The pope is encouraging immigrants to come here. He's encouraging us to let them come here. He's encouraging us to stop any efforts whatsoever to prevent them from coming here. Why, if capitalism's so bad? 'Cause if he gets what he wants and everybody else along with him, we're not gonna be capitalists very much long. Here's what the pope said about Trump.

Putting on your crown is really like accepting the fact that you are a queen. You're a great woman. Wherever you are in life, just keep on that path, and so for me, sometimes as women, we forget - we forget that about ourselves. So, putting on your crown is sort of reminding yourself that, hey, I'm a queen, and I can do what I want in this life and take it.

How wrong it is to use God as a stop-gap for the incompleteness of our knowledge. . . . We are to find God in what we know, not in what we don't know; God wants us to realize his presence, not in unsolved problems but in those that are solved. . . . God is no stop-gap; he must be recognized as the center of life, not when we are at the end of our resources.

I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.

I do not know whether anyone has ever succeeded in not enjoying praise. And, if we enjoy it, we naturally wants to receive it. And if we want to receive it, we cannot help but being distraught at losing it. Those who are in love with applause have their spirits starved not only when they are blamed off-hand, but even when they fail to be constantly praised.

Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.

It is excellent discipline for an author to feel that he must say all he has to say in the fewest possible words, or his reader is sure to skip them; and in the plainest possible words, or his reader will certainly misunderstand them. Generally, also, a downright fact may be told in a plain way; and we want downright facts at present more than anything else.

I don't even know what I'm looking for, although I hope I'll know it if I find it along the way. Sometimes I want to simplify my life into a simple bare thing. And other times I want to complicate it so thoroughly that everything I touch will become bound in some way to me. I've become quite aware of my contradictions, but there's no true resolution in that.

Apart from the positive woes of perdition, an eternity of wretchedness grows from the want of love to Christ as naturally as the oak grows from the acorn, or the harvest from the scattered grain. It is not that love to Christ merits heaven; it does far better, it makes heaven. It is, as it were, the organ of sensation that takes note of heaven's blessedness.

We’re so wrapped up with egotistical things, career, family, having enough money, meeting the mortgage, getting a new car, fixing the radiator when it breaks—we’re involved in trillions of little acts just to keep going. So we don’t get into the habit of standing back and looking at our lives and saying, Is this all? Is this all I want? Is something missing?

An enlightened person or business is not concerned primarily with making money, because when you are concerned with making money you want the future more than the present. Whenever you want the future more than you want the present, true intelligence cannot flow into what you do, because it can do so only when you are totally aligned with the present moment.

I’m very interested in sublimation. I love the way Francis Bacon talked about the grin without the cat, the sensation without the boredom of its conveyance… I’ve always wanted to be able to convey figurative imagery in a kind of shorthand, to get it across in as direct a way as possible. I want there to be a human presence without having to depict it in full.

The truth is that we are saved by grace only after all we ourselves can do. (See 2 Ne. 25:23.) There will be no government dole which can get us through the pearly gates. Nor will anybody go into the celestial kingdom who wants to go there on the works of someone else. Every man must go through on his own merits. We might just as well learn this here and now.

We just lost our electricity. You want to tell me what’s so funny about that?” “It’s not exactly funny. It’s more of a good news/bad news situation.” “In that case, hit me with the good news first.” “They’re both sort of rolled up into one.” “Stop stalling.” “All right. Now don’t get mad, but . . .” Smothered laughter drifted toward him. “Cal . . . I’m naked.

It's strange how we always want other people to feel what we feel. It must be a basic human drive. Misery loves company, right? Or when you see a movie that you love, don't you want to drag all your friends to see it as well? Because it's only good the second time if it's the first time for somebody else—as if their experience somehow resonates inside of you.

I love smiles. That is a fact. How to develop smiles? There are a variety of smiles. Some smiles are sarcastic. Some smiles are artificial-diplomatic smiles. These smiles do not produce satisfaction, but rather fear or suspicion. But a genuine smile gives us hope, freshness. If we want a genuine smile, then first we must produce the basis for a smile to come.

