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Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to... y'know, we'll plan ideas and we'll certainly tussle about stuff when the script comes out. So, to a certain extent, he's very interested. If there's some problem or something that doesn't ring true, he wants to know why and he wants to correct it or fight for it.

I hear what many of you are saying: We don’t have the time, we are busy. Well Nobody Has Time, Everyone Is Busy. In the time it took you to read this post, your life just got a minute shorter. That is precisely why we read (and why some of us write): because life is short and finite, we want more, and literature is the distillation of all those lives we will not lead.

I support the Ryan budget plan. I think it’s the right direction on the major points. I can’t say I’ve read all of it, but on the major thrust of what he’s doing, I support what he wants to do with Medicare, Medicaid. The only thing I would do, frankly, as I’ve said publicly many times, I think we should implement a lot of these things sooner than what he’s suggesting.

This as hard an R as we wrote in the beginning. It was fast. It was fast mainly because of De Luca. We came in with De Luca. Nic I think had a deal with Millennium and so we ended up with Millennium quickly and they said, 'Go make the movie that you want to make. Basically, here are the ground rules; stay within the budget, stay within the time and go make your movie.'

Only the Holy Spirit has the power to make the changes God wants to make in our lives.... We allow Christ to live through us... through the choices we make. We choose to do the right thing in situations and then trust God's Spirit to give us his power, love, faith, and wisdom to do it. Since God's Spirit lives inside of us, these things are always available for asking.

Here is a fact: someday you will die. What will you do with this incredible gift that is your life? Do you want to get to the end of the road and wish you had strived more, accomplished more, and loved more? To do these things you will have to take chances, demonstrate courage, and commit in a way that allows you to be flexible but never allows you to quit on yourself.

Oswald: "All your life" Aurore: "What?" Oswald: "All your life, isn't that what you wanted to know? How long I loved you?" Aurore: "Well, yes, I suppose I did, but that wasn't what I was going to ask just now." Oswald: "I tell you I've loved you since the day you were born, and you tell me you want to know something else. There's no one quite like you, is there, Aurore?

Everyone in the top of their fields is pouring everything they have into this, which is why it was such a massive undertaking and why filming was extended. It's not because things are going badly. It's because they're so massive and it's so complicated and we want to get it right. We're not just phoning it in. We're taking our time with it because it's really important.

And because God's love is uncoercive and treasures our freedom - if above all he wants us to love him, then we must be left free not to love him - we are free to resist it, deny it, crucify it finally, which we do again and again. This is our terrible freedom, which love refuses to overpower so that, in this, the greatest of all powers, God's power, is itself powerless.

It's not necessary to tell all you know. It's not ladylike -- in the second place, folks don't like to have someone around knowin' more than they do. It aggravates them. Your not gonna change any of them by talkin' right, they've got to want to learn themselves, and when they don't want to learn there's nothing you can do but keep your mouth shut or talk their language.

I feel that, you know, the enormous luck I've had in being able to make a living, and to never have had to have written one word that I didn't want to write, to be able to have satisfied that dictum I set for myself, which was not to work for pay, but to be paid for my work - just to be able to satisfy those standards that I set for myself has been an enormous privilege.

I don’t want to have to be like a Scarlett Johansson – who I have nothing against, but I don’t want to have to go on talk shows and pull out every single SAT word I’ve every learned to prove, like, ‘Take me seriously, I am intelligent, I can speak.’ I don’t want to have to do that. I resent having to prove that I’m not a retard – but I do. And part of it is my own fault.

What a weird thing smoking is and I can't stop it. I feel cosy, have a sense of well-being when I'm smoking, poisoning myself, killing myself slowly. Not so slowly maybe. I have all kinds of pains I don't want to know about and I know that's what they're from. But when I don't smoke I scarcely feel as if I'm living. I don't feel as if I'm living unless I'm killing myself.

One strand of psychotherapy is certainly to help relieve suffering, which is a genuine medical concern. If someone is bleeding, you want to stop the bleeding. Another medical aspect is the treatment of chronic complaints that are disabling in some way. And many of our troubles are chronic. Life is chronic. So there is a reasonable, sensible, medical side to psychotherapy.

Kyoto costs a lot, does nothing to prevent calamity, and pays no compensation in the event of loss. If my insurance broker offered that sort of policy, I would not carry insurance. Instead what my broker offers is a policy that costs a little and pays full compensation in the event of loss. If someone wants to propose that as a policy on global warming, I'm all in favour.

Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.

