Quotes of All Topics . Occasions . Authors
And so much of my life has been about returning home and longing for home, wanting my children to know about my roots. And I thought I can't be the only one to feel this way so I thought it would be an interesting topic to explore.
I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
There is no shame in black athletes not wanting to be role models, but there should be shame when they don't behave like one. It's a free country and people can do whatever they want. But just because we can doesn't mean we should.
My parents always instilled in me this feeling of wanting to be a normal person. I never moved out to L.A. as a kid and got into that scene and that whole thing that happens to kid actors that's the reason they go off the deep end.
I always think the really unfortunate thing about the Australian film industry is its lack of momentum. And I don't mean this in a derogatory way. I'm always wanting it to pick up momentum, and I'm wondering if that's even possible.
When I was 14, I remember wanting a Coach bag, and my mother couldn't afford it. I decided at that age that I was going to grow up and get a job so that I could buy as many handbags as I wanted. And no one was ever going to stop me.
I wrote 'Evil Spider' about wanting someone that's already taken. I guess it was based on a personal experience, but I went a lil extreme on the theme... me being a spider trying to snare someone. In real life, I was just observing!
I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.
Parading our own brilliance and exulting in other people's errors is not very nice. For that matter, even wanting to parade our own brilliance and exult in other people's errors is not very nice, although it is certainly very human.
If living by these sets of morals and principles and wanting to help better my land, better my country, my community, my team, my environment and helping the next person help themselves, if that's considered crazy, then I'm a crazy.
You can't win with some people. If you're not in government, you're criticised for being not serious. If you are in government, you're criticised for wanting power. That's the Labour party's line of attack, and it's a bit ridiculous.
I think I can get a little passionate about things that I believe in and maybe that can be a little intense for people. And I think a lot of that stuff comes out of the need of wanting to belong, and being insecure and uncomfortable.
Other people gotta be told when to go to the gym, what to work out, what to work on, what to do. For me, it was always my own self-motivation of maybe just wanting to make it out of Compton. I was like that with everything in my life.
Individual and corporate support is vital to building on London's leadership in the arts, and I hope others will join me in wanting to build on the National's role at the heart of modern theatre and sustaining it long into the future.
The British boys really, really go nuts... to them, an older woman is sexy, and it's an incredible fantasy... I think the American fantasy is still about men wanting control. Maybe American men don't feel as in control of their lives.
A part of me is always envious of people who live in the present and are sustained by a sense of spontaneity. Even dogs have that capacity: they're always wanting to participate in something, and I don't often have that element in me.
It took a long while for me to know that I'm beautiful. I remember going through this phase when I was younger of wanting to pass by mirrors and not look at them. That was so ridiculous. I've learned now that beauty starts from within.
I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.
This familiarity with a respected physician and my appreciation of his work, or the tragedy I experienced with the long, tormented agony and death of my mother might have influenced me in wanting to study medicine. It was not the case.
I came in the gate as an African-American poor kid wanting to be a neurosurgeon but - with American life and the places I was put due to American history and laws and the oppression of black people - I had to make it work in other ways.
We've been in business together ever since we were children, so back in the day, there were so many references to 'your dad.' Rather than wanting to sound totally hickified and go, 'Well, my daddy said,' we would refer to him as 'Phil.'
I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book.
The conventional wisdom with David Mamet is, you do not change a word. And that agrees with me. If you want to change any of David's words, it's like wanting to change the iambic pentameter in Shakespeare - you should do something else.
This part of being a man, changing the way we parent, happens only when we want it to. It changes because we are determined for it to change; and the motive for changing often comes out of wanting to be the kind of parent we didn't have.
I remember being in New Orleans after Katrina hearing people calling, 'Help me,' and wanting to slide down in the seat of my car because it felt like I was invading their suffering. But I also know that our being there gave them a voice.
You know what has made me the happiest I've ever been? Seeing my son and daughter graduate from college. More than wanting them to be educated, I wanted them to be nice people. To see that they have become both is just a wonderful thing.
I'd been wanting to work with James McAvoy since I was in drama school. I suppose there are parallels in that we're Scottish, we went to the same drama school and share the same agent, but aside from that, he's someone I've looked up to.
I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
I never really felt like my age stopped people from wanting to work with me. I was speaking at conferences and lecturing at universities at 18, and I think that was mainly because web developing and management was a really young industry.
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone's vision, because in the end, that's what you got: your clay in someone else's hands.
I was just a little girl watching TV and wanting to be in it. My parents had no idea how to get me there, but here I am as a part of this great cast on the Disney Channel. Truly, if you just want to do this, then you have to commit to it.
In the beginning, we might have been focused on totally just music and being famous, just wanting to have fame and make hot music, but as we got older, we had to understand that this is a business and that our moves need to be calculated.
In my writing, I try to combine all my favorite elements of journalism - accuracy, real characters that exist on this planet - with all my favorite elements of literature: a sense of flow, of propulsion, of wanting to read every sentence.
Actors only have our bodies, voices, and the text. So I think actors need to have a fit and in-tune body. I was always very disciplined in wanting to have that. That's one of my favorite things - playing a role with a physical requirement.
When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
I'm into clothes, but in a way that's related to wanting to walk into a film noir movie. You know, I love to go to vintage stores, but mostly it's stuff that I don't have anywhere to wear... I don't have the life that goes with the clothes.
They decided that unpaid leave could only be granted through the decision of a council that consisted almost entirely of scientists who couldn't understand my reasons for wanting to go so. They said no, no unpaid. So I immediately resigned.
I had been wanting to give guitar lessons to girls because I feel like women tend to use their voice as the starting point for a song and learn a few chords, and then it ends there because then they just use their voice to flesh out a song.
In English, I'm a little bit limited. I speak English as a second language, and that's a little limitation that I have to work around and I have to use it to my favor. So, yes, that's why I end up wanting to do more things in Latin America.
I started listening to The-Dream a lot. That's when I really got into writing songs. I like the way he put lyrics and makes his songs. So I was like, 'All right,' and I just started writing. That's when I started wanting to be a songwriter.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
I'm just totally into being strong. There's something about wanting to get a jar or whatever out of a high cupboard, or moving a sofa over because my dog's bone rolled under it, and not having to call anyone for help. There's comfort in that.
I have an older sister named Haley and she wanted to be an actress. So I wanted to be an actress. It's really funny the way that some people don't give kids enough credit for like really being driven, and really wanting to do things so badly.
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
During my undergraduate training at UCLA, I was studying finance and securities; my particular interest was with mutual funds. Wanting to get into a high position at some of the companies that were doing that, I knew that law would be useful.
I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.
When I was young, I wanted to be like the rappers. I remember being in junior high and wanting a fisherman hat and a link because EPMD had one. I wanted to wear Adidas because Run-DMC wore Adidas. As I came into my own, I just wanted to do me.
They are responsible for starting this relationship and wanting to help Africa. The United States is very well suited for this as they are a country that has the capacity, they have better access to technology and they are a successful country.
I think the art world heightens the intensity of desires for inclusion, and the humiliations of exclusion, which is why it's a great place to circulate when you are in the lucky position, as I am, of not wanting or needing anything from anyone.