Quotes of All Topics . Occasions . Authors
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I got my first computer at the age of 6. To me, it was magic. By the time I was 12, I wanted to know the secrets behind the wizardry, and that started my journey toward computer programming. This was the early 1990s, when computers weren't built for the mass market.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
I was never one who sought to make the small man tall by cutting off the legs of a giant. I wanted to drag no man down to my size. Only to preserve a way of life which might make it possible for me, one day, to elevate myself until I at least partly matched his size.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
I really wasn't into sports at an early age. I couldn't wait to get home from school and go straight to my bedroom and pick up the guitar and play it. It became an obsession with me. That's all I wanted to do was play guitar and learn every lick I heard on the radio.
I went to art school in Chicago for a year at Columbia College. I had this whole master plan of getting into sustainable development and green architecture and construction, so I wanted to go to business school and then get my masters in construction and development.
When Nickelodeon, in 2009, told us they wanted us to come back and do another series where we could do whatever we wanted, the first thought we had was: Let's do a story about the next 'Avatar.' That was the first thought. The second thought was: Let's make it a girl.
I spent my 20s earning minimum wage decorating cakes for a living. But one day, I looked in the mirror and realized I wanted more, for me and my people. I saw too many Native Americans struggling, and I realized we should have a voice in who our elected officials are.
School bored me. Being educated and being intelligent are two different things. I thought I was smart enough. And I wanted to be an entertainer. I stopped going to school as a way of saying I was mature, a way of saying I was going to choose who I was going to become.
For 'The Anthem,' a lot of my fans were like 'Oh, man, he's getting lazy making just, like, a pop format tune that everyone's doing these days.' But on this album, I wanted to write songs with vocals that would get stuck in my head, not just movements of instrumentals.
The greatest competitor was Bob Gibson. He worked so fast out there and he always had the hood up. He always wanted to close his own deal. He never talked to you because he was battling so hard. I sure as hell don't miss batting against him, but I miss him in the game.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
I have a Viking stove. The color is butter lemon, and I had to wait several months for it, because that color wasn't available and I really wanted butter lemon! But I don't know that it's seriously ever been cooked on. I mean, I make tea every morning. Does that count?
A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
I am bipolar, and I am proud. And that is why I wanted to write a book. To shine a light on mental illness, to be vulnerable about the days I let it take control and paid dearly for it, and to tell anyone fighting a similar battle: You are not alone. You are not broken.
I almost turned down '8 Mile.' I was due to start 'ER,' and I learned they really wanted me to be in '8 Mile.' I didn't know Eminem; I just knew he was a rapper and saw what everyone else saw in the media. I thought they were just trying to capitalize on his popularity.
Competitive feeling means you want do do good work. You can't lie about wanting to be on top. There is no reason for me to be insecure at this time. I would be insecure if I was sitting at home doing nothing, but I am in films now, and that's where I always wanted to be.
I needed more stuff that glowed so when the lights went out, you could actually see me the whole time. So I slowly built it from there. I wanted everything to glow. I want my hair to glow, I want my nails to glow, I want my eyes to glow, I want my lips to glow, you know?
You can say I had a severe case of 'Roots' envy. I wanted to be like Alex Haley, and I wanted to be able to... do my family tree back to the slave ship and then reverse the Middle Passage, as I like to put it, and find the tribe or ethnic group that I was from in Africa.
One of the first pieces of advice I was ever given, on my first job was, you should always buy something to treat yourself to say well done for getting the job! However I've not followed on that through yet... I've always wanted a tattoo, something to mark my experience.
Once you realize that you're in something that you've always wanted and you don't want to lose it, you behave differently. And that means the integrity, the professionalism, and knowing what's right from wrong and still making choices that you probably wouldn't have made.
I wanted to really just understand... how could a whole generation of children who were just children at the time - boys riding their bikes, flying kites, and doing all kinds of things they normally do - how could they suddenly be taught a completely different curriculum?