I am going to kill you," he hissed. She gulped. "Don't you want to lecture me first?" He stared at her with a heavy dose of stupefaction. "I take that back," he said with precisely clipped words. "First I am going to strangle you, and then I am going to kill you." "Here?" she asked doubtfully, looking around. "Won't my dead body look suspicious in the morning?

The Universe is abundant with everything that you want. It's not testing you. It's benevolently providing for you. But you are the orchestrater. You are the definer, and you do it through your joyous anticipation. If there is an emotion that you are wanting to foster, that would serve you very, very well, it is positive expectation. It is excited anticipation.

I wasn't in a position that some other memoirists are, dealing with families who fed them meth, or kidnapped them, or did something that would make the writer not want to see that family again. I wanted to see my family. I wanted to celebrate them. I was proud of who we were, in the wilderness, floating down rapids or hiking over glaciers, and everywhere else.

Most Americans don't live their lives solely as Democrats or Republicans or conservatives or liberals. Most Americans live their lives that are just a little bit late for something they have to do. Often it's something they do not want to do, but they do it. Impossible things get done every day that are only made possible by the little, reasonable compromises.

Every time. You know why? I want to fail. I work like a dog for twenty years so I'll have the supreme pleasure of failing. Never knew anybody like that, did you? I'm very cunning. I plan it in advance. I fool myself right up to the last minute, and then the time comes and I know how cunningly I've been planning it all the time. I've been a failure all my life.

Collections are certainly abundant online. It's complicated, because it's not like these people didn't want computers, although there was some nonchalance about it. I would sometimes ask the people I interviewed if they wished they had a computer, and in a lot of cases, it was like they couldn't process the question. You don't know what you don't have, I guess.

The first step to living the life you want is leaving the life you don't want. Taking that first step forward is always the hardest. But then each step forward gets easier and easier. And each step forward gets you closer and closer. Until eventually, what had once been invisible, starts to be visible. And what had once felt impossible, starts to feel possible.

Suppose God wants to teach you to say, "I know how to be abased"--are you ready to be offered up like that? Are you ready to be not so much as a drop in a bucket--to be so hopelessly insignificant that you are never thought of again in connection with the life you served? Are you willing to spend and be spent; not seeking to be ministered unto, but to minister?

Absolute freedom doesn't exist and never did. Just as we don't spit on the floor at work, swear at customers, or send out letters full of misspellings, so too we might have to 'watch our language.' It is odd that the request for unbiased language in schools and workplaces is considered intolerable when other limits on our freedom to do whatever we want are not.

I was sick of the way my lyrics had been extrapolated, their meanings subverted into polemics and that I had been anointed as the Big Bubba of Rebellion, High Priest of Protest, the Duke of Disobedience, Leader of the Freeloaders, Kaiser of Apostasy, Archbishop of Anarchy, the Big Cheese. Horrible titles any way you want to look at it. All code words for Outlaw.

If you want to be powerful in life you have to enjoy the process. You have to get pleasure out of making the thing that you're making. There has to be that kind of purpose behind it. If your purpose is simply gaining power, if that becomes your end in life then you end up sort of destroying yourself because you lose the sense of detachment that's very necessary.

If anybody wants to engage in any kind of sexual activity with any consenting partner, that is their business. I don't feel that I can sit in judgment on them, or that society can sit in judgment on them. Anybody can do anything they damn well please, as long as the relationship isn't exploitive. And I don't feel that legality should have anything to do with it.

It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.

If you want to be loved, start loving others who need your love....If you want others to sympathize with you, start showing sympathy to those around you. If you want to be respected, you must learn to be respectful to everyone, both young and old....Whatever you want others to be, first be that yourself; then you will find others responding in like manner to you.

When it does get below freezing and there is - it's cold enough for ice to form, then that changes the whole landscape, and it makes the landscape a different landscape to the one that I worked with previously. And I want to understand that. But the big tension of the ice works is that they're often made when it's cold enough to freeze one piece of ice to another.

Maybe the truth does not matter, but I want to know it if only so that I can come to some conclusions about such questions as: whether he is angry with me or not; if he is, then how angry; whether he still loves me or not; if he does, then how much; whether he loves me or not; how much; how capable he is of deceiving me in the act and after the act in the telling.

