Quotes of All Topics . Occasions . Authors
I love readings and my readers, but the din of voices of the audience gives me stage fright, and the din of voices inside whisper that I am a fraud, and that the jig is up. Surely someone will rise up from the audience and say out loud that not only am I not funny and helpful, but I'm annoying, and a phony.
I don't think that we are completely dominated by what we have inherited from the past, but it is the case that as far back as you can go - just to Homer, but also to the literature of Rome, the literature of the Middle Ages and Renaissance - what you will find is that women's voices are not taken seriously.
In Britain, we need to start presenting the option of being a writer in front of black women. We need to present the idea of being a writer into poorer communities because the majority of black people in this country are working class. We need to let working-class people know that their voices are important.
Just because there are celebrities in a movie, it doesn't mean anything. I don't think The Ant Bully did all that well the first week at the box office. Compare the movies that have a lot of celebrities with the Jimmy Neutron movie, which had no celebrity voices and grossed almost one hundred million dollars.
Some of the best art in the world is collaborative, a mix of voices that are stronger together than separate. Take the Beatles, for example. Or every great movie ever made. We like to say they're the director's vision, but really, they're huge collaborations between directors, writers, actors, even producers.
I can't tell you the number of stories I've told with a female protagonist don't get bought, or they do get bought and get changed drastically. Or, I will literally write into the script different races, and they get cast all-white. I hope that stops and it opens the door for more voices to be heard in movies.
Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.
How is it that, in the face of overwhelming scientific evidence, there are still some who would deny the dangers of climate change? Not surprisingly, the loudest voices are not scientific, and it is remarkable how many economists, lawyers, journalists and politicians set themselves up as experts on the science.
I'm really happy that more and more people are making their own comics. I remember how daunting it was for me to just put pen to paper, page by page, until you had a finished comic, but the way new creators are doing that and bravely bringing their unique voices and experiences to their work is really inspiring.
When you look at critics in wrestling, it's a real special fan base. There's a lot of voices, but at the end of the day, there's only one voice that really matters, and that's your boss's, right? There's a lot of cooks in a lot of kitchens. It can be hard because there are some fans you really have to set aside.
The conscious mind can only pay attention to about four things at once. If you've got these nagging voices in your head telling you to remember to pick up the laundry and call so-and-so, they're competing in your brain for neural resources with the stuff you're actually trying to do, like getting your work done.
I've always stood for my people, with my people, but some guys just don't have voices like that. I don't like the pressure some people put on others. Some people are just not built for it. Some guys just play basketball, they don't talk, they don't post. Everybody in the '60s wasn't in the civil rights movement.
One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.
Today, we live in a time of threats like few others in recent memory. During anxious times, it can be tempting to follow the siren call of the angriest voices. We must resist that temptation. No one who is willing to work hard, abide by our laws, and love our traditions should ever feel unwelcome in this country.
Minister and writer Barbara Kaufmann has addressed the subject of guerrilla decontextualization on both the 'Voices Compassionate Education' website and on 'Inner Michael', where she offers the kind of insights into the spiritual aspects of Michael Jackson's creative artistry that mainstream media mostly ignores.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
In every school, community center, city hall, and state capitol, there are women who are making their voices heard and standing up for the people they serve - women who aren't just demanding change but finding ways to create it. They are making an impact, and along the way, they're inspiring others to do the same.
Faulkner's 'As I Lay Dying' had an immense effect on me, and most of my novels bear the burn marks of this experience, those short chapters with their conflicting points of view, truth expressed by multiple perspectives. The other attractive thing about 'As I Lay Dying' was the way it gave rich voices to the poor.
The truth is when you have a movie that was as successful as 'Chronicle' was, it's not as quick of a process. There are a lot more voices coming in and saying 'This is what the sequel should be' because there's a bigger expectation and a bigger fear of failure. And that's really what's going on with 'Chronicle 2.'
The main thing is to believe writers know what their voices are, and if they are left alone, they will come through with something. There are a load of brilliant U.S. comedies: at the moment, I'm loving 'Girls.' People say the U.S. is more conservative; I think, actually, it is a bit looser here, but trends change.
Cultures have long heard wisdom in non-human voices: Apollo, god of music, medicine and knowledge, came to Delphi in the form of a dolphin. But dolphins, which fill the oceans with blipping and chirping, and whales, which mew and caw in ultramarine jazz - a true rhapsody in blue - are hunted to the edge of silence.
We have to program the mind of the public that age is not ugly. Age is just age. Wake up, American children, and stop listening to other people's voices. Know yourself, be true to yourself and make a contribution. It took me half my life to know myself. I listened to other people's opinions and took them as gospel.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
The music industry is changing. You only hear a sprinkling of big names, but there are a lot of really wonderful young musicians with great voices and lyrical content who have refined their sound. They're up in here, so don't think they're not. There's this wealth of talent below the surface that's ready to explode.
