Quotes of All Topics . Occasions . Authors
Running was a part of my hardwiring, and that's what I wanted to do. So this is what I tell people who talk about wanting to follow their passion. 'It doesn't have to be running. It can be basket weaving. Be the best basket weaver in the world. Throw your heart and soul into it.'
Comedy was why I got into acting the first place. Peter Sellers was a huge influence on my wanting to act. I grew up with him and found him hysterical. The Pink Panther films were an inspiration, from my earliest childhood days, when I was watching them with my brother and my dad.
I think there's something about wanting to stand in the spotlight. I think the ball is a spotlight, for example, and I think they want to stand in that. I a lot of times see - LeBron is a guy that vacillates between wanting to do that and then wanting to get somebody else involved.
As a person in the industry, as well as a makeup lover, a lot of times we see brands pressured to do things because of the status quo instead of being genuine and wanting to create and be inclusive. I wouldn't throw the name universal onto my color corrector if it wasn't really that.
I love acting because you don't have to do the same thing over and over again, every day, and that's what attracted me to wanting to do this for a living. So to be given an opportunity to create something completely different and live that out is the dream. It's incredibly rewarding.
I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.
Movie acting is a great job for your twenties: You travel all over, you have affairs with people, and you throw yourself into one part and then another. It gets more challenging as you get older, and it's not just having a daughter, it's wanting to have your own life and be yourself.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence.
As a politician, you have to deal with someone wanting you to fail every day. I think I prefer being in a situation where generally people are rooting for me, and if they aren't rooting for me, they aren't out there to see my downfall. I respect the people who have the stomach for it.
In high school, theater was all I ever wanted to do. I didn't see that I was going to set it aside for so many years and take a right turn into television. Of course, wanting to do theater is something you hear a lot from actors. I think I've been embarrassed to be in that big cliche.
I feel like I'm bipolar. I have my different moods and that. That's why my music exists in so many different worlds - this moment I'm feeling all raw, this moment I'm wanting to talk to a girl, the next moment I'm wanting to talk about spirit and be deep. Then I'm back to being angry.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I mean, when I was growing up, my family was always into racing. So, we'd always have the TV on on Sundays watching the Cup races or whatever, and ultimately I kinda thought about wanting to become a race car driver. I thought it would be cool to get paid to do what you love to do most.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.
Wanting to be liked means being a supporting character in your own life, using the cues of the actors around you to determine your next line rather than your own script. It means that your self-worth will always be tied to what someone else thinks about you, forever out of your control.
I was a true wrestler. I was a Division I national champion. I came into the business wanting one thing and one thing only, and that was to be the champion, and I wasn't going to let anybody stand in my way. I think there was one guy that had a problem with that, and that was Undertaker.
I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.
I think that the idea of people wanting to steal your genome remains a little bit in the world of science fiction. It's a new technology, and it's new science that people are becoming familiar with. It's critical for us to do everything we can to enable the privacy level that people want.
While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyone, but everyone should have the choice.
To me, the most worrisome part of traveling comes before any of the traveling actually occurs: the suitcase-packing process. It's a challenging and anxiety-filled process - I am caught between wanting my suitcase to be light and worrying I am going to need every single item in my bedroom.
I was so passionate about wanting the role in 'Like Crazy,' I filmed myself in the shower because that's where one of the scenes was set. It just felt instinctive. It was a close up! It would have been strange if I'd sent off a wide shot of myself. That's not the kind of work I want to do!
I find myself wanting to make music at the dining room table or in the bedroom - I'm kind of a mobile writer, so I sort of move around the house. But the attic is definitely where I can make the most noise. While everyone on the lower floors screams 'Earthquake!' But no! It's just my bass!
The whole point of being in the Army is wanting to get killed, wanting to test yourself to the limits. Now you have to fly 15,000ft above the war zone to avoid getting hit. I don't think there is any point in having wars if that's how you're going to behave. It's pathetic. All this whining!
When I left Bradford and got a phone call from Dave Parnaby asking 'did I want to come back in?', I was delighted to accept. The whole buzz at the club at the moment is great for someone like me who is still learning and wanting to hopefully go into management in my own right at some point.
The ideal feminist world shouldn't be one where women suppress their human instincts for attention and desire. We shouldn't be weighed down with the responsibility of explaining our every move. We shouldn't have to apologize for wanting attention, either. We don't owe anyone an explanation.
