Quotes of All Topics . Occasions . Authors
People who work for me know that they have a lot of autonomy. I like to know what's going on, and I'll offer my opinion, but I want people to feel that they can say to me, "That's great that you have that opinion, but, no, we're not going to do that."
If you would make a man happy, study not to augment his goods; but to diminish his wants. One of the greatest services Christianity has rendered the world has been its consecration of poverty, and its elevation of labor to the dignity of a moral duty.
I want…” he said, then hesitated, taking a breath of air and lifting his chin. “I want one pure thing in my life,” he said loudly, his voice ringing in the red-tinted air. “I want one thing I can point to and say, ‘That is good, and it’s a part of me.
I want to be in control of drafting at least 80% the timing and cohesiveness of character and narrative. I want to be in control of giving you an experience, and want you to be acknowledged as an audience and can do things but only in a limited scope.
If I feel love, I just want to feel more love. And if I feel a bit of peace, I want to feel more peace. But I don't really have any great ambitions. I feel very happy. I've got a lot of good friends. I just want it to be better and more of it, really.
You want to do all of these preventative things to make sure you always look as young as possible, you don't want to look your age. Looking young and attractive matters, even more than the type of person you are, even more than the actions you commit.
If you want to be of use to God, maintain the proper relationship with Jesus Christ by staying focused on Him & He will make use of you every minute you live- yet you will be unaware, on the conscious level of your life, that you are being used of Him.
I want to go to the extremes and transformation is something I'm fascinated by. At the same time, you can transform but you can only really put what you've got inside you into somebody, so there's always going to be a degree of you inhabiting any role.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I love "Heartbreaker." "Heartbreaker" stands up for me still. It still works to me. The sentiment is still timely and it just works. But I don't want to do that again. I'm not interested in re-creating that. That was great and I'll just leave it there.
I have some sort of performing gene that's just there and I cannot explain it but I want to connect with people through a camera or on a stage. I just can do it. I just have an intuitive sense of it. So I love doing that, I love going into that trance.
There is a natural and inviolable tendency in things to bloom into whatever they truly are in the core of their being. All we have to do is align ourselves with what wants to happen naturally and put in the effort that is our part in helping it happen.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
I want as many people to see the show [Hamilton] in its musical theater form as possible before it's translated, and whether it's a good act of translation or a bad act of translation, it's a leap, and very few stage shows manage the leap successfully.
If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.
The public don't want to authorize the internet to become a battleground. We need to do everything we can as a society to keep that a neutral zone, to keep that an economic zone that can reflect our values, both politically, socially, and economically.
History shows that when any state intends to make war against another state, even not adjacent, it begins to seek for frontiers across which it can reach the frontiers of the state it wants to attack. Usually, the aggressive state finds such frontiers.
It's what we all wanted when we were children- to be loved and accepted exactly as we were then, not when we got taller or thinner or prettier...and we still want it... but we aren't going to get it from other people until we can get it from ourselves.
The first draft is for YOU, the writer; the second and subsequent drafts are for the reader. Trying to do both things at once — figuring out what we want to say, while also fashioning it for another human being to read — is the cause of writer’s block.
If you have a structure beforehand, you're sort of stuffing your story into a pre-assembled box. You don't want that to happen. What you want in your writing is to have a sort of wildness that occurs. And then, out of the wildness, a structure emerges.
I'm always open to not necessarily to do leading roles because I want to do roles that are the best, character role. And sometimes, it's not going to be a leading role. It's going to be a smaller, supporting role. So really, I'm open to doing anything.
If you invest the time to understand the customer better than they know themselves, if you know the things they want or need even if they can't articulate it, you can begin to develop a good sense as to where there really are unmet needs in the market.
Of all the ways we have found to hurt ourselves, the worse has been through love. We are always suffering because of someone who doesn't love us, or someone who has left us, or someone who won't leave us. If we are alone, it is because no one wants us.
It's also obsessiveness. I'll spend a lot of time working on a single sentence, debating over a dash or a colon, etc. I want things to be perfect. I know nothing will ever be as perfect as I want it, and this is very sad, but sometimes I can get close.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
She nodded, but Tiny was still holding her arm, and he asked uncertainly, "Are you sure you want to do this, Beau? It sounds painful." "Not as painful as the turn," she said solemnly. "And I'd go through this and a lot more to keep you as my life mate.
