Quotes of All Topics . Occasions . Authors
It was one of the charms of the International Zone that you could get anything you wanted if you paid for it. Do anything, too, for that matter; - there were no incorruptibles. It was only a question of price.
I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
I wanted to write about relationships in a more honest, raw sort of way. Get away from all those cliches about how 'time heals' and how you can be the better person. Less sugar-coating and more 'feel the pain.'
Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
I was never a good student. I had to be dragged into kindergarten. It was hard to sit and listen to somebody talk. I wanted to be out, educated by experience and adventure, and I didn't know how to express that.
I met Harrison Ford at Barney's Beanery. And I met Steve Martin at the bar at the Troubador. He said he wanted to be a stand-up comic. I thought that was the worst idea because he was so square, so Orange County.
Cyndi Lauper's 'Time After Time' was a perfect song. It was so beautiful and so heartfelt. Her vocals were so amazing. And, for me, that was a song I went to when I was feeling sad and wanted to feel even sadder.
Finally there was a moment when it just hit me. John wouldn't want me to sit on my butt for the rest of my life feeling sorry for myself or sorry for him. As cheesy as it sounds, he would have wanted us to go on.
It was my mom who pushed me. My mom actually pushed my dad to train me. My dad knows what it takes to play at this level and be a really good basketball player, and he just wanted me to make the choice for myself.
My mobile rang around lunchtime one day, and it was George Michael. He wanted to come in on Friday. We were like, 'okay, if that's what you want'. And he was a very good guest. That's a real exception to the rule.
Either you give in, or you fight. That's all I know, being where I'm from. You fight for what you want. You go after what you want. The only thing I could do was give up or keep fighting for what I wanted in life.
She wanted him to see all of her and also none of her. She wanted him to be dazzled by the bits and blinded by the whole. She wanted him to see her whole and not in pieces. She had hopes that were hard to satisfy.
There was someone from China who came down to my house and locked himself outside the gate. He wanted to marry me and created a lot of trouble. I had to eventually report to the police and put him behind the bars.
We live in an age, in an era where there is so much negativity, there is so much violence in the world, there is so much unrest and people are at war, that I wanted to promote the word love and red signifies love.
I will always have a soft spot for 'East of the Sun, West of the Moon,' which I discovered just at the age when I was beginning to enjoy the darkness in fairy tales but still wanted a story where the good guys win.
The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
Of course, I have given my engineers some headaches over the years, but they go with me. I have always wanted my buildings to be as light as possible, to touch the ground gently, to swoop and soar, and to surprise.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
I got this call that they wanted me to join this cast. They called it a family show, and it thought that it would be similar to all family shows. I wasn't sure about this until I watched some tapes, and was amazed.
In addition to being what we are as BTS, we wanted to bring some changes, and we actually wanted to evolve as a group. We wanted to show our many colors, but we still want to console others and give hope to others.
As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. 'Spring Awakening' kind of answered all of my questions and fulfilled all of my dreams - beyond my wildest dreams.
Everybody fights for money, of course, but I wanted to leave a legacy when I retired, get my name in the history. I don't think like that anymore. When I lost the belt, I saw how reality is. Champion means nothing.
Follow your passion. The rest will attend to itself. If I can do it, anybody can do it. It's possible. And it's your turn. So go for it. It's never too late to become what you always wanted to be in the first place.
When I was a child, I wanted to be a jockey. I love horses, but it's not practical to have one in London. I also wanted to be an accountant, which isn't glamorous at all, but my dad was one, and I quite liked maths.
I do love the road, because for me, the road is very comfortable, and it's very much what I've always wanted to do. It's one of the most appealing things about comedy for me, so I do really have an affection for it.
When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
If you grew up, and you never had a computer, and you've never used the Internet, and someone asked you if you wanted to buy a data plan, your response would be 'What's a data plan, and why would I want to use this?'
I grew up in a working class family. People thought I might go work at a mill. My mom wanted me to learn how to lay carpet because she was concerned about my future. Nobody had high hopes for me. But I was a hustler.
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to deal with antecedents and art history, which for me go very far beyond just the influence of African-American artists.
You look at a surgeon as you would a secular priest, almost, if it's your child, if it's your sister on the operating table. That was an idea that very much has interested me and I've wanted to explore for some time.
I never not wanted to be a singer. Since I was 3, I knew this was what I wanted to do. Well, I can't say I wanted to do it, but I fantasized and thought about it all the time. I never thought it would actually happen.
I knew when I started gymnastics, I wanted to have a lot of fun and eventually go to the Olympics. On the moments where I felt really down, I just remembered, 'You're almost there. Just keep going. Keep working hard.'
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
When I was at school, I wanted to join the army. At college, I started acting in college plays, and it became a kind of addiction. I was very shy when I was at school, but the plays seemed to give voice to my feelings.
I wanted to be an empowered woman, and I became an empowered woman. And now I want to empower every woman. And I do it through my clothes, I do it through my words, I do it through my money, I do it through everything.
Lots of these songs I hadn't performed, but I've always wanted to. These are songs that I wanted to get in my wheelhouse. I sang them over and over and over and over again. Of course, I've fallen in love with them all.
Is Joe your father, Zach?' I don't know where the question came from, but it was out, and I couldn't take it back even if I'd wanted to. 'No.' Zach shook his head. 'I never knew my dad. I don't know anything about him.
It's pretty easy to make a film in China. A few years ago I just walked into the office and let them know I wanted to make a movie called 'Red Cliff' and they were so excited. They said, 'Let's do it!' It's that simple.
I'd loved to wear jeans and t-shirts, but everybody was in the peace movement back then. And that was my ploy. I had to be careful not to say things like 'I like meat.' Actually I just wanted to drink beer and to screw.
My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.
Graham may have wanted integration, but instead, he promoted gradualism and provided absolution for racists hiding behind a Christianity attuned not only to Jesus but also focused on regulating behavior and black bodies.
'Grand Royal' started because we were on the Lollapalooza tour, and we wanted to send this message to people that the mosh pit is corny. Stop doing that. MTV has ruined it, and it's dangerous, and girls are getting hurt.
I'm sick of very white teeth and lots of gymnasium practice. I'm bored, you know, send in the next one. I wanted a real man that I could believe was my brother, my father, you know, my next-door neighbor - a real person.
We don't have that much time left to do it. I'm 80. I wanted to be Walter Huston to his John Huston. I wanted him to direct me, not in The Treasure of the Sierra Madre, but something. We'll see. We can't predict anything.
The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.
The first time I saw 'Minecraft,' people wanted to have 8-bit style video game music. But I wanted to go around that and make something organic and partly electronic, partly acoustic, and see if that would be interesting.
When I was young, I played the piano and studied classical music and jazz. I wanted to be a concert pianist, and if I'd devoted myself to it, I could have been. But it would have been too much work and a very lonely life.
The thing about 'On the Doll,' I was doing 'Nip/Tuck' at the time, and I was doing only 5 or 6 scenes an episode. So I had some free time, and I wanted to do something completely different than what I've ever done before.
If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.