A belief in feminism is a belief in personal freedom - the freedom to live a life free of fear of violence, to select a fulfilling career and be compensated fairly, to choose when to start a family, to marry whom you love. I want everyone, regardless of gender, to live a life free of restriction or fear, able to pursue their own personal brand of happiness and fulfillment.

This is very rare for anyone in life to pursue something and that thing being the thing you actually most want to do. It's all about the inner, rather than the outer. Whether people like or don't like my work, read it or don't read it, it's just been a gift from the gods that I've been able to sit at my desk for the last almost 50 years and do the things I've wanted to do.

This transformation is already proceeding, and if we want to consciously find these evolutionary currents operating in our own being as well-if we want to consciously join Spirit-in-action-then the four quardrants can help us orient ourselves more effectively, can help us become more conscious of the evolutionary currents already flowing around us and through us and in us.

We tend to have mixed feelings about the holy. There is a sense in which we are at the same time attracted to it and repulsed by it. Something draws us toward it, while at the same time we want to run away from it. We can’t seem to decide which way we want it. Part of us yearns for the holy, while part of us despises it. We can’t live with it, and we can’t live without it.

Classical singing - everything had to be homogenous, and it had to just feel like one continuous flow from top to bottom, bottom to top. And in jazz, I felt like, oh, well, I can sing these deep, husky lows if I want and then sing these really, like, tiny, laser highs if I want, as well. And I have - I have no obligation to make it sound like it's just one continuous flow.

The only thing we can depend on in life is that everything changes. The seasons, our partners, what we want and need. We hold hands with out high school friends and swear to never lose touch, and then we do.Change is the only constant. Your ability to navigate and tolerate change and its painful uncomfortableness directly correlates to your happiness and general well-being.

Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.

Nordenson describes wrestling with work as with a large force that wants to have its way with you, even as you want to have your way with it. This wrestling, sinewy and particular as its wrestler, enlarges us as we read our way into her life with its incisive insights and explorations. Can one wrestle meditatively? This author has learned the art and we are the benefactors.

I am committed now to one thing: lyric sequences. I want the intensity of lyric, but the scope and arc of narrative. so, I think I'll just write sequences for the foreseeable (the Beloved sequence doesn't have a 'plot' so I can just keep adding poems to it, it's like a giant bag I can just put beloved lyrics into - I think there are about 300 of them i've published by now).

its no surprise to me that anyone hardly tells the truth about how they feel. The smart ones keep to themselves for good reason. Why would you want to tell anyone anything that's dear to you? Even when you like them and want nothing more than to be closer to them? It's so painful to be next to someone you feel so strongly about and know you can't say the things you want to.

I said to my children, 'I'm going to work and do everything that I can do to see that you get a good education. I don't ever want you to forget that there are millions of God's children who will not and cannot get a good education, and I don't want you feeling that you are better than they are. For you will never be what you ought to be until they are what they ought to be.

Receptivity is the first requisite of the disciple, and of anyone who wants to learn anything. We can be anything else we like: we can be wicked, we can be stupid, we can be full of faults, we can backslide. In a sense, it doesn’t matter. But we must be spiritually receptive; we have to be willing and ready to learn. When we know that we do not know, everything is possible.

When we love another, we never ever seek to limit or restrict them in any way whatsoever. Love says, "My will for you is your will for you." Love says, "I choose for you what you choose for you." When I say, "I choose for you what I choose for you," then I'm not loving you. I'm loving me through you, because I'm getting what I want, rather than seeing you get what you want.

Sarah, I want to ask thee a solemn question. Did thee ever one single time have thy Bank book balance and thy own check book balance agree exactly? Do not tell, but I never did. Hannah Whitall Smith, Sarah, I want to ask thee a solemn question. Did thee ever one single time have thy Bank book balance and thy own check book balance agree exactly? Do not tell, but I never did.

My background, I really am a computer hacker. I've studied computer science, I work in computer security. I'm not an actively a hacker, I'm an executive but I understand the mindset of changing a system to get the outcome that you want. It turns out to make the coffee, the problem is actually how the beans get turn into green coffee. That's where most of the problems happen.

want to get to the substance of the book ["Thank You for Being Late"], but it is so closely connected to this presidential election. And you also wrote a series of columns during the campaign, very tough on Donald Trump. You called him a disgusting human being and now you're calling the election a moral 9/11 only 9/11 was done to us from the outside. We did this to ourselves.

I didn't want to be in the teeming mass of the working class.[...] I didn't want to live and die in the same place with only a week at the seaside in between. I dreamed of escape - but what is terrible about industrialisation is that it makes escape necessary. In a system that generates masses, individualism is the only way out. But then what happens to community - to society?

