Quotes of All Topics . Occasions . Authors
I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.
I started hiding my paintings in certain ways, like behind panes of glass for example. Then, instead of hiding them I did something quite cold and clinical: I built a wooden box, filled it with enamel paint and dunked the painting in so you could only see a suggestion of it from a controlled point of view.
The 1 to 2 billion poorest in the world, who don't have food for the day, suffer from the worst disease: globalization deficiency. The way globalization is occurring could be much better, but the worst thing is not being part of it. For those people, we need to support good civil societies and governments.
Now teach-ins are fairly common or they become common place. But in 1965, the Students for Democratic Society in Ann Harbor organized the first teach-in. The way it happened was that we were advocating for a strike that we advocated that the faculty should strike in solidarity with the Vietnamese struggle.
What I'm always afraid of is going "off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material... that material is popular for a reason and I like to stick with it.
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
What men usually say of misfortunes, that they never come alone, may with equal truth be said of good fortune; nay, of other circumstances which gather round us in a harmonious way, whether it arise from a kind of fatality, or that man has the power of attracting to himself things that are mutually related.
When you have an audience standing and screaming the entire way through the short program and cheering every element you do, whether it's footwork, or spin, or a jump, to have that kind of emotion coming at you from every direction in the building, it's the most amazing sensation you can get as a sportsman.
I would love to do a period piece - in the 18th or 17th century. To me, it would be such an incredible challenge because of the way people carried themselves. There are so many incredible stories within those centuries - just the language and the way they carried themselves and what they were going through.
....there is an ending [to Infinite Jest] as far as I'm concerned. Certain kind of parallel lines are supposed to start converging in such a way that an "end" can be projected by the reader somewhere beyond the right frame. If no such convergence or projection occured to you, then the book's failed for you.
It didn't make you noble to step away from something that wasn't working, even if you thought you were the reason for the malfunction. Especially then. It just made you a quitter. Because if you were the problem, chances were you could also be the solution. The only way to find out was to take another shot.
It's funny, because Arrested Development is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called Quintuplets for a season for Fox, and this was while Arrested Development was on. I used to go over and hang out on their set.
'Tough' meant it was an uncompromising image, something that came from your gut, out of instinct, raw, of the moment, something that couldn't be described in any other way. So it was tough. Tough to like, tough to see, tough to make, tough to understand. The tougher they were the more beautiful they became.
I graduated from university with a degree in architecture and then ended up doing a series of internships with different firms. And once I was in an office environment, I realized that at school what I was doing was 98 percent creative, 2 percent makework, but in the real world, it was the other way around.
I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
Normally I do all my own post work. It's not that I do it better than anyone else, I just do it my way. I make decisions. People who print at labs are probably far better printers, but they won't make my decisions mid-process. I don't want to be out of the loop. I want to be a photographer and do all of it.
To know the way, we go the way, we do the way. The way we do, the things we do, it's all there in front of you. But if you try too hard to see it, you'll only become confused. I am me and you are you. As you can see; but when you do the things that you can do, you will find the way. The way will follow you.
There is only one way out of the trap: that you don`t choose; neither this nor that - you simply don`t choose. You withdraw from choice and you become choiceless. Choicelessness is freedom. To choose is to choose a prison; to choose is to choose a bondage. To choose is wrong, to be choiceless is to be right.
It was like any other relationship, there was jealousy on both sides, there were split-ups and reconciliations. There were also fragmented moments of great peace and beauty. I often tried to get away from her and she tried to get away from me but it was difficult: Cupid, in his strange way, was really there.
The way in which a certain kind of political idealism has been discredited and scorned makes the danger not that intellectuals keep on making fools of themselves, formulating political opinions when they might not be as informed as they might be, but that they retreat and leave politics to the professionals.
So much American science fiction is parochial - not as true now as it was years ago, but the assumption is one culture in the future, more or less like ours, and with the same ideals, the same notions of how to do things, just bigger and flashier technology. Well, you know darn well it doesn't work that way.
Personally, I avoid deus ex machina like the plague - if you have to use one, it means you failed to set up the universe and the plot properly. It's like a whodunnit where there's no actual way for the reader to identify the perpetrator before the climactic reveal: there's no sense of closure for the reader.
Don't sell yourself short. No one will value you. Set a fair price for you, your book, your services, whatever it is that you have to offer. Most of us set way too low a price. Put it a little higher than you would normally be inclined to do. The worst that can happen is someone will come along and steal it.
Dream is personalized myth, myth is depersonalized dream; both myth and dream are symbolic in the same general way of the dynamics of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problem and solutions shown are directly valid for all mankind.
