Quotes of All Topics . Occasions . Authors
I knew I wanted to do music, but leaving such a successful career one would think I'd kind of shot myself in the foot. I knew I made the right decision, and at the end of the day it's up to me to get where I want to go, but it's a lot to take on.
He's just like my father that way-my father just adored my mother and let her do whatever she wanted. John's like that. He's a very rare man, a very good man, and I've had a good life with him. I'm proud to be walking in the wake of Johnny's fame.
Well, I started conducting kind of by accident. I wanted to give myself a special birthday present for my fortieth birthday, and I was living in San Francisco at the time and I started attending some of the concerts and then simply dropping hints.
And it turns out that tribes, not money, not factories, that can change our world, that can change politics, that can align large numbers of people. Not because you force them to do something against their will. But because they wanted to connect.
I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.
I grew up a Michael Jordan fan; that was my first idol. But my true sports idol was Deion Sanders: he was the person I always wanted to be. I wanted to play two sports professionally, which would never happen, but to me, that was every kid's dream.
I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
My mother always wanted me to be in the best environment that I could be in. She wanted me to go to the best schools. Every now and again she'd save up enough for us to get a nice apartment in downtown Chicago, but we were never able to sustain it.
When I told my mother that I wanted to be an actress, she said, you can't live here and do that, and so I moved out. I was determined to prove her wrong because she was so sure that I was going to go astray. And that's the juice that kept me going.
My relationship with God has gotten so much stronger. He's always had his hand on me. He always guided me. I didn't always go where he wanted me to go. But He always had me. Now that I'm actually listening and being obedient, life is so much better.
That's right... I never felt a sense of superiority because I could see spirits. And I never once thought that I could make a living or help someone with it. I just longed for a life where I couldn't see them. And I finally got what I always wanted.
I was born with the confidence of an 89-year-old man. So it's strange when people ask, 'What's it like being a female comedian?' It never occurred to me that I'd be limited as a woman - that I couldn't be a scientist, a doctor, or anything I wanted.
I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.
What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.
A friend of mine has a big farm in the desert, and she picks up feathers and roadkill for me, then makes it into clothes. I think it's cool to wear roadkill. If I died and somebody wanted to wear my teeth around their neck to VMAs, I'd feel honored.
I was a guy who wanted to become famous. There was steam coming out of my ears, I wanted to be famous so badly. You want the attention, you want the bucks, and you want the best seat in the restaurant. I didn't think what the repercussions would be.
I wouldn't be where I am, if not for Jamaica. My formative years were here. I wouldn't have the confidence that I have if I wasn't born here, because growing up here I knew I could become anybody I wanted to become. There was no ceiling on top of me.
The golden age was when people were starting to understand what hip-hop was and how to use it. I was lucky to come up then. Everybody wanted to be original and have substance; it was somewhat conscious... There was an integrity that people respected.
Musicians play music because you love... I loved to play drums since I was five. It's all I ever wanted to do. Rock stars, or as we call them, posers, guys who want to just look great, dress great. They're not musicians; they're looking for the fame.
I kept these games pretty intimate. You know, with this much money on the table, with this much risk, you wanted to make people feel safe. They don't want to feel like they're part of a spectator's sport - well, the winners do, but the losers do not.
When I was a kid in school, and you asked me what I was gonna be, I mean, even as a little first grader, I was gonna be a guitar picker on the 'Grand Ole Opry.' I just had it in my head that that's what I wanted to do, having no idea how it was done.
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
People at WWE would say, 'It doesn't matter if you're the best wrestler,' but I would think about Dean Malenko and Chris Benoit and Rey Mysterio. They weren't necessarily the greatest talkers, but they were great wrestlers. I wanted to be that person.
Everybody now admits that apartheid was wrong, and all I did was tell the people who wanted to know where I come from how we lived in South Africa. I just told the world the truth. And if my truth then becomes political, I can't do anything about that.
There were doubts when I got drafted. I've seen plenty of articles and things, like that I probably wouldn't be an elite point guard. I wanted to prove people wrong. And when I got my first contract, they said I was overpaid. I proved them wrong again.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
I never wanted to become a CA. My father was keen that I become one because he thought that was the right thing for me to do. I didn't have the courage to tell him that I don't want to do it. But now, I can't thank him more for having put me through it.