I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
I've been wanting to be sponsored by some kind of hair product for a long time. I have a lot of hair, and it goes through a lot in my training camps anyways, so having some kind of great hair sponsor would probably be awesome for me. I'm kind of hard on my hair, but I think I have nice hair.
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
I see friends who are in different genres of music, and they say they're so burnt playing the same stuff every night. That's why you see a country act wanting to go out and play an old classic rock song. But what cracks me up is that they all want to be Jimmy Buffett. I can't figure that out.
I think I wanted to be a punk-rocker before I wanted to be anything else. I remember wanting a mohawk, and I wanted to cut the sleeves off of my jean jacket because I used to want to be Dirty Dan from Sha-Na-Na. This is before hip-hop was even around. I had the skinny piano tie. I had it, man.
Well I think any designer that can understand what people need to be wearing right now is the biggest and best step that you can take. Instead of putting your ego first, you put the buyer first. And I think that that's a really important thing just to know what the consumer is wanting to wear.
I had a basketball net that my dad had put up outside. I went out there and dribbled all day long. I wanted to play basketball. Then I'd go baseball, and then I'd go to football. I remember playing football in a plowed field. I grew up going from one thing to the next wanting to play something.
My mother always tells me that when I was a little kid, my first ambition was to be a truck driver, and after that, I went through everything from wanting to be a Prime Minister to an air hostess, but never an actor. So I became one, and it was a great journey. I learnt a lot, worked very hard.
I was very small, about 3 or 4 I think, and just wanted to be the people on telly telling these wonderful stories. Obviously the idea grew and matured with me but I can't ever remember wanting to do anything else. I've just sort of taken it for granted all my life that that was what I would do.
I started to work at the Colony in March 1958. I remember my first day because the telephone started to ring, and it was Sinatra, three for lunch, his usual table; Onassis, two for lunch, usual table; the Duke and Duchess of Windsor, Leland Hayward, Truman Capote, all wanting their usual tables.
I have to have three or four books going simultaneously. If I'm not impressed in the first 20 pages, I don't bother reading the rest, especially with novels. I'm not a book-club style reader. I'm not looking for life lessons or wanting people to think I'm smart because I'm reading a certain book.
There is no pathway for female GB road cyclists, but at the same time, if you are wanting to be the best in the world, you have to forge your own pathway. It's not that things should be there on a plate for you. You have to work really hard, and that's what I've done, and I didn't let it stop me.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
Since I was a baby my goal was to be on TV because film was just impossible - you never got any Asian women in Western cinema. I grew up wanting to be in 'East-Enders' because film wasn't even a dream. The community were very much like, 'How can you want to act? It's such a low-class profession.'
I was five years old, onstage singing 'Twinkle, Twinkle, Little Star' - a rock version - and I was always wanting to entertain. But the biggest thing for me is just country music has helped me get through the worst times of my life and the best times of my life. I want to give that back to people.
The part you don't expect when you start out is all the people who come into your life wanting a piece of you, not caring about your wellbeing. The insane schedule is very difficult. Touring looks very glamourous but it's hard and gruelling - the travelling, the meet-and-greets - it was too crazy.
I grew up always wanting to be a dancer, and when I went to New York, I fell in love with the idea of performing in all ways. I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything; I just knew that I loved dancing.
I came to understand and observe that we're all going to face obstacles. We're going to have challenges. We're going to fail. We're going to have success. But all of it is going to ultimately be character-building. And it's not going to deter us from wanting to achieve, to strive, and be successful.
Well, you have the public not wanting any new spending, you have the Republicans not wanting any new taxes, you have the Democrats not wanting any new spending cuts, you have the markets not wanting any new borrowing, and you have the economists wanting all of the above. And that leads to paralysis.
My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
I remember seeing 'A Moon for the Misbegotten' with Colleen Dewhurst, and that made a really big impression on me, and I remember wanting to be like her and I still want to be like Colleen Dewhurst! My mom took me to a lot of theatre growing up, and I also remember seeing Pippin and being like, 'Wow!
I think a lot of politicians, rightfully so, understand that their political futures are tied to how many times people see their names in print. The press is so accustomed to politicians wanting those things, it's a surprise when somebody's like, 'Whatever, I'm not really worried about those things.'
In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.