Quotes of All Topics . Occasions . Authors
I prayed very hard for this to happen and it happened. I don't even think about what I've achieved, I haven't focused on it and I wish I had, because I really want to enjoy it, and I don't know if I am enjoying it, because I am going through my life like a bulldozer. I still haven't marveled at it.
I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
Coming from New York, I know that if you go by a delicatessen, and you put a sweet cucumber in the vinegar barrel, the cucumber might say, "No, I want to retain my sweetness." But it's hopeless. The barrel will turn the sweet cucumber into a pickle. You can't be a sweet cucumber in a vinegar barrel.
It's a very dangerous state. You are inclined to recklessness and kind of tune out the rest of your life and everything that's been important to you. It's actually not all that pleasurable. I don't know who the hell wants to get in a situation where you can't bear an hour without somebody's company.
If you can still write in spite of the fact that you're not getting paid, that nobody cares about what you're writing, that nobody wants to publish it, that everybody is telling you to do something else, and you still want to and you still enjoy it and you can't stop doing it...then you're a writer.
When an artist wants to paint a painting, they have all those things in their head that they want to portray on a canvas. It's the same thing when I'm pitching. I have all these thoughts going through my head about how I want to pitch: which pitch I want to throw here, and why do I want to throw it?
Good profiles mentioned characteristics that would probably be true for all of us, such as: "I want someone who will make me laugh." About Me sections with fewer than a hundred words tend to be clearly popular. Short profiles that express just enough information to pique someone's interest work best.
You're special. I'm special. The whole world's special, so don't you forget it. The universe wants us All to be happy, Full of smiles and all that stuff, All that stuff That's happy and smiley. So get happy, happy, happy right now! Get happy, happy, happy right now! Get happy, happy, happy right now!
In wanting freedom we discover that it depends entirely on the freedom of others, and that the freedom of others depends on ours. . . I am obliged to want others to have freedom at the same time that I want my own freedom. I can take freedom as my goal only if I take that of others as a goal as well.
It is useless not to seek, not to want, for when you cease to seek you start to find, and when you cease to want, then life begins to ram her fish and chips down your gullet until you puke, and then the puke down your gullet until you puke the puke, and then the puked puke until you begin to like it.
Basically, it's somebody who got stuck having to interview me who really wants to be a novelist, so they're writing these novellas and I was like, "It's not true, that didn't happen, they just made all that up! Why don't they just go ahead and be a novelist instead of bothering with interviewing me?"
It's funny, I talk to some of my friends and they don't want to to get a job at Starbucks. They don't want to get a job at, wherever, because they feel like it's below them. And I think the only thing that can be below you is to not have a job. Go work until you can get the job that you want to have.
I work on stretched linen canvas, sized so that the surface already has a sense of tension when I begin. It is a very rich and reactive surface. I begin by drawing on the canvas with a kind of loose line, very simply and freely. I paint very thinly, which allows me to change the drawing if I want to.
You're a very difficult person to manipulate, you know." "Nonsense," he said. "You just have to promise me that I won't have to do a thing, and then I'll do anything you want." "Anything?" "Anything that doesn't require doing anything." "That's nothing, then." "Is it?" "Yes." "Well, that's something.
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
If you want success badly enough, you must weigh each thought, action, and experience. The reward you reap will be the knowledge of some of history's best kept secret, which when understood and applied will truly guide you to the success in life that all have dreamed about, but only few have attained
Instead of creating expectations of what should or should not be happening, cooperate with the form that this moment takes.Bring a 'yes' to the isness, because it's pointless to argue if it already is.A greater intelligence is available to you when you no longer reject, deny, or 'don't want' what is.
There's a morality... I think there's a moral compass but whether that comes from religion or just from being a good person, and where one starts and the other begins... I'm a good person, I hope. But I'm never as good as I want to be, never as nice as I want to be, never as generous as I want to be.
You're more than Dauntless," he says in a low voice. "But if you want to be just like them, hurling yourself into ridiculous situations for no reason and retaliating against your enemies without any regard for what's ethical, go right ahead. I thought you were better than that, but maybe I was wrong.
The feeling that you get.... when you know something is happening that will change you, and you don't want it to, but you can't stop it. And you know, for the first time, that there will now be a before and an after, a was and a will be. And that you will never again quite be the same person you were.
You need a prince to make a town in an intellectual sense. Developers want to make money. If they cared about architecture, they'd become architects. I've had so many projects that never came off because they had no sponsor, and not because they were utopian. I just want to build a town that's normal.
