I want to do #‎ stage again, because there just aren't words for how great it is. People say that all the time, "There's nothing like live theater, blah blah," but it's really true. I see a show and I know how they feel, and it feels great.

Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.

When you told me the first time that Valentine was your father, I didn't believe it. Not just because I didn't want it to be true, but because you weren't anything like him. I've never thought you're anything like him. But you are. You are.

Oh! how great and glorious a thing it is to have before one the Word of God! With that we may at all times feel joyous and secure; we need never be in want of consolation, for we see before us, in all its brightness, the pure and right way.

I could tell that Mom was dreaming, but I didn't want to know what she was dreaming about, because I had enough of my own nightmares, and if she had been dreaming something happy, I would have been angry at her for dreaming something happy.

The amount of time it takes you to get from where you are to where you want to be, is only the amount of time it takes you to change the vibration within you. Instant manifestation could be yours if you could instantly change the vibration.

We get the scripts before the table read, but I don't look at them until we go into the table read. I don't want to know, when I'm playing a moment in the current episode, what's going to happen because it might change how I'm playing that.

The best shows have a clear idea of what they want to achieve, where the performers have the ability to disrupt normality and engage directly with audiences of all ages. A company who can do just that (apparently effortlessly) is dotComedy.

Attention is our first duty whenever we want to know what is our second duty. There is no such cause of confusion and worry about what we ought to do, and how to do it, as our unwillingness to hear what God would tell us on that very point.

I generally don't select my chicken or my hamburgers based on the personal ideology of the person who is either flipping the hamburgers or making the money back at corporate headquarters. But if people want to do that, they're free to do it.

I want to lead the Progressive Conservative Party, a party that will promote true conservative values and principles. I can tell you right now, I am not the merger candidate. I am not interested in institutional marriages with other parties.

Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance.

He had his time measures and he had her. That was his life. For as long as he could remember, it had been that way, Dor and Alli, even as children. "I do not want to die," she whispered. "You will not die." "I want to be with you." "You are.

In my later novels, I systematically used the convention, and then a moment came - when did it come? With The Book of Illusions, maybe - I thought, I don't need them anymore, I don't need them, I want to integrate the dialogue into the text.

I always imagined that having a baby is something that I'm going to keep in a private place, but maybe my curse is that all I'm going to want to do is tell everybody about what my birth process was like and what my children's nightmares are.

When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.

That's always the way in this world. The chappies you'd like to lend money to won't let you, whereas the chappies you don't want to lend it to will do everything except actually stand you on your head and lift the specie out of your pockets.

No one wants to hear about how awesome you were; people want to hear about the time you blew it. So I think the longer you do stand-up, the more comfortable you are. You stop wanting to hide your foibles and instead want to show who you are.

Trust me, baby, you weren’t that good. I was just a better actress than you were actor. (Zephyra to Stryker) Ew! No offense, Mum, I don’t want to know who you’ve slept with. Kill the sexual bantering and him before I go deaf from it. (Medea)

The Human subject is the most important thing. My work is abstract in the sense of having been designed and composed, but it is not abstract in the sense of having no human content I want to communicate. I want the idea to strike right away.

Sometimes, when you are in a really constrained situation, it makes you more focused about what you want to say and where you're heading. The most beautiful love poems that were ever written are sonnets, composed in a very constraining form.

I have a 60-acre farm in North Carolina, and I have a tractor and a farmhouse. As soon as I groom the land, I want to put cabins around and have a place where people can write and hang out. It'll be either that or an all-black nudist colony.

I really prefer to be kind of anonymous. Because when people know your whole history, they have a tendency to relate to you differently and maybe put you up on a pedestal. I want people to just be normal with me. I just want to live my life.

If there's a god, it knows exactly what it would take to convince me and has refused to provide it. In fact, it has gone to great lengths to hide any evidence of its existence. That doesn't seem like a deity that wants to be worshiped to me.

I've been on 'Jay Leno,' and everyone likes Jay, but being on that show is a really boring afternoon. I sincerely like Jay, but I wouldn't want his job, because I'd have to interview Kathy Ireland, and there's nothing there I'd want to know.

If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.

Instead of asking yourself what everyone else's opinion is going to be and how your action will be perceived by others, ask yourself, 'How do I want my life to be lived?' Then proceed to take a small risk in the direction of that new action.

Very often we don’t go elsewhere because we are looking for another person. We go elsewhere because we are looking for another self. It isn’t so much that we want to leave the person we are with as we want to leave the person we have become.

I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.

No one wants my painting because it is different from other people's peculiar, crazy public that demands the greatest possible degree of originality on the painter's part and yet won't accept him unless his work resembles that of the others!

Sometimes it takes a partner to say, "What is it you want?" because I think we operate in life and sometimes we don't know. We're all in some kind of maze going after the cheese at the end, and we get it and we go, "What is it that we want?"

I just want to live each moment, but it's kind of hard to do that when you are asked to analyze yourself constantly. But it's also good in that you are forced to think about things that you don't ordinarily think about. I think it's strange.

Find the compensatory blessings in your life when, in the wisdom of the Lord, He deprives you of something you very much want… You will discover compensatory blessings when you willingly accept the will of the Lord and exercise faith in Him.

It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."

But the truth of the matter is, we're an open society, we want to remain an open society, and there will continue to be vulnerability. That's why we have to meet the threats when they are not yet taking place on our territory and on our soil.

If you want to be successful, you have to jump, there's no way around it. When you jump, I can assure you that your parachute will not open right away. But if you do not jump, your parachute will never open. If you're safe, you'll never soar!

It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.

You have to push on both pedals to make the wheels go 'round. Similarly, you need faith in Christ as well as knowledge. The problem is that there are always Christians who want to push one pedal - either knowledge or experience. We need both.

Sometimes you want to say things, and you're missing an idea to make them with, and missing a word to make the idea with. In the beginning was the word. That's how somebody tried to explain it once. Until something is named, it doesn't exist.

I merely observe that all living things are manipulated. As long as there is a will, it is bent and twisted constantly. Only the dead are allowed the luxury of freedom, and then only because they want nothing, and therefore can't be thwarted.

I'm very unpredictable. Very, very impulsive. Extremely. Absolutely! Sometimes I don't know what I want to do from one day to the next. I can't enjoy anything premeditated; I just do it as I feel it. But whatever I do is motivated by honesty.

I don't want to know everything about bands, I want to have some mystique remain because sometimes when you get all of this information you realize that they are just people and that actually takes away a little bit from the aura of somebody.

I've worked for everything I've ever got and it's worked out. Even if I was the Cy Young Award winner I still would not want to feel that sense of entitlement. I would still treat every game like it's my very first game and my very last game.

Your customers are only satisfied because their expectations are so low and because no one else is doing better. Just having satisfied customers isn't good enough anymore. If you really want a booming business, you have to create Raving Fans.

As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it's true to say that the excitement and possibilities are in the working and obviously can only come in the working.

When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture.

If you want to learn to love, then you must start the process of finding out what it is, what qualities make up a loving person and how these are developed. Each person has the potential for love. But potential is never realized without work.

Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.

I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.

I haven't accomplished everything that I want to yet in my career, that's why I'm still playing. I just know that I still have something left inside of me to accomplish, and I don't know exactly what that is. Hopefully, I'll know one day soon

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