Quotes of All Topics . Occasions . Authors
For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.
My great grandfather had been the neighbourhood 'horse whisperer,' so I've probably loved horses since I was an embryo. Whenever I watched cowboy films as a small child, I wasn't watching the hunky cowboys - which I'd probably do now - I was watching the horses. Even now, I love sitting in the field just watching the way they move.
I'm one of those people who can't watch themselves do anything. I could never watch myself wrestle. I've probably watched a handful of my matches. I never could watch myself. Even when I played college basketball, I hated film days... 'Oh God, I'm gonna watch myself screw up.' I'm just one of those people who can't watch their work.
I watched a lot of soap operas like 'General Hospital' and 'Days Of Our Lives.' When it came to movies, my parents were quite strict. They would watch 'Flash Dance' but wouldn't let us see the whole film because Jennifer Beals' character was a stripper. It was so funny when I finally saw the whole film. I thought she was a ballerina!
Whether you are liberal or conservative, people seem to know the talking points for whatever the issue of the day is. Very rarely does it seem like these are opinions that people are coming up with themselves; it's like they watched the right cable news channel, and now they know what they are supposed to think, and they repeat that.
When will the first manager manage at a professional level having learned his trade on 'FIFA 16,' '17,' or '18?' I've watched my grandson on it, I've watched him buy players and sell them to get to the top of the league and it's teaching him how to manage. The knowledge base that they build up would be very interesting down the line.
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
Growing up, I watched softball and U.S.A .softball, and that was my goal of being able to represent my country and wear the red, white, and blue out there, and I think it is one of the highest honors to be able to go out there and compete for your country, and it was something so very special, and it was everything I dreamt of and more.
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
If you go out eight times and play tennis eight times this week, yeah, it's the same rules, but it's a different game every time you're out on that court. You're working on a different part of your game every time you're out on that court; your partner's working on a different part of their game, and the act of being watched changes it.
I would have to say that because I've lived in so many cities, by no means do I feel it's fair to call myself a 'fan' of any particular teams. I've lived in New York for a long time, and I did this movie about the Yankees called '*61.' I found out a lot about the Yankees during that time, so I love the Yankees, I've watched the Yankees.
I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
Look at the world of both film and indie games, and you'll find a startling similarity between the two when it comes to creating the perfect horror story. The tricks storytellers pull to make your blood run cold never change; a creaking floorboard, the eerie feeling of being watched, wandering into a world filled with unspeakable terror.
To be perfectly honest with you, having a mother as an actress - who I watched struggle tremendously during my childhood - and to watch fluctuations of ups and downs is difficult. She did mainly television, so I think I associated that with a life of inconsistency. As I've come into my own, I realize it has nothing to do with the medium.
I remember when I was younger, and in school, our teachers showed us films of plastic in the ocean, starving polar bears and so on. I cried through all the movies. My classmates were concerned when they watched the film, but when it stopped, they started thinking about other things. I couldn't do that. Those pictures were stuck in my head.
We were trying to get all of the planes down out of the sky. And we watched as the towers of the World Trade Center collapsed - something no one expected and anticipated. And you could sit there and see and be aware that thousands of people were at that moment being killed as a result of the terrorist attacks that struck the United States.
I have no personal experience in the military. All I know about it is what I've seen in movies and read in books and watched on television. My knowledge is probably no more or no less than the average person's. 'A Brief Encounter with the Enemy' was created by taking bits and pieces from here and there, and then putting my own spin on them.
I was a big fan of 'Six Feet Under.' So, I got a bootleg copy of the first four episodes on videotape, watched them and was instantly into it. During the first episode, I was like, 'Eh.' By the time I got to the second one, I couldn't watch them fast enough. I got on the phone that night, called Time Warner cable and ordered HBO right then.
On television, I have watched countless athletes from different countries, sports and Olympics stand proudly at the top of the podium and shed tears. They symbolized the Olympics for me because Olympic medals represent all of the hard work and sacrifices made by the athletes as well as the people who helped them reach the top of their sports.
I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
I watched 'Freaks and Geeks,' and I was like, 'Oh, if you write about your own personal experiences, and if you're specific about it both in what happened and how you felt about it, it can make for scenes that are really compelling.' For the rest of college, I was basically ripping off 'Freaks and Geeks' with plays I wrote and stuff like that.
I think everyone that's from Cleveland knows exactly where they were when the Cleveland Cavaliers won the NBA Finals. I was filming a movie, 'The Marine 5: Battleground,' up in Vancouver, so I couldn't be at the game, but I watched it in my hotel room with my wife - who could care less, by the way, about basketball because she's from Montreal.
I watched some serious '80s television. 'Alice,' 'Good Times,' 'The Jeffersons,' 'Family Ties,' 'Cheers'... every night it was eat dinner, watch 'Cheers.' I was actually on 'Jeopardy' with Rebecca Lobo and Dot Richardson, and we were laughing because I was just nailing every random '80s trivia question - sitcom, theme music, movie, you name it.
When you hear 'experience,' that's all about resume. And Obama didn't have the resume. But we knew, long before that, 'steady in a crisis' was much more important than 'experience.' When you watched the presidential campaign, you saw that Obama was the one who happened to be steady... He demonstrated aspects of his character people were hungry for.
When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.