I am exactly where I want to be now. You can't go backward. I'm not going backward. I'm grateful that I'm here, blessed to have what I have. Nobody can be prepared for anything. If you end up in a place where you can look back and go, 'It happened, but I'm so lucky to be sitting where I am sitting...'
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
I'm actually looking for a gallery, but the thing is some galleries just want to show the video work and some are just interested in the 2-D work. It has to be a gallery where I can do the 2-D collages, the video, and live performance, where it's not this weird conflict, where it can all move forward.
That's what the left is always doing. They have an ideal, and they want people to conform to it. When people don't conform to it, they end up being beaten into the mold. And beaten sometimes hard enough so that if they don't fit, then they kill them. That's what happened in the Soviet Union and China.
I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic — in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.
If you want truth to go round the world you must hire an express train to pull it; but if you want a lie to go round the world, it will fly: it is as light as a feather, and a breath will carry it. It is well said in the old proverb, 'a lie will go round the world while truth is pulling its boots on'.
One of the curious things about censorship is that no one seems to believe in it for himself. We want censorship to protect someone else— the young, the unstable, the suggestible, the stupid. I have never heard of anyone who wanted a film or speaker banned because otherwise he himself might be harmed.
The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.
I am a sports enthusiast, and if given an opportunity, I want to be a sportsman, even today. I want to promote the sport that is indigenous to India. Kabaddi is a matter of national pride. Why can't cricket, hockey, football and kabaddi be given equal platforms and co-exist? I believe that can happen.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
Most films and directors lose their nerve and want to indicate [emotions] a bit more, to show that their story is clear. I'm not saying that's a good thing; as an actor its anathema to good acting, but to have someone with the confidence to say that should I be utterly natural and minimalist is great.
Is it possible that where the subject is socially approved (tah tah tah TAH tah, it's war) almost no one thinks we're "stuck," but when we think too much about what no one else wants to think about, as well as when we think without the thoughts evolving, then we're seen as trouble (and / or troubled)?
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
Why is Caterpillar bad if we create a new job in India or China to receive U.S. exports? It makes no sense to me. We want to drive all the exports we can from the United States. We want to concentrate on all those consumers, outside contractors, customers outside the United States that we possibly can.
All the mega corporations on the planet make their obscene profits off the labor and suffering of others, with complete disregard for the effects on the workers, environment, and future generations. We have a straightforward proposal: if they want public money, we want public control. It's that simple.
People, by nature, have a tendency to snap. We get upset at things. We get angry. I'm sure everybody has said, once or twice in their life, "God, I just want to kill you!" That's just a thought that we have. That's a natural thought. It is only when people act upon that, that it becomes this huge deal.
If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
Your god must once have stood at a dawn of infinite possibilities, and this is what he's made of it. You tell me that I want God's love? I don't. Perhaps I want forgiveness, but there's no-one to ask it of. And there's no going back, there's no setting things right, there's only the hope of nothingness.
Taxing Women is a must-have primer for any woman who wants to understand how our current tax system affects her family's economic condition. In plain English, McCaffery explains how the tax code stacks the deck against women and why it's in women's economic interest to lead the next great tax rebellion.
One thing I've learned about death threats is that they're great, actually. You should actually be grateful for death threats because those who are taking the time to threaten you that way are getting it out of their system. That's really what they rant to do, yell at you, and they want to threaten you.
God has already done everything He's going to do. The ball is now in your court. If you want success, if you want wisdom, if you want to be prosperous and healthy, you're going to have to do more than meditate and believe; you must boldly declare words of faith and victory over yourself and your family.
In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.
Until today, you may not have realized that your life provides the content of your obituary. Just for today, examine your life. Think about all of the things you want to leave behind. Remember, the good thing about doing this today is that you still have time to rewrite your life's content if necessary.
If you are really serious about playing golf and playing good golf, stick to the basic fundamentals. Sure, there's going to be a little change here and a change there, but you don't want to make them. You want to stick to the things that you started with, and you learned, and you know how to apply them.
It has always seemed to me extreme presumptuousness on the part of those who want to make human ability the measure of what nature can and knows how to do, since, when one comes down to it, there is not one effect in nature, no matter how small, that even the most speculative minds can fully understand.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
I want to let [my photographs] be something that comes from the model in her own way. I don't want to take the models too much out of their own skin. I realized that I wanted to create a marriage between who the person was, the nature, the beauty in the figure, and how the models sat or posed themselves.
No, Simi. No food. (Astrid) ‘No, Simi. No food.’ You sound like akri. ‘Don’t eat that, Simi, you’ll cause an ecological disaster.’ What is an ecological disaster, that’s what I want to know? Akri says it’s me on hunger binge, but I don’t think that’s quite right, but that’s all he’ll say about it. (Simi)