Wanna Quotes - Page 17

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Our critics would love nothing more for us to go away and just be quiet. And we won't give them that satisfaction. We have young children that, one day, when they understand more of what's happened and what's transpired, we wanna be able to say to them, you know, we did our best. And we told the truth.

A lot of people want to start a business, and they're like, 'I wanna start a business, give me some money to invest.' Where is your business plan? Are you investing money yourself into your own business? How is this going to work? People think that they can just come to you with an idea and have money.

I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.

I was 13 years old. I feel like I didn't have a sense of artistry, and I didn't have a sense of the music that I wanted to make, and every time I'd go into the studio, and I'd make my EP, a month later I'd scrap it and be like, 'I hate every song. I don't wanna do it.' Because that's how 13-year-olds are.

When I was a kid. I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13. Crappy rock bands, avant-garde things where we'd, like, 'wanna go against the norm, man.'

Dick Vitale always used to say to me, 'Remember, this is an entertainment medium.' People are not tuning in to a game to know how smart you are about basketball; they wanna enjoy it. And it took Dick years of saying that for me to settle in and say, 'It's also okay for me to have a little fun on the air.'

There's, you know, there's an ideology behind Ultron that makes him more unique that just a bad guy. He doesn't wanna just kill the Avengers. He doesn't wanna just destroy the world. He has these monologues and these beautiful speeches that kind of embody a certain mentality about what's wrong with humanity.

I don't know where people think I'm from, but I'm from Chicago. It's really just that. People wanna romanticize it and say, 'There's two sides to it, and it's a beautiful love/hate story of violence and music.' But it's really just a very scummy place where people don't have respect for other people's lives.

You can do anything and be a star. You can dress like however you want, and you can do whatever you want. If you wanna wear meat suits like Lady Gaga, good. She's freaking amazing! She's doing that, and she's unbelievable. I can wear T-shirts and still be great, too. So that's just what I'm proving to people.

The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

Something that I don't normally tell, and it's not necessarily because I wanna keep it from anybody - I just don't think about it - but one thing about me that not a whole lot of people know and that never really gets brought up is that I actually don't have a driver's license. I've never taken a driver's test.

I was doing a college show for the first time, and there was this 20-year-old gay male who's been diabetic his entire life. He said, 'I really wanna get into stand-up.' I was like, 'Oh, my God, do you realize how interesting and inherently funny you are? Go do all the comedy that you wanna do.' I care about that.

I'm not angry or anything at Sonnen, but I will say one thing - I hope nobody gets offended; I don't wanna sound disgusting, and I am certainly not fan of any anthropologic theories - but you can see on that guy's face that he is limited and stupid, and his IQ is not higher than the size of the shoes he's wearing.

That's the problem: when you make movies, I find that I never have time to go to the movies and enjoy movies like I used to because I'm so movied out, right? I'm so filmed out that the last thing that I wanna do is, with the little spare time that I have, is stick in a dark room and watch more stuff on the screen.

In hip-hop, what you have is you have a lot of formulaic-type bands or rappers that come up. They saw something on the radio, and they want to mimic that formula. And that's just boring. I don't wanna record something just to make money; I want to record something to enjoy it and have fun because I'm a music lover.

After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.

I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.

The difference between me and Tyron Woodley is that Tyron Woodley fights nervous; he fights scared. He doesn't wanna get tired, so the thing with Tyron Woodley is that he doesn't know how to push the pace. He doesn't have cardio. He doesn't have heart. He has a heart, but he doesn't have heart. There's a difference.

People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.

When I heard The Beatles, that was my turning point. They were like my mentors. You know, the funny thing about that, when I heard 'I Wanna Hold Your Hand,' at first I said these guys are like a flash in the pan. But the second album, I had to take all that back. John Lennon - one of the greatest writers in the world.

It don't matter if you put 'The Dance' out, or any old George Strait song. Someone is going to think that it's awful. You gotta be able to just sit back and kind of laugh it off and know you're doing exactly what you wanna do, and if people don't like it, then it's not really my place to tell them they have to like it.

When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.

We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.

Not yet, but I do wanna work with Leona Lewis. I love her, she's so sweet! I think she's working on her album as well so I'd love to do a nice powerful female duet with her. I think our voices would blend really well. There's a couple of other people I'd love to work with - like Fergie, Justin Timberlake and Alicia Keys.

Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetson who's flying around space. If I'm a kid, I wanna be kicking it with Elroy.

The majority of my interactions with police were not good. There were a few good ones who were actually protecting the community. But then you have ones from the Valley. They never met me in their life, but since I'm a kid in basketball shorts and a white T-shirt, they wanna slam me on the hood of the car. Sixteen years old.

If you wanna make money in music, you're better off being on the business end of it a lot of the time. And also as a musician, if you do make money, it means you had to bite and scratch and kick the whole way to not get ripped off, because at every corner, there's somebody there waiting to trip you up and take a bigger chunk.

I always have a ping-pong table in the studio. If you're with an artist and you notice the situation is going south a little bit, it's like, 'You wanna play ping-pong or foosball?' Or, 'You wanna go grab somethin' to eat?' And then you just like talk to them and relax them and get them comfortable and get yourself comfortable.

Genesis means the beginning. But I put the A instead of the E because I didn't wanna be criticized in church and nothing like that. And it means the beginning, but in my city, I'm the only person that's on the West Coast that has a different sound, so I was thinking to myself, 'This the beginning of a new sound, a new person.'

I live in Manhattan but travel all around the world; I moved to Paris when I was 16; I lived in London twice. It's kind of like, if I want to move somewhere, I don't have anything holding me back. I don't have children. If I wanna live in a certain place, I'll go. But I've lived everywhere, and I prefer New York to everything.

Being a wrestler, it can get rough in terms of your mindset, just having that mentality embedded in you where you just wanna go, go, go, 100 miles per hour, always redlining your body and never actually taking the time out to let your body recover the right way. As I got older, I started to realized that less sometimes is more.

I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.

I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.

I was the dude you didn't wanna go to school with, because I would come to school and get on your shoes. If you had a hole in your pants, I'd talk about it all day long. If your hair was messed up, if you had buck teeth, I'd talk about it all day long. And I made people laugh doing it, but it wasn't like I thought I was a comedian.

I wanna be in a movie, I wanna have a clothing line, I wanna put myself in a position where, when I'm dead and gone, or I can't rap anymore, that's still moving. Tupac and Biggie, they've been dead 10-plus years and people talk about them everyday. I'm gonna try to speak everything into existence. I know the music is my key to get there.

At first, after my freshman year, it was kind of a joke, going into my sophomore year like, 'Hey, I wanna graduate in three years, two-and-a-half.' And we were just kind of playing with it, added some extra classes in, and then once I finished that following spring going into that next summer, it was just like, 'Hey, I can actually do it.'

I do things - whether it's donations or events for good causes or giving back to my community - for the right reason: because I want to. Because it's the best thing to do. I wanna help someone else out. As far as all the attention for it, that's cool if I get it, but I'm not doing it for that reason. Stuff like that doesn't really phase me.

I stay excited 'cause for me, this is something I love to do. I'm like Coca Cola with it. I been here for a long time, I just gotta keep it nice and stay up to date and also give them that quality taste that they been looking for. It's nothing to me. When you built for it, you born for it, you do it cuz you wanna do it, not cuz you have to.

'Wanna Be That Song' has everything I want to say about love and about what I'm trying to be. I wanna be that part of your life, that song that means so much to you, the one that takes you back to that special place... the song that makes you laugh, the song that makes you cry when you need to cry, that makes you dance when you need to dance.

No one understood why I would wanna be behind the camera, not in front of the camera, and so no one took me seriously, and people said, 'Oh, well, this is just a hobby isn't it?' and I said, 'No, I really love this. I wanna make this my career,' and I did not have a lot of support at all for many years. People just kind of thought it was a joke.

I don't think that anyone was trying to keep me from writing the first album. It's just when you're on 'American Idol' or a TV show like that, you wanna capitalize on that momentum, and you want to use that to your advantage, obviously, so the best way to do that is to get the music out as fast as possible. And there's no time to create, really.

Tinashe doing 'I Wanna Get Better' - it's a really personal song, and it was hard for me to imagine anyone else doing it, but stylistically her and I are so incredibly different that I was fascinated to hear what she'd do with it, and I completely loved it. It just felt like the different expression of a song that, to me, was so stamped in one way.

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