Quotes of All Topics . Occasions . Authors
Many women get involved with a man that you pretty much know isn't suitable and you're kind of breaking your rules, but he's attractive in some unknown way. And then he doesn't even realize what a sacrifice you're making by being with him and he dumps you!
It's not the load that breaks you down, it's the way you carry it. Carry it by the comfortable handles of gratitude for what's positive and that it is not worse, rather than the uncomfortable edges of bitterness for the negatives and that it is not better.
When it comes to the iconic moments, you sort of have to take all of those things and distill them the same way the costumers do and everybod Distill them and then find your own. The most iconic moment in the movie is, assuming they do, when they assemble.
Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the process.
First of all, if it's on your mind, your mind isn't clear. Anything you consider unfinished in any way must be captured in a trusted system outside your mind, or what I call a collection bucket, that you know you'll come back to regularly and sort through.
If you take a look at the way the premium content is monetized, there's a lot of different models out there. Sometimes you pay for an individual episode, for example on iTunes. Other times you pay for a subscription. And other times it's free ad-supported.
Probably most catastrophes end this way without an ending, the dead not even knowing how they died...,those who loved them forever questioning "this unnecessary death," and the rest of us tiring of this inconsolable catastrophe and turning to the next one.
It's really not so good to have time. Rush, scramble, desperation, this missed, that left behind, those others too big to fit into such a small space--that's the way life was meant to be. You're supposed to be too late for some things. Don't worry about it.
I think that what we need to do is we need to think about what scale makes sense for dealing with our need to live within a habitable zone and to do so without using air conditioning and heating in the way that is so incredibly expensive to the environment.
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
John Frances, Entertainment Chair, of the Friars Club: Of all the roasts that I have produced for the Friars Club, this is the one that I am most excited about. Mickey is one of the Club's dearest friends, and we wanted to honor him in the way we know best.
The period that I could consider the most important in my literary work came about beginning with the Revolution, and in a certain way, developed as a consequence of the Revolution. But it was also a result of the counterrevolutionary coup of November 1975.
The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning...
I think that as far as language goes I'm an American, I'm afraid, my accent is American, my way of talk is an American way of talk, I'm an old-fashioned American. That's probably one of the reasons why I'm in England now and why I'll always stay in England.
When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed. At that moment all Will's choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
If we cannot find a way to interpret the utterances and other behaviour of a creature as revealing a set of beliefs largely consistent and true by our standards, we have no reason to count that creature as rational, as having beliefs, or as saying anything.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
I do listen to music. Movie scores, exclusively, because it's all about mood and nonspecificity. I love the way modern movie scoring is all about nonspecificity. You know, if I shuffled the tracks from 'Inception,' I challenge you to tell me which is which.
I wanted to go to drama school, but when I got the part in 'Falling,' I got an agent, so it seemed a good idea to work. I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.
Parody by itself is not subversive, and there must be a way to understand what makes certain kinds of parodic repetitions effectively disruptive, truly troubling, and which repetitions become domesticated and recirculated as instruments of cultural hegemony
The thing is, the future happens. Every single day, like it or not. Sure, tomorrow is risky, frightening and in some way represents one step closer to the end. But it also brings with it the possibility of better and the chance to do something that matters.
I believe that being an actress or being involved in a movie has to be a life experience, otherwise why go for it? I have to change me, and I have to learn things, and I have to push me and my limits. By acting, I find a freedom inside of a prison in a way.
I have the basic skills already, my basic weapons if we put it that way. From there I can add more the necessary skills I need for a particular opponent. I have to study all the aspects of my opponent, so when I am in the ring, everything will be automatic.
this is why we call people exes, I guess - because the paths that cross in the middle end up separating at the end. it's too easy to see an X as a cross-out. it's not, because there's no way to cross out something like that. the X is a diagram of two paths.
If I work hard and am rewarded, then I haven't really gained anything. It has been a trade: I've put in, and I've gotten back. Only if I am rewarded without having done anything have I actually come out ahead. The best way to gain the most is to do nothing.
