Quotes of All Topics . Occasions . Authors
We need not wait for further, well-placed home video cameras to see that low-intensity warfare is being waged against low-income minorities. We need only listen to the voices of the poor; they can testify that they are dehumanized, disparaged, and despised by the police.
The miracles of the church seem to me to rest not so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.
It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.
A historic investment in jobs, debt-free college, profit sharing, making those at the top pay their fair share, putting families first in a modern economy and a democracy where working people's voices are actually heard. That is what we are fighting for in this election.
Strangely enough, among my dad's things, I found the diary of an ancestor who was born in 1797 and became a ventriloquist in London. That was quite chilling. It described exactly how I was as a child but 150 years earlier - doing voices, pretending to be a ventriloquist.
Because we spoke so loudly, opponents of reproductive health access demonized and smeared me and others on the public airwaves. These smears are obvious attempts to distract from meaningful policy discussions and to silence women's voices regarding their own health care.
#BlackLivesMatter was born online but now lives in street actions, in conversations in our homes, and in the dignity swelling in our hearts. That is the power of the open Internet, and it is why we must do everything we can to protect black voices. Our lives depend on it.
In Scotland, Catholics have raised their voices against sectarianism and intolerance directed against the Church. Clearly, these actions show that freedom of religious expression, a basic human right, is not upheld in our midst as widely and as completely as it should be.
I feel opera is an expression of artistic excellence. To do it is expensive, as there's a requirement for an orchestra, good voices, excellent sets, and the fact that productions generally have only short runs. But I believe it's something we ought to achieve as a nation.
The male singers who had the same range I did, when I was growing up, didn't do much for me. But put on Nina Simone, Carmen McRae or Nancy Wilson, and I'd be in seventh heaven. Female vocalists just did more with their voices, and that's why I paid more attention to them.
I used to bury myself in character parts and put on a lot of makeup and use a lot of props. At first I thought it was clever to put on false noses and to do funny voices, but then I suddenly thought, no, that's wrong, you don't do it from the outside, you work from within.
I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
When you're writing a pilot, unless you already have an actor attached to the project, you're writing it with all the voices sort of in your head. Once you actually cast it, the actors become the voices of the characters, and you start to write for them and their strengths.
The final product in a play is not just the written word. It's the production, the performance. The script is, of course, a very important piece; but it's only one element. Ultimately, yours is one of several voices. People can change your work in a play for better or worse.
One of the downsides of working in antiquity is that you don't have many female voices, but you certainly have a lot of male terror about the potential of women's power. It shows you very clearly that the most oppressive cultures tend to be afraid of those whom they oppress.
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
Our brand of democracy is hard. But I can promise that a year from now, when I no longer hold this office, I'll be right there with you as a citizen - inspired by those voices of fairness and vision, of grit and good humor and kindness that have helped America travel so far.
The word deepfake has become a generic noun for the use of machine-learning algorithms and facial-mapping technology to digitally manipulate people's voices, bodies and faces. And the technology is increasingly so realistic that the deepfakes are almost impossible to detect.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
In Spanish, I record a lot of single-voice tracks, and in English, I 'stack' a lot of voices, so it's very different, and I think I got so used to recording in Spanish for six years that it was really refreshing and challenging to get in and record 'Double Vision' in English.
The Internet has allowed a lot of access - people feel entitled to change the ending of games, for example. So there are a lot more voices coming at you all the time, which I think has its effect on creative decision making and possibly makes people more afraid to take risks.
What's happened in my career has been about knowing myself and realizing my flaws are my strengths, and to embrace them; to access what I'm really good at, and what I'm not so good at; and tune out the voices that get inside your head and make you think you can't do something.
Diversity requires commitment. Achieving the superior performance diversity can produce needs further action - most notably, a commitment to develop a culture of inclusion. People do not just need to be different, they need to be fully involved and feel their voices are heard.
I actually started singing in church when I was about five years old. I remember looking at the choirs and just hearing all of those great big beautiful voices. And there was this one woman who could just wail. And I remember trying to sing like her when I was like going home.
