Quotes of All Topics . Occasions . Authors
To make an embarrassing admission, I like video games. That's what got me into software engineering when I was a kid. I wanted to make money so I could buy a better computer to play better video games - nothing like saving the world.
Imagine - four years you could have spent travelling around Europe meeting people, or going to the Far East of Africa or India, meeting people, exchanging ideas, reading all you wanted to anyway, and instead I wasted it at Roosevelt.
I would model when they wanted me, and as I got older, they wanted an older model. I was quite willing to be mother of the bride at 28. I was quite happy to be on the cover of a grandparents' magazine at 42; I have no ego about that.
I was invited to a dinner party by an ex, and I was convinced that he wanted to rekindle our relationship. I prohibited my friends from coming with me because I didn't want to make it awkward for them when he professed his love to me.
From when I can remember, I wanted to be an actress. I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes, as they had a lot of glitter in them.
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
I just always wanted to play guitar. I though that was, like, really dope. And then in high school, I learned how to play trumpet and, like, French horn because if the instrument's right in front of me, I'm going to just teach myself.
I was always drawn to the blues. Alberta Hunter at the Cookery was a life-changing experience. I only wanted to get enriched as a performer as I got older, to have an audience which got older, too, and would come to see me when I'm 80.
Besides, I never think negative. That is my biggest strength. Even if someone thinks bad about me I wish good for that person. I am not saying I am a super human being but I have always wanted good for people and look where I am today!
I've always known that I wanted to be different. I wanted to stand out, so my gear is very elaborate, very blingy, very loud, because I want people to notice me, want to look like me. The Boss necklace, the ring. I want everything big.
I have never wanted a family. I don't believe in marriage, though I obviously believe it should be legal for everyone who wants to do it. But it is not something I believe in, nor do the characters in my book, nor do any of my friends.
I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.
My parents always wanted me to do the right thing. My mom, I think her exact words were, 'You're not a chicken in the coop playing in the scraps, you're an eagle.' I was like, 'Oh, OK... ' But really, I've used that throughout my life.
When I hung out with my Uncle Chris, things got real. He was fun, talkative, and loud. He was the life of the party and a magnet for mischief. Since he saw the world through a gangsta's lens, he wanted me to become tough and aggressive.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying.
That was the moment I wanted to use bitcoin: when I saw Harriet Tubman on a $20 bill. It's like, when you see all the slave movies, it's like, why you gotta keep reminding us about slavery? Why don't you put Michael Jordan on a $20 bill?
I thought the Billie Holiday comparison was beautiful. I think, Wow, what a wonderful, creative, helpful spirit. She's someone who wanted to help others by sharing her emotion. That's what I do, too, so I think that's a great comparison.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
In the past I have defended the right of the IRA to engage in armed struggle. I did so because there was no alternative for those who would not bend the knee, or turn a blind eye to oppression, or for those who wanted a national republic.
I just always wanted to study human behavior because every psychologist that I would talk to would tell me I was bipolar, and I know I'm not bipolar, so I had to perform a psychoanalysis on myself to find out that I have unresolved grief.
It wasn't conscious, but I'm glad I've had a slow and steady career path. I wanted to develop my style, and I wanted to be the one making the decisions. Sometimes, when you become a success quickly, those decisions are out of your control.
I've always said I've wanted to be around forever. I never wanted to be the latest, greatest thing. I want to be like Willie Nelson - touring when I'm 70. To do that, you can't be the latest, greatest thing because those things fizzle out.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
Finding ballet gave me passion for the first time in my life. I was always very shy and just wanted to fit in; I never daydreamed about what I wanted to be when I grew up. But dancing gave me a connection to my personality that made me grow.
I got a whole different mindset from living in Senegal and being there. I learned a lot of things, met a lot of people, and got to really find out what I wanted to work for and who I want to be and who I want to help and who I'm doing it for.
I dropped out of high school when I was, like, 15, so I just focused on doing music. It's all I wanted to do; I didn't want to work or anything else. I took all the negativity and obstacles that came with life, and I just put it in the music.
I always knew I wanted to go to NIDA. I think I was very fortunate, and I do doubt myself often, but I didn't see any possibility of me not going to NIDA. I believed in myself, and I believed that, if you really do want something, you get it.
That's an important lesson for me, to not qualify my experience against somebody else's. My experience is the experience that I wanted to have, and have created for myself, but it doesn't make me any more deserving than anybody else; or less.
I reached my full height at age 11, and I was clumsy as all get-out - all elbows and knees, couldn't get up a flight of stairs without falling down. I wanted to be a cute, petite blonde, but I'm a big ol' strapping thing, so I just accept it.
I look at other people's lives, and some people feel like they're too old to play with toys. But I still go through the toy section at the store, 'cause there were toys that I wanted when I was little that I couldn't have. So I still get them.
And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.
We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
The Uncharted' series really pushed me as a developer. They managed to raise the bar with every single release and produce an action- packed thrill ride starring characters I wanted to hang out with, and mechanics I can easily pick up and play.
As I look back on it, I'm glad that I had this false image. I was who everyone else - my parents, my friends, society - wanted me to be. I was a pleaser, someone who wanted to make everyone happy, to not let anyone down. Now, I'm not like that.
I've taken all the mirrors out of my house because when I'm playing onstage, I feel like I'm still in high school. I feel like that kid that wanted to play in his first band, and then I look in a mirror, and it's like, 'Uh-oh!' It ain't pretty.
The point of remaking 'Straw Dogs' is not to replicate the philosophies of Sam Peckinpah at all. What made that film singular was the attitude that he brought to the characters. Oddly enough, that's the one thing that I really wanted to change.
I wanted to be a mechanic. When I was 14 I wanted to quit school and go work on my car. But my dad said Son, you shouldn't do that. You should stay in school until your education is finished, and when you're done, don't make your hobby your job.
What you ain't never understood is that I ain't got nothing, don't own nothing, ain't never really wanted nothing that wasn't for you. There ain't nothing as precious to me...There ain't nothing worth holding on to, money, dreams, nothing else--
I wanted something different; I wanted something that challenged me and that pushed me further. Then this idea of climbing Mount Everest came to my mind. It stuck in my head for days. Someone told me I couldn't do it, and that really annoyed me.
My main goal in life is to be happy. If I can make other people happy by doing what I love, then I feel like I've done everything in life that I've wanted. I just want to make people feel good and change people's lives with music, and that's it.
I always wanted to be a character actor rather than the poster boy that they tried to make me 100 years ago. An actor has a degree of responsibility to change for the audience, to give them something new each time, to surprise and not bore them.
The first book I wrote was The Bride Price which was a romantic book, but my husband burnt the book when he saw it. I was the typical African woman, I'd done this privately, I wanted him to look at it, approve it and he said he wouldn't read it.
I had a mild case of polio - not enough to put me in an iron lung, but enough to keep me bedridden for weeks. As I came out of it, my mom wanted to do something for me. She realized that, growing up in the city, I'd missed out on a lot of nature.
There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
The pitcher has the ball, and nothing happens until he lets go of it. So as the batter, I felt I had to fight for any bit of control I could get. I expected the umpire, the catcher, and the pitcher to wait on me. I wanted to get ready on my time.
One of my friend's dad owned a grocery store, and one of the kids who worked at the grocery store was a wrestler. We got tickets to one of the shows, and then we stayed after, and they asked us if we wanted to get in there and train a little bit.