To really belong, we have got, first, to get it clear with ourselves that we do not belong and do not want to belong to an unfree world. As free men and women we have got to reject much of it and to know why we are rejecting it.

Music was my life...It was everything to me, even though I was in school majoring in English. I was still very focused on music and always finding ways to perform, so that was what set me up to want to become a recording artist.

You are the master of your environment. You've got your own head, your own mind. So once you figure out what you want for yourself, you have to create the proper environment to make sure you can live out all the things you want.

Whatever happens, happens. I can't give you a prediction because Jim (Irsay) and I will sit down at some point and he'll get a feel for where I am and I’ll get a sense of what direction he wants to go. Right now, I have no idea.

I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I'm George. You know, I'm with The New Yorker. I'm a liberal. I'm somewhat left of Gandhi. Do you want to talk? And, you know, they always did.

I'm pretty hard to impress, and I'm pretty exacting, in terms of what I want from my props department and art department. We spend many, many hours going over visual research and finding the right artists to create the material.

When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.

I'm the lucky one. I didn't think that I would ever want someone to have the kind of power over me that you hold. I know my future is going to be amazing because you're going to be by my side; and with you, everything is better.

It's true that this year, following my accident in the pre-season, I kind of lost morale and I felt like quitting at the end of this year. But today I can say that I want to be a professional bike rider in the year 2003 as well.

It can stand in the way of narration in cases where we want the protagonist to actually go through some kind of catharsis while our own (non-fictional) experiences and stories lead to something banal or completely uninteresting.

I don't-" I shake my head. (...) "What? What were you going to say?" This is another trick of shrinks. They never let you stop in midthought. If you open your mouth, they want to know exactly what you had the intention of saying.

If I had a project that I had auditioned for and I was getting close to getting it, I didn't want to tell anybody because I thought then I wouldn't get it, but in reality that really had no bearing on whether or not I got a part.

I feel like each time I do something I want it to be more and more recognizable that it's me so, by the time I do a film, my films will be as recognizable as someone like David Lynch or someone who's got their own thing going on.

I want people to be inspired! To remember how hard-fought the battle for the vote was, the debt we owe to women who paved the way for this more egalitarian society we live in, how critical it is to use our vote and to be counted.

love wasn't the soft, silky words the poets spoke of. Love,with it's twin edges, was the one factor that weakened so many women, that pushed them to compromised their own wants, their own needs for the needs and wants of another.

I like strong women - not necessarily a masculine woman - but I like strong women...say a woman who runs a C.E.O. corporation. I like a strong woman with confidence - massive confidence - and then I want to dominate her sexually.

I throw a Christmas party at my house. It's not really a Christmas party, because I don't want to call it a Christmas party. But let's just say I put a lot I wanted an electric train for Christmas but I got the saxophone instead.

I start thinking about life after death. I've got to quit thinking about it because it's very deep. Very deep. Sometimes you start thinking about it, and you don't feel like you want to be alive, so I don't like to get all quiet.

I'm not gonna be bad at anything, and I want to actually be the best at anything I'm doing. So if I'm playing basketball, if I'm taking the SATs, like, there's a competitive spirit behind it. With production, it's the same thing.

What's going to happen is that county council and the county executive will be able to blame the judge. I think that's what's going to happen -- they want to blame the judge for reassessment. That's not leadership, that's hiding.

There are exceptions to everything, but most businesses want to hire the best they can get for what they have to offer. If all they've got to offer is 15 an hour, they want the best they can get for it. They don't want the worst.

Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.

You see mock death in movies every day, but when it really happens, you're not used to it. Most things in life, you get better the more that you do them, but this is one of those things you don't really want to get any better at.

Always look at what your goal is. Understand that there are going to be days when you feel like crap. There are going to be days where you feel like "I don't want to do this" but you've got to understand what you're doing it for.

Los Angles to me seems to be a little bit more forgiving. They're just as rowdy and they're just as excited but they understand a [botch] happens sometimes, and they're excited to see the show and they just want to have some fun.