You can never err by treating everyone in the building with respect, thoughtfulness, and a kind word. Everyone of our employees is an essential employee. Every one of them wants to be viewed that way. And if you treat them that way, they will view you that way. They will not let you down or let you fail. They will accomplish whatever you have put in front of them.

The poet wants to ‘say’ something. Why, then, doesn’t he say it directly and fortrightly? Why is he willing to say it only through his metaphors? Through his metaphors, he risks saying it partially and obscurely, and risks saying nothing at all. But the risk must be taken, for direct statement leads to abstraction and threatens to take us out of poetry altogether.

Most people are walking around the city like corpses; they aren't alive enough to notice the trash. They come from other places and they see it as a big garbage dump. Do you want to live and work in a garbage dump? I don't. That's partly because I grew up in the most pristine environment possible - Hawaii, where it is sacrilege to leave your garbage on the ground.

What is illusion? M.: To whom is the illusion? Find it out. Then illusion will vanish. Generally people want to know about illusion and do not examine to whom it is. It is foolish. Illusion is outside and unknown. But the seeker is considered to be known and is inside. Find out what is immediate, intimate, instead of trying to find out what is distant and unknown.

You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.

She's not like anyone I've ever seen before. When I'm not with her, I want to be. And when she opens the book and I see her face, I can barely remember what I'm supposed to say, much less how to speak at all." I test the words on my tongue. "I think I might be in love with her. But how can I really know, since the only love I've ever experienced was written for me?

I am now even more persuaded of the urgent need to study why Socrates was accused. The dislike of philosophy is perennial, and the seeds of the condemnation of Socrates are present at all times, not in the bosoms of pleasure-seekers, who don't give a damn, but in those of high-minded and idealistic persons who do not want to submit their aspirations to examination.

Most often, the reason something is "on your mind" is that you want it to be different than it currently is, and yet: you haven't clarified exactly what the intended outcomes is; you haven't decided what the very next physical action step is; and/or you haven't put reminders of the outcome and the action required in a system you trust. That's why it's on your mind.

The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.

I want to be better every year, just like everyone else does. From what I learned from last year, I feel a lot more comfortable. I know the game and how it goes up here. You get in certain situations the first time, you really don't know what to expect. Now that I've been in them-and I've been in every situation possible last year-there's nothing new to come at me.

I always get into arguments with people who want to retain the old values in painting - the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there... What you see is what you see.

All the businesses from the beginning of history have struggled with product development (assuming there is a market, doing the market testing and so on). But now they start with customer development. Get the customer who says, "Yes. I want that. I need it. I wanna use it. I'll pay for it." And then you go back and work with your engineers. It is changing the world!

I change my mind about things - for a while I was punk rocker, and if you weren't a punk rocker you were an apostate. Then I was a dance music enthusiast, and if you weren't a dance music enthusiast, you were an apostate. I was carnivore, and if you were a vegan, I didn't want to talk to you. Then I was vegan, and if you were a carnivore I didn't want to talk to you.

Do you ever go off with a long grocery list and come home from the store with a bunch of different stuff? And somebody in the family unsacks the groceries and wants to know why you got this and didn't get that and just where is the whatever? And you want to say, 'Well, just be glad I came back, okay?' And the unpacker says, 'Well, next time bring what's on the list.'

If I'm a director and I read a script and I say yeah I really want to do this, I would never walk away because the deal wasn't very good - that I wasn't getting paid very much or that the chances that I would see anything on the back end were remote because of the financial waterfall and the way it's structured. I would never use that as a reason not to do something.

Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. When you're thinking of your listener, that's when you start stuttering and it's just because you're nervous that your listener is passing judgment.

I remember in The Conversation, they brought all these coats to me, and they said: Do you want him to look like a detective, Humphrey Bogart? Do you want him to look like a blah blah blah. I didn't know, and said the theme is 'privacy' and chose the plastic coat you could see through. So knowing the theme helps you make a decision when you're not sure which way to go.

The only place Al Gore conserves energy these days is on the treadmill. I don't want to suggest that Al's getting big, but the last time I saw him on TV I thought, "That reminds me - we have to do something about saving the polar bears." Never mind his carbon footprint - have you seen the size of Al Gore's regular footprint lately? It's almost as deep as Janet Reno's.

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