I think I wanted to sing, but I just couldn't because I was so shy. I didn't really know how to begin that other than like, singing in my room, locking the door, and trying to sing kind of quietly. I knew my mom would want to listen and she would probably bug me about it.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored... I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
At 16, I walked around knowing I'd get chased and attacked for dressing a certain way - I felt I had an undeniable right to be who I wanted to be. My father said to hit them back, but I was never much good at that. So I developed a big mouth instead of a quick right hook.
I was always in complete control of everything in my life and I was just so tired of having to do that alone. Not that I wanted someone else to take over my life for me or tell me how to do things, but when you're the only one accountable for everything, that can get old.
Dad's Jewish and Irish, Mom's German and Scotch. I couldn't say I was anything. My last name isn't even Downey. My dad changed his name when he wanted to get into the Army and was underage. My real name is Robert Elias. I feel like I'm still looking for a home in some way.
Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'
I remember my mom let me stay up late and watch Tara Lipinski and Michelle Kwan compete in the 1998 Olympic Games. I made paper medals and wore them the whole night. I didn't start skating until 2000, but I was so inspired by their skating that it was why I wanted to start.
I studied at Cathedral School, where a lot of kids go abroad after Class XII. But I was clear that I wanted to be an actress, and thus, even though I got 92% in my board exams, I applied only to Jai Hind College for Mass Communication and got in and completed my graduation.
They saw that it was a passion of mine from really young... My parents did a good job. They wanted me to win. They let me do all these things. If some old guy came to the house asking, 'I want your kid to sign a contract,' they were so open to it. Yeah, I credit them loads.
I wanted to do a naval film and I flirted with different ideas, most of which ended up being too intense. So when the idea of 'Battleship' was first suggested, I was instantly drawn to the challenge - could I invent a movie around the idea of five ships fighting five ships?
There are things I've done in the past I'm not proud of - and I could talk about them if I wanted to - but I don't reveal my secrets... I prefer certain things to remain personal; there have to be boundaries. And I don't think you need a scandal to have an interesting story.
My story is similar to every ordinary Indian boy's tale. My father wanted me to become an engineer or a professional but I was sure that I have to be in the Hindi film industry. I joined college through the quota for extra curricular activities but I am still not a graduate.
In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.
I went down to my keyboard and was playing random chords, and the one line I kept repeating was, 'I'm a lost boy from Neverland.' I decided to post it to Vine, and it got the biggest reaction I'd ever gotten. People wanted to hear more, and I had to explain it wasn't a song.
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
I'm a huge music fan. I usually say that if I had been born with a musical inclination, it would've been great. The Beatles changed everything for me, and I wanted to be a journalist for 'Rolling Stone.' I'm a big music fan in a Cameron Crowe way, kind of in a spectator way.
I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record.
I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.
Immediately after hurricane Maria hit Puerto Rico, I was extremely concerned about my family, friends and all the people in Puerto Rico. I felt helpless and could not concentrate not knowing if my family and loved ones were safe. I wanted to help my people as fast as I could.
Much to my surprise, not a moment have I been made to feel, 'Alright, a woman - probably the prime minister wanted to make a token gesture.' The ease with which people have taken this thought of a woman minister has been a great strength for me and has made my job far easier.
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
I wanted to be a writer as a teen... so storytelling was my first love. In my late teens, design became an obsession as I realized that I could express myself through the medium. Much later, when I founded Fuseproject in 1999, our slogan became 'design brings stories to life.'
You can try to be catchy without being slick, poppy without being pop, and you can be uplifting without being pompous. Because we're sometimes playing quieter stuff, it's hard to sound like we're trying to change things, but we wanted to be a reaction against soulless rubbish.
When I got signed to the 'Fader' Label, they got really excited about having me as their new artist. They were promoting my music everywhere. Pharrell was one of the producers who wanted to work with me, so I was really lucky to be one of those people who got to work with him.
I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
When I was 12, we began hosting exchange students from Norway, Sweden, Japan and Spain. I soon realized there was a whole world out there. I was determined to spend my sophomore year in high school abroad. My school taught only Spanish, but I wanted to go to France, and I did.