There are actresses who've had expensive work done and look great, so I'm not holier-than-thou about it. But it wouldn't be for me, perhaps because I've already been in hospital and wouldn't want to volunteer myself for it again.

I'm comfortable only when there's a mutual attraction. That's what anyone wants. If I find out she's not attracted to me, it brings down my level of attraction to her. If I'm interested and find out she's not, I tend to cool off.

Maybe I was being too picky. Maybe I didn't want to be close to anyone. Maybe I'd just be the type who couldn't feel love all the way or something. I couldn't tell what was wrong, but what was wrong was that it just wasn't right.

We throw you as many as you want, in this profession, and the more you want the more we'll give you, until you're so confused that you'll just beg for us to stop. Stop what? You're the one who started it - you're doing it anyway.

In a free society, government reflects the soul of its people. If people want change at the top, they will have to live in different ways. Our major social problems are not the cause of our decadence. They are a reflection of it.

You must have some vision for your life. Even if you don't know the plan, you have to have a direction in which you choose to go... You want to be in the driver's seat of your own life because if you are not, life will drive you.

There is no such thing as material covetousness. All covetousness is spiritual. ...Any so-called material thing that you want is merely a symbol: you want it not for itself, but because it will content your spirit for the moment.

I'm an actress. To be honest, it's a very awkward business. It's one of those things where it's almost like a first date. There's a way you want to come across. You want to show your goods. The truth starts to slip out sometimes.

My dad finds Twitter just infinitely unrelatable. He's like, 'Why would I want to tell anybody what I had for a snack, it's private?!' And I'm like, 'Why would you even have a snack if you didn't tell anybody? Why bother eating?'

My life would not be where I'm at without Jesus. He is the savior of my life, and he is the reason why I live, and why I breathe. If anybody wants to be blessed, you have to trust God. You have to live according to his standards.

When dealing with problems, seek not to "change" some aspect of your life but instead, choose who you want to become as a path to what you want. Transformation and healing then take place as a process of becoming versus avoiding.

the fear of death is that you are dying too soon. Nobody wants to, but at the point that you die you can pray that you are no longer the same person. I pray that when I am about to die I will not be the same person that I am now.

Each and every one of us has the capacity to be an oppressor. I want to encourage each and everyone of us to interrogate how we might be an oppressor and how we might be able to become liberators for ourselves and for each other.

I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.

After New - when Newhouse bought The New Yorker, he said in one of those grand press conferences that `Bill Shawn will stay here as long as he wants to be here.' Well, he wanted to be here until he died, but he wasn't allowed to.

String theories, for instance, they require seven additional dimensions. So, as experimentalists we should, with our high-tech instruments like the Large Hadron Collider, just listen to nature and to what nature wants to tell us.

I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.

The individual protests against the world, but he doesn't get beyond protest, he is just a single protester. When he wants to be more than that, he has to counter power with power, he has to oppose the system with another system.

To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize, so if I do something, it just has to be something I love and I don't want anyone else to do.

So the poet, who wants to be something that he cannot be, and is a failure in plain life, makes up fictitious versions of his predicament that are interesting even to other persons because nobody is a perfect automobile salesman.

When people are going on to the next plateau of whatever this thing is called life, I also want them to breathe easily, even if it's the last one they take here with us. I guess I'm the welcoming committee and ushering committee.

We create a standard for how we want to do things and everybody's got to buy into that standard or you really can't have any team chemistry. Mediocre people don't like high-achievers and high-achievers don't like mediocre people.

The more various our artificial necessities, the wider is our circle of pleasure; for all pleasure consists in obviating necessities as they rise; luxury, therefore, as it increases our wants, increases our capacity for happiness

One has to completely humiliate oneself to be what the Beatles were . . . . It happened bit by bit, until . . . you're doing exactly what you don't want to do with people you can't stand -- the people you hated when you were ten.

There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.

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