"Understand the process of the ego. How does the ego live? The ego lives in the tension between what you are and what you want to be. A wants to be B - the ego is created out of this very tension. How does the ego die? The ego dies by you accepting what you are. That you say, "I am fine as I am, where I am is good. I will remain just as existence keeps me. Its will is my will."

If some institution wants to sell you a billion dollars worth of mortgages, they might have to sell 100 million in the market, and then you'll buy the other 900 million on the same terms. Now, the very fact that this has been authorized or will be authorized, I hope, will firm up the market to some degree. And that's fine. But you don't want to have artificial prices being paid.

One’s life, liberty and the products of one’s labor were not intended to be up for grabs by grubby, greedy majorities. Contra classical natural law theory, legal positivism equates justice with the law of the state. However, from the fact that most Americans want others to fund or subsidize their health care, it does not follow that they have such a right. A need is not a right.

Are we expected to live in a world where we can no longer send death threats to colleagues via email? Where we can no longer IM other people to suggest physically improbable and morally dodgy sexual practices? Where doctoring photos of people to place them in legally compromising positions is frowned upon? Who wants to live in that sort of world? Not this column, that's for sure.

If I want to make - I don't know - strawberry jam, I'm going to have to add something to strawberries to make it gelatinous and thick, right? I'm going to have to add pectin or something like that.But if I want to make cranberry sauce, all I have to do is pop some cranberries in a little saucepan and when it cools off, it'll be thick and gelatinous. So what's up with cranberries?

We don't believe in limiting access to our product. We believe that making our ticket sales available on as many sites as possible is good for the studios and good for us. We have on any given day 25,000 show starts - five show times at 5,000 screens. We have 1M seats more or less in our circuit. So I have 25M sales opportunities every single day. Why would I want to limit access?

Chefs have only been able to work in restaurants, high-end cuisine. Why? Why haven't they been able to find other scenarios? For those chefs who want to do avant-garde cuisine, should they be finding their income in a restaurant? These are the kind of questions we are asking ourselves. So the new scenario will allow them to do whatever they want to do, whenever they want to do it.

If any person wants to see clearly just how much she has changed - whether for better or worse - let her revisit after some lapse of time any place where she has ones lived. She will meet her former self at every turn, with every familiar face, in every old recollection ... She will see how much she has gained in some respects, how much she has lost - irretrievably lost - in others.

I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.

Feminism is really the right of women to be full human beings and to not be defined only by their childbearing function. Feminism is really the right of women to be human beings. That's it, yet that's so frightening to a lot of people. A full human being wants satisfying work and love. A full human being is entitled to both, and is not simply defined by only one aspect of her being.

What we also need to have a discussion on the philosophy of art: so we must ask what is it that we want in the first place? Is it just about saying and doing whatever you want, or is it about something more? We should let the artist be free, but we must also question how exactly he deals with freedom. Is it arts for elevation or arts for destruction? Is there dignity in the process?

When you have a food safety system that's voluntary and not mandatory, you're in a situation in which everybody wants everybody else to go first. So as a normal course of doing business, food companies cut corners and don't want to take the kind of trouble and the kind of testing and the kind of careful procedures that are required to produce the safe food because they don't have to.

I always say, when I work with younger actresses, "I'm here." Reese says it, too: "We've lived it. We know things. So if there's anything you want to know." I'm careful not to be the preacher, like, "Now, listen to me!" But I do want to be available. Even in terms of things like finances - where do you learn that, if you don't have people you can ask, "Hey, can I ask you a question?"

I want to be the person that is the first person there and the last person to leave. That's who I want to be, because I think the road to success is through commitment, and through the strength to drive through that commitment when it gets hard. And it is going to get hard and you're going to want to quit sometimes, but it'll be colored by who you are, and more by who you want to be.

The big difference between a warrior and a victim is that the victim represses and the warrior refrains. Victims repress because they are afraid to show the emotions, afraid to say what they want to say. To refrain is not the same thing as repression. To refrain is to hold the emotions and to express them in the right moment, not before, not later. That is why warriors are impeccable.

Dissimulation, secretiveness, appear a necessity to the melancholic. He has complex, often veiled relations with others. These feelings of superiority, of inadequacy, of baffled feeling, of not being able to get what one wants, or even name it properly (or consistently) to oneself — these can be, it is felt they ought to be, masked by friendliness, or the most scrupulous manipulation.

For me, the most painful thing is the thought of shelves without books. This is the problem with the digital thing. I do not want to see it on electronic. I do not want to see all of those indices on Kindle. I don't want this physical object to disappear, because when it's there and it's present, it's continually suggesting new relationships in a way that an electronic index couldn't.

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