We have seen a central government promote the power of labor-union bosses, and in turn be supported by that power, until it has become entirely too much a government of and for one class, which is exactly what our Founding Fathers wanted most to prevent.
What can I say about 'The Lost Boys'? Oh my God: I love it; I hate it; I'm scared of it. I had a massive crush on them all when I was young. And I wanted to be a vampire. It's so stylized; it's the type of film I grew up on. To me, it's always at the top.
I always wanted to do things on my own terms, and unfortunately in this industry, that's not something that is easily given. You're at the mercy of other people, but then you still have that drive to continue on. That's an equation for a lot of heartbreak.
When I was 17, I was at La Coupole brasserie, and Jean-Paul Sartre and Simone de Beauvoir asked me to join them at their table. They were fascinated that I'd watched their programme on existentialism back home and wanted to understand nothingness and being.
I wanted to go to drama school, but when I got the part in 'Falling,' I got an agent, so it seemed a good idea to work. I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.
I'm at peace with myself and where I am. In the past, I was always looking to see how everybody else was doing. I wasn't competitive, I was comparative. I just wanted to be where everybody else was. Now I've gotten to an age when I am not comparing anymore.
When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.
Even as a 10-year-old, I remember trying to explain to my mother and stepfather how upset and frustrated a messy room made me. But they just couldn't grasp it. They wanted me to be playing with baseballs and frogs while I wanted to be scouring garage sales.
'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way though.
In the 1960s, you could eat anything you wanted, and of course, people were smoking cigarettes and all kinds of things, and there was no talk about fat and anything like that, and butter and cream were rife. Those were lovely days for gastronomy, I must say.
My father came from a very poor background, but I was very fortunate in the sense that we were never in need. My dad was determined to make sure that we didn't want for things. He wanted to give us more opportunity than he had, a better shot at a better life.
I was a Scout years ago, before the movement started, when my father took me fishing, camping and hunting. Then I was sorry that more girls could not have what I had. When I learned of the movement, I thought, here is what I always wanted other girls to have.
I always liked Nat King Cole. I always wanted to go my own way, but I always favoured other singers like Dinah Washington, Sarah Vaughn, Ella Fitzgerald - I loved Ella Fitzgerald. There are so many of them. Nina Simone was one of my favourites - Johnny Mathis.
Some people are born with very little; some are fortunate enough to have it all. When I grew up, we didn't have much. I had to hustle to get what I wanted... but I had that hunger for more. I didn't always make the right choices, but I learned from my mistakes.
So it is that we can seldom help anybody. Either we don't know what part to give or maybe we don't like to give any part of ourselves. Then, more often than not, the part that is needed is not wanted. And even more often, we do not have the part that is needed.
I'm extremely proud I was born and raised in the Bay Area and loved representing Oakland. I started recording in the Bay Area and worked with a lot of different producers. But I always wanted to collaborate with different writers and get different perspectives.
In my school, the brightest boys did math and physics, the less bright did physics and chemistry, and the least bright did biology. I wanted to do math and physics, but my father made me do chemistry because he thought there would be no jobs for mathematicians.
I bought some land in Portugal, on the highest hill in Guimaraes, because I pictured that I wanted to build my house there. I said, 'What a perfect place this would be,' but I forgot to ask the council if I could build a house there. When I did, they said, 'No!'
I suppose that if I could have quit, I would have, because in those days I never wanted to be an actress, the acting was something to do while I waited for a chance to study writing and directing. But I guess I was just meant to be an actress. Because, here I am.
The basic policy of the British Government was that since the majority of people in Northern Ireland wished to remain in the United Kingdom, that was that. We asked what would happen if the majority wanted something else, if the majority wanted to see Irish unity.
We are a nation of immigrants. We are the children and grandchildren and great-grandchildren of the ones who wanted a better life, the driven ones, the ones who woke up at night hearing that voice telling them that life in that place called America could be better.
I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.
The essential problems remain the same... The kids I write about are asking for the same things I wanted. They want two contradictory things. They want to be the same as everyone else, and they want to be different from everyone else. They want acceptance for both.