[On Kay Strozzi in The Silent Witness:] Miss Strozzi ... had the temerity to wear as truly horrible a gown as ever I have seen on the American stage. ... Had she not luckily been strangled by a member of the cast while disporting this garment, I should have fought my way to the stage and done her in, myself.
When the province of physical theory was extended to encompass microscopic phenomena through the creation of quantum mechanics, the concept of consciousness came to the fore again. It was not possible to formulate the laws of quantum mechanics in a fully consistent way without reference to the consciousness.
I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.
The best way to deal with AIDS is through education. So we need a really widespread AIDS education program. In fact, what we need in Burma is education of all kinds - political, economic, and medical. AIDS education would be just part of a whole program for education, which is so badly needed in our country.
We should all remember... that throwing food away is like stealing from the tables of the poor, the hungry! I encourage everyone to reflect on the problem of thrown away and wasted food to identify ways and means that, by seriously addressing this issue, are a vehicle of solidarity and sharing with the needy.
They're both about the correct or proper way to do something. There is a correct and proper way to use words and there is a correct and proper way to behave with other people. And I behaved improperly with John and feel bad, so I compensate by obsessing with language, which is easier to control than behavior.
Those who have power a) understand that the world is not always a just and fair place and accept that fact, b) understand the bases and strategies for acquiring power, and c) take actions consistent with their knowledge in a skillful way. Skill at anything requires practice, and power skills are no different.
Wherein lies a poet's claim to originality? That he invents his incidents? No. That he was present when his episodes had their birth? No. That he was first to repeat them? No. None of these things has any value. He confers on them their only originality that has any value, and that is his way of telling them.
Manhood begins when we have in any way made truce with Necessity; begins even when we have surrendered to Necessity, as the most part only do; but begins joyfully and hopefully only when we have reconciled ourselves to Necessity; and thus, in reality, triumphed over it, and felt that in Necessity we are free.
The only way you survive on all these services is if you're groundbreaking. There's pressure to be groundbreaking, which is the greatest thing that's ever happened. It's a bizarre aspect of what's happened with all of these subscription services is everyone is trying to outdo each other by doing great things.
The best way to forget your own problems is to help someone else solve theirs. The best way to prepare for life is to begin to live. The best way to respond to wrong is to do what's right. The better we know ourselves the less we'll criticize others. The bigger your problems, the bigger your prayer should be.
She turns her head, Bailey catches her eye, and she smiles at him. Not in the way that one smiles at a random member of the audience when one is in the middle of performing circus tricks with unusually talented kittens but in the way that one smiles when one recognizes someone they have not seen in some time.
Consensus and dialogue have always played a significant role, especially in Danish society. Of course there are basic values that must be respected, but within this framework, we are a liberal and tolerant country where everyone can live as they desire and according to their tradition. That is the Danish way.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
Vampires have always held a very seductive kind of lore and have always been some variety of attractive, whether it's attractiveness that's born of just the physical attributes that they have - this kind of ethereal beauty or translucent pallor - or whether it is more to do with the way they carry themselves.
It should be pointed out for our own guidance in the West that the continual signing of manifestoes and protests is one of the surest ways of undermining the efficacy and dignity of the intellectual. There exists a permanent blackmail that we all know and that we must have the often solitary courage to resist.
I think individuals have a right to privacy, but that ought to include the right to prevent private institutions from monitoring what you do and building up a personal profile for you so that they can direct you in particular ways by their effective control over the internet, and that doesn't happen of course.
True Americanism is practical idealism. Its aims, instead of being materialistic and mechanical, are idealistic to the point of being Utopian. In this way, the U.S. can provide and express ideals that strike a chord in humans everywhere - a declaration of independence on behalf of all the peoples of the world.
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
And.. are you willing to go all the way? To understand that food is only a stand-in for love and possibility and spirit? Because if you aren't, you will get caught up in gaining and losing weight for the rest of your life. But if you are willing, then the portal to what you say you want is truly on your plate.
It's like Forrest Gump said, 'Life is like a box of chocolates.' Your career is like a box of chocolates - you never know what you're going to get. But everything you get is going to teach you something along the way and make you the person you are today. That's the exciting part - it's an adventure in itself.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
There are some actresses who cannot function on the set without having a close relationship with their directors. Their way of communicating with the director is through intimacy. It doesn't necessarily have to do with any physical act; it has more to do with achieving a closeness that they find very valuable.
In the scheme of life, in emotion and loss, I responded the way I did. I lost. I shouldn't have responded that way. I've had some people tell me that I did a great thing - sticking up for myself - but to me, personally, with the way that I handled my emotions, I lost. But I learned. That will not happen again.