I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
I optimize for brands and people I enjoy spending time with - we've invested in Warby Parker, Glossier, Outdoor Voices, Bonobos - because if you're having a good time, you're inherently going to be better at what you're doing. Even the bad times are tolerable when you're working alongside people you respect and like.
I have seen how leaders rule by intimidation. Leaders who demonize and dehumanize entire groups of people often do so because they have nothing else to offer. And I have seen how places that stifle the voices and dismiss the potential of their citizens are diminished: how they are less vital, less hopeful, less free.
I was in college when tens of thousands of people marched on Washington for the first Earth Day. Raw sewage floated in rivers and clouds of smog hung over cities. But then something amazing happened. People spoke out. Thousands of students, workers, and ordinary citizens used their voices to say, 'This has to change.'
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
Obviously, there's always a battle over philosophical leanings and persuasions, but the bottom line here is that Americans need to understand that this is an ideology in jihadist terrorism that is dangerous beyond words, and we need the moderate Muslim voices to be heard here if this is to be diminished in Islam itself.
Not yet, but I do wanna work with Leona Lewis. I love her, she's so sweet! I think she's working on her album as well so I'd love to do a nice powerful female duet with her. I think our voices would blend really well. There's a couple of other people I'd love to work with - like Fergie, Justin Timberlake and Alicia Keys.
A book is still atemporal. It is you, in silence, hearing voices in your head, unfolding at a time that has nothing to do with the timescale of reading. And for the hours that we retreat into this moratorium, with the last form of private and silent human activity that isn't considered pathological, we are outside of time.
During my travels in Iraq, Israel, Gaza, Brazil, Indonesia, Japan, Europe and all over the United States, I have seen and heard the voices of people who want change. They want the stabilization of the economy, education and healthcare for all, renewable energy and an environmental vision with an eye on generations to come.
My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
What comedy does, for the most part, is it voices something so simplistically that people will agree with us, and then once you agree with something, you go, 'That's what I think.' So what you're trying to do is try to voice arguments that people get on a side with. So they can use that, maybe at a dinner party, themselves.
The Tibetans are dirty. They wash once a year and, except for festivals, seldom change their clothes till they begin to drop off. They are healthy and hardy; even the women can carry weights of sixty pounds over the passes. They attain extreme old age; their voices are harsh and loud, and their laughter is noisy and hearty.
I think one of the things that writers and creative artists generally have to deal with is the censors that we have in our heads, the voices that we have that say you better not tell that and don't tell that, and people will think you're not a good girl, and your grandmother's going to be mad at you and all of those things.
If you keep hearing the same thing over and over again from your fan base, you should pay attention to that. But that's just another bunch of loud voices in your ear. I would imagine it makes it very hard to stay in touch with your own gut. You try to think of it as just another episode, but that never works. It just isn't.
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
Men can be effective allies by making space and amplifying the voices of women around them. When each of us is an ally in our own sphere of influence - when we embrace the fact that representation is everyone's responsibility, all of the time - we won't have to go to the movies to see a world that's free of toxic masculinity.
America in the 1800s isn't quite the historical mystery hotbed as the same period in the country it bested in the War of Independence, but its unique spectacle of rapid social change and the lingering influence of its literary voices act in a parallel manner upon crime fiction chroniclers devoted to this side of the Atlantic.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
I established early what I was and wasn't willing to accept. People tried to say what I had to do, whether it be pop or R&B, to be successful. Even when I was in the girl group, they would try to make our voices sound very radio-friendly and fit that mold. But even before I got signed, I knew who I was and who I wanted to be.
Whether you have a small team or a large team, you'll always have a percentage of people telling you to do the opposite of what you think you should be doing. Then you'll have a percentage of people telling you to do the opposite of what they're saying. It's a constant sea of doubtful voices. You have to navigate through that.
Throughout my years of public service, I've listened to the voices of the gay and lesbian community, whether through whispered confidences or public declarations. I understand what it truly means to say that all people should be treated equally, and I'll always stand up for fair and equal treatment of gay and lesbian Americans.
When it comes to the form the narrative will take, whether first person, third person, or Aunt Grace's cat, I usually find that the story tells me which voice it prefers, and that often changes as I go along. And in the end it really doesn't matter as long as the author can rig those voices all in harness to pull the same load.
A lot of music fans are still interested in insightful perspectives on music - maybe even more interested than ever, since everyone needs help making sense of the incredible variety of sounds that have sprung up in the wake of the Internet revolution. There's a lot of room for unique, qualified voices who can provide good reads.
I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.