on what comes out, that's not the majority views of across the country. What we read in Us Weekly or People magazine, or Entertainment Tonight, it's not what the majority of the country is thinking.
There's something exciting about weekly strips in that you're following the way the story reveals itself to the writer week by week. All the possible directions it could have taken are there; it's a kind of participatory reading that I think books discourage.
If you've never lived outside London, and if you've always had a car, it's difficult to understand how dire bus services undermine your standard of living: from being able to get to work, meet friends in the pub, get the weekly shop or take the kids on a day out.
Writers are completely out of touch with reality. Writers are a crazy person. We create conflict - for a living. We do this all the time, sometimes on a weekly basis; we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
I do everything from home. I broadcast commentaries for CBS News Radio every day - from home, on a disk that I mail in. I write a weekly op-ed piece for the 'New York Daily News,' and any books or plays or movies that I'm crazy enough to write, I do that from home.
When I did my first price guide in 1979, publications weren't interested in mentioning it. Now I get phone calls weekly if not daily from publications and television shows who want to know what's hot, how to get started in antiques, and the best way to buy antiques.
Mint is designed to put your finances on auto-pilot. Whether you log in or not, it will send you a weekly summary of your balances and biggest purchases, and how your investments and budgets are doing, along with sending you alerts on unusual spending and low balances.
One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
Even if people that I was in love with - even if Bobby Fulton inherited a billion dollars and opened All Elite Wrestling, I was never going to be the manager of The Revival on a weekly television basis ever because that would require me being on the road on a weekly basis.
Well, there's much more time to do a weekly show, and much more coverage - as it turns out, it was all preparation for the stuff I'm doing now - but it was interesting to see how much time was spent on how little airtime, compared to knocking out a show a day on the soaps.
One cool thing is because Mom and Dad aren't into the Hollywood scene, they don't read 'US Weekly' or anything like that. They give me space. They don't care. They just want all of their children to be doing something that they love to do and be able to pay their insurance.
I think I've really stepped outside the box in the way I try to train, eat, hydrate, the cognitive brain games I play on a daily or weekly basis to try to build up some durability within my body, within my brain, to be able to go out there and play at a high level at age 38.
I had an instinctive feeling that the people who have little or no school training should have something coming into their homes weekly which dealt with their problems in a simple, helpful way... so I wrote in a plain, common-sense way on the things that concerned our people.
Unfortunately with the media, the red tops, and all the celebrity weekly magazines, the ones who were once loyal - well, when I say loyal, this is a game; this is a game that we're in. If it's your time to get picked on, then you get picked on, and, you know, I'm used to that.
It's not uncommon for some Khmer boxers to fight with dangerous frequency, sometimes as often as weekly or bi-weekly, getting up to three hundred or more fights in a career, with the length of a career varying from fighter to fighter, some engaging in bouts far past their prime.
Being a pro wrestler can be kind of difficult sometimes. We have a perception about what we do - and I totally understand the perception, because we're a weekly episodic program, and we're having fun all the time, so people think that's kind of the most talented thing I could do.
When Paul Beatty's 'The Sellout' was first published in America in 2015, it was a small release. It got a rave review in the daily 'New York Times' and one in the weekly 'New York Times Book Review,' too, for good measure. But by and large, it was not a conversation-generating book.
When I started doing 'The City' in 1990, most papers ran it the width of the page, 10 inches or so. It was great! I had lots of room to draw and write. It was the golden age of weekly comix. Today, most run my strip half that size. I just try to make it legible. It's very frustrating.