When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
My dad got into this group, Commission, with Fred Hammond, and that was my biggest gospel memory. I would hear that all the time, and listening to their voices helped me develop my voice because I would try to emulate them as a kid. It taught me tone, and it gave me a balance.
The FCC was founded in 1934, and their first major action was in 1941 when they broke up NBC. NBC used to be NBC Red and NBC Blue, and they broke them up for the same exact reason: that there wasn't going to be a diversity of voices and because they were vertically integrated.
Everybody who's ever influenced me, from a Richard Prior to a Whoopie Goldberg to, you know, any of the voices that have resonated with me as a performer since I was a kid, you know, you couldn't really say that their work didn't have some element of political commentary in it.
My strong belief - in being in blogging before Twitter - is that in trying to create more information out there, in trying to create the democratization of media in general, is that the more voices there are out there then the likelihood is that the truth bubbles up to the top.
New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly.
The more queer characters I play over my years of working as an actor, and the more I see other young artists stepping up with the same intention I have, to make space for the voices of a generation of people who may not fit the status-quo, the more it inspires me to keep going.
There's been an open attack by the U.S. government, an immoral attack, to try and prevent Venezuela from being freely elected to a post in the Security Council. The imperium is afraid of truth, is afraid of independent voices. It calls us extremists, but they are the extremists.
The so-called second New Deal of 1935 - including the Works Progress Administration, Social Security and the Wagner Act legalizing union labor - represented an effort to meet the rising voices demanding a more aggressive government approach to the collapse of national prosperity.
Surely there are common-sense reforms that we should, and must, take in order to keep our children and our communities safe. I take these recommendations very seriously, and will listen to the voices of my constituents to ensure I do everything I can to help prevent gun violence.
For myself and the Players Coalition, it was never about the money or having our voices bought. To hear people call me or anyone else a sell-out is insulting. It has always been, and will always be, about lifting the voices of the people and the work of those that fight for them.
You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.
I try to frighten my very young colleagues into studying and understanding their voices before they attempt things that are beyond them. It's wise to take gymnastics and swimming to strengthen the body, because people don't realise what an athletic undertaking singing actually is.
As I traveled around the country on a book tour for 'In Harm's Way,' I began learning how certain Indianapolis survivors had heard these voices - not necessarily the voice of God, but often that of someone who had fostered them and imparted an identity as a person who doesn't quit.
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
The Tea Party isolated Mitt Romney from mainstream voters, linking him to a rabid ideology that he could not shake as he desperately tried to move to the middle in the closing weeks of the campaign. Lesson: The loudest voices don't often command the votes needed to win in November.
When I was 17, I had an experience that I later learned could be called a 'mystical experience.' It was almost violent. No faces, voices, nothing like that. It is like the world burst and flamed into life all around me. That is not a great image, but it is as good as I will ever do.
I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
I always had a problem when I did the audio books myself because they weren't made to have me doing all the voices. And to hear established actors, and you think, 'Wow, that sounds like it's supposed to sound,' is great. They've got the right inflections, which is an enormous skill.
I hope that young people will also look to politics as a vehicle to not only have their voices heard, but actually to be the change makers that they want to see. They are disaffected, understandably, but I hope that young people will not only turn out to vote but also run for office.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
In 2006 or something, I was recording the voices for this short, 'The Real Animated Adventures of Doc and Mharti.' I was having fun doing these really crappy Doc Brown and Marty McFly impressions. During the middle of a line, a burp came out naturally. It was just so funny and gross.
Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.
I remember when I was in 'Hairspray' - my first Broadway show - I truly was in awe of the voices I got to hear on a nightly basis around me. I'm thinking, 'Wow! Why aren't these people selling millions of records?' They're the ones that are out there, you know, belting their faces off!
Little Axe's records are wracked with collective grief. Spectral harmonicas resemble howling wolves; echoes linger like wounds that will never heal; the voices of the living harmonise with the voices of the dead in songs thick with reproach, recrimination and the hunger for redemption.
If you are interested in writing, get out and live your life! Do a lot. See a lot. Keep your eyes and ears open. Pay attention to the different ways people speak. Read lots of different kinds of books. And then try writing in different voices and styles - don't be afraid to experiment.