If you pursue the other woman, it's a losing situation and it's not good for your relationship or your marriage. If your marriage is open and you're allowed to, that's no good either. There's no way, really in the end, to be happy unless you get very lucky.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
Once we realize that government doesn't work, we'll know that the only way to improve government is by reducing its size - by doing away with laws, by getting rid of programs, by making government spend and tax less, by reducing government as far as we can.
Our choice of a reform framework dictated that we looked at the fundamental assumptions that had driven Nigeria's economy, society and policy hitherto and to seek ways of either abandoning or transcending those assumptions and their supporting institutions.
You must not expect anything from others. It's you, of yourself, of whom you must ask a lot. Only from oneself has one the right to ask everything and anything. This way it's up to you - your own choices - what you get from others remains a present, a gift.
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.
Mankind is notoriously too dense to read the signs that God sends from time to time. We require drums to be beaten into our ears, before we should wake from our trance and hear the warning and see that to lose oneself in all, is the only way to find oneself.
Though aware that there is nothing in the universe that suggests any purpose for humanity, one way that we can find a purpose is to study the universe by the methods of science, without consoling ourselves with fairy tales about its future, or about our own.
Something happens, you can't even put your finger on it, and then you don't quite feel the same way anymore. All of a sudden, there's fights or something and you are going "who is this person?" I've seen this happen to other people and it has happened to me.
If you see to it each day that your conduct is impeccable, the following day will be completely clear, and you will be free to carry out your plans, always vigilant that you leave no loose ends. In this way, each new day will find you free and well disposed.
There are two ways of extending life: firstly by moving the two points "born" and "died" farther away from one another. The other method is to go more slowly and leave the two points wherever God wills they should be, and this method is for the philosophers.
I kind of build a novel the way marine polyps build a coral reef, it's millions and millions of little precarious bodies stacked on one another. And in my case, that's thousands of minutes I go through to get from one scene to the next and build it that way.
In some ways I'm a frustrated scientist or mathematician. The amount of times I've thought I'd go back to university and do theoretical physics because I like the big questions, but really I know now that that's not quite me. What's me is to do it in novels.
It's going back to old school, the way it was done and I'm finding out there is something different, a little interesting. There is something just a little fresh about it because I haven't seen it done like that in a little while. I'm embracing it, you know.
These narrow-footed forms I was making, I thought, gosh, I could push those further, not to construct them the way [Hans] Coper did but to work in my own manner but push it more toward that form. And I learned to do that and enjoyed it for a number of years.
Keep braiding one's wavelengths back into oneself. That way they gain all the more external power and surround us with a huge affective and protective zone. Don't talk about this. Never talk about our secret methods. If we talk about them, they stop working.
Americans (I, I'm afraid, among them) go around carelessly assuming they're tolerant the way they go around carelessly saying, 'You ought to be in pictures.' But in the clinches, they turn out to be tolerant about as often as they turn out to be Clark Gable.
There's a lot of neuroscience now raising the question, 'Is all the intelligence in the human body in the brain?', and they're finding out that, no, it's not like that. The body has intelligence itself, and we're much more of an organic creature in that way.
Speak in your own voice and speak about things that you have in some sense witnessed, not just things you read about or have been taught about in seminary. To talk about the resurrection, think about those moments where in some way you have been resurrected.
Behind every problem, there is a question trying to ask itself... Behind every question there is an answer trying to reveal itself. Behind every answer there is an action trying to take place. And behind every action there is a way of life trying to be born.
Mr. Montag, you are looking at a coward. I saw the way things were going a long time back. I said nothing. I am one of the innocents who could have spoken up and out when no one would listen to the 'guilty,' but I did not speak and thus became guilty myself.
Everything you need you already have. You are complete right now, you are a whole, total person, not an apprentice person on the way to someplace else. Your completeness must be understood by you and experienced in your thoughts as your own personal reality.
I think what interests me the most is when the two things are developed at the same time, which certainly feels natural for the way of working when there is no dialogue. You sort of depend on the music to be that, especially when there's lyrics in the music.
You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.
You may even have Jews in your midst who did not learn their way of life from us, and did not inherit it from a Jewish forebear. We may have authentic gentiles in our midst: these single protests are of no account; they are extreme and irrelevant variations.