On one hand it's very flattering to be compared to a big success, and then sometimes it's very frustrating because you want people to see the movie that you're making and not be continually comparing it to something that it's not. So it goes both ways.
It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects that you hold dear. The others fade from your life entirely. You wanted them, but they did not want you in return.
I don't want to brag, but I do more homework on the course than any other announcer. I chart the greens to get all the breaks. I walk down into the greenside bunkers. I walk into the fairway bunkers to see whether a player can reach the green from them.
At each point in our lives, we are at a crossroads. We are the fruit of our past and we are the architects of our future... If you want to know your past, look at your present circumstances. If you want to know your future, look at what is in your mind.
"I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself. "I don't want them to change me in there. Turn me into some kind of monster that I'm not."
If a man wants to get it right, he's looked up to and respected. If a woman wants to get it right, she's difficult or impossible. If he acts, produces and directs, he's called multitalented. If she does the same thing, she's called vain and egotistical.
And the Clave wants to meet Clarissa. You know that, Jace." "The Clave can screw itself." "Jace," Maryse said, sounding genuinely parental for a change. "Language." "The Clave wants a lot of things," Jace amended. "It shouldn't necessarily get them all.
- I'm so busy doing what I must do that I don't have time for what I ought to do... and I never get a chance to do what I want to do! - Son, that's universal. The way to keep that recipe from killing you is occasionally to do what you want to do anyhow.
I do want to say that I was just endorsed - and more are coming next week - it will be over 200 admirals, many of them here - admirals and generals endorsed me to lead this country. That just happened, and many more are coming. And I'm very proud of it.
As we ride the elevator Gale finally says “You're still angry.” “And you're still not sorry,” I reply. "I will stand by what I said. Do you want me to lie about it?” he asks. “No, I want you to rethink it and come up with the right opinion,” I tell him.
Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.
He exulted in the possession of himself once more; he realized how much of the delight of the world he had lost when he was absorbed in that madness which they called love; he had had enough of it; he did not want to be in love anymore if love was that.
Like, a song could be really tricky and intricate and be really intellectually stimulating, but I don't think that's the song that that I'm going to throw on 80% of the time. The songs that I really want to listen to are the ones that I can really feel.
If you want to know what cram is, I can only say that I don’t know the recipe; but it is biscuitish, keeps good indefinitely, is supposed to be sustaining, and is certainly not entertaining, being in fact very uninteresting except as a chewing exercise.
Sometimes you're the one speeding along in a panic, doing too much, not paying attention, wrecking things you don't mean to. And sometimes life just happens to you, and you can't dodge it. It crashes into you because it wants to see what you're made of.
I was very sure I did not want to be the stereotype of what Indian people are seen as, which is Bollywood, and henna. That’s all great! It’s what we are, and I love it. I love saris; I love music; I love henna; I love dancing, but that’s not all we are.
You are all perfectly correct in your implications that we would be safer if we stayed home in our rooms...But we would also be duller, stupider, and, finally, sadder. If you want to avoid danger, don't get born. Once you are born, make something of it!
I want someone who is my partner in life. Who supports me, and I support her. I can share all my experiences in life with her, and she can share hers back with me. Not only do we love each other, but we accept, embrace, nurture, and care for each other.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
I didn't want the book [of memoirs] out, naturally - Larry [Grobel] knew that for 20 years, 15 at least, I didn't want anything written about me. Then, you know, things happen, finally it's OK and I trust Larry. Nothing about it is salacious in any way.
…It’s not that you don’t have the capacity to accept the truth. You don’t want to accept it, and you hide behind your own logic and intelligence while the truth marches by. Step out and join it, for goodness’’ sake! Shout it out in full step! I believe!
Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
I left Delhi in 1989 and remember very little of how life used to be then. Increasingly, in my recent visits to Delhi, I've started to realize that the city has become intellectually very lively. It makes me want to discover the city over and over again.
Whether a Buddha comes into the world or not, the nature of things is still the nature of things. The Buddha is someone who realizes what is true, what actually exists. If we want to become enlightened, we simply have to acknowledge or recognize what is.