Quotes of All Topics . Occasions . Authors
As I've been teaching longer and longer, I realize I learn so much from the voices I'm naturally drawn to, the writers I love on an instinctive level - but I also learn so much from the writers that I have to work to grasp.
The women like us because we're the first real women rappers, and the men like us because we're strong. We're not some soft little rappers with soft little voices. The men who see us end up going, 'Hey! They're kickin' it!'
There is no single voice in fandom; there is a multitude of voices, so you listen to them all because there are some good ideas coming from everywhere, but at the end of the day, we have to use our own instincts as a guide.
When I was a child, women spoke to me of how all they had was their memories, how their husbands went to war and never came back, so many tragedies. That chorus of voices filled my consciousness. It was part of life itself.
It's so critical for people frustrated with the economy, with changing tides in government, who aren't able to hear their voices, questions or their ills being talked about, to have a place for discussing what others won't.
It is time that the female gaze made its presence felt both in cinema and in a world that's been driven by intolerance, greed, hate and lust. We need to make gentler, more inclusive films where multiple voices may be heard.
Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life.
Recognize that the great majority of us aren't trained actors and entertainers. Usually, it's not our faces, our bodies, our personas or our stage presence that sells our books. It's our stories, our visions and our voices.
In the 19th century, we didn't much like the loud annexationist voices south of the border or American support for Sinn Fein adventurers who thought, by seizing the Canadian colonies, they could force Britain out of Ireland.
Silicon Valley today is populated mostly by people who would consider themselves winners of the traditional race. This causes the exclusion of the voices that are vital to a round, robust society. It's beyond gentrification.
The overflow of big money in politics drowns out the voices of everyday people. That is part of the conundrum in this country: The more money you have the more speech you have. That leaves everyday people out of the equation.
When you sit down to write, you have to be prepared to strip all of those voices away, all of the censors away, and talk about what you think the truth is, which I think is really the task of the writer - to get to the truth.
In nations where the voices of intolerance are most visible and momentarily powerful, it is in our long run interests to remain firm in our clear articulation that the use of violence in response to speech is to be condemned.
Look, we are building out a large coalition program from Latinos for Trump, Black Voices for Trump, the faith-based, all kinds of different coalitions. That's an important thing for us to do. We need to turn out those voters.
I feel like the most human among us are the weirdest among us. Those voices can be the most creative and the most special. You look around at your parents, your friends, your aunts and uncles, and you realize nobody is normal.
I had a blog where I tried to be transparent while giving away nothing. I tweeted and Facebooked badly. As a writer, your 'voice' is your calling card, yet my voice was becoming indistinguishable from billions of other voices.
I really want to be the black Tina Fey, where I just am able to produce my own content and produce other content for other minority filmmakers and put their voices on screen and basically be able to have free range to produce.
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
A song is about heartbreak - but what are the constituent feelings? What are the aspects? There is anger, there is guilt, there are all these different things. I guess putting those voices into dialogue together just felt real.
Recent action in Syria and Palestine also tell us that the awakening voices of democracy in those regions are occurring, and that those in that region are able to pursue it without being stifled by terrorists that are despotic.
Within ourselves, there are voices that provide us with all the answers that we need to heal our deepest wounds, to transcend our limitations, to overcome our obstacles or challenges, and to see where our soul is longing to go.
If the American people make their voices heard and put enough pressure on Congress, we can restore fairness in our economic system, do what's right for the middle class, and show that Congress can stand up to special interests.
You simply cannot do a sitcom by committee. It will not work. You've got to have one or two clean, creative voices in charge, and there's got to be some faith by the studio and network in those people to make the right choices.
I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
So much of what I do... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are... I love it.
We were kind of arrogant when we started and became really humbled as we were doing architecture. It's really hard to work with budgets and deadlines and all of these collaborators and all of these voices and special interests.
Whoever is playing with me, they participate in the arrangement; I learned from Craig Street to really pool the stories and the skill and the voices of everybody around you on the bandstand to build an arrangement in the moment.
'S.N.L.' is the comedy establishment. Of course you want to go through that, because you want that stamp of approval. But it has its own identity, and our voices didn't mesh for whatever reason - or they decided we didn't belong.
And, as I have said, it's made me think twice about the imagination. If the spirits aren't external, how astonishing the mediums become! Victor Hugo said of his voices that they were like his own mental powers multiplied by five.
I'm so inspired by the women who are far braver than I am, who have come forward with their stories and risked everything to help others. What is important is that the voices of these women do not disappear. We must amplify them.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
For the theatrical experience to survive, spectacle films need to expand their definition of what they can be. They need to be unique and true voices of the filmmakers behind them. They can't just be copying what came before them.
As far as my memory being reliable, at the risk of sounding like some sort of gorgeous two-headed monster with the voices of Dave Barry and Erma Bombeck, I do think that women, like elephants, remember everything and love peanuts.
In 1974, when I started working with the material that became 'Horses,' a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
In the late 1960s, English artists like the Rolling Stones and Joe Cocker began recording in the States, and at that point, they realised, 'We can get real African-American voices on our records; we don't have to pretend any more.'
I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
The reason I got into filmmaking was super naive: to change the world, you know? To really make the voices that we don't get to hear heard and the images and the stories that we don't get to see seen. I would like to normalize that.
What I'm asking for is hard. It's easier to be cynical; to accept that change isn't possible, and politics is hopeless, and to believe that our voices and actions don't matter. But if we give up now, then we forsake a better future.
Many novice writers, students in particular, think that writing is little more than copying down their self-talk, the palaver of the voices they hear in their heads. Of course, self-talk is thinking, and writing begins with thinking.
Political leaders in Belarus are routinely repressed, and their voices are muffled: Tsikhanouskaya was running for president because her husband, Siarhei Tsikhanouski, was arrested before he could start his own presidential campaign.
The Blossoms had gotten so we were working seven days a week, three or four sessions a day, which was literally killing us, physically. With the instruments that the musicians play, they can do that, but not with us using our voices.
In Maine, we are fortunate to have a Clean Elections system that allows legislators to turn down corporate special interest money. At the national level, Congress should follow Maine's example by empowering the voices of small donors.
I honestly don't know where the high voice thing came from in the first place. Why do people have high voices? Emotional problems? What is that? It could easily be that. And now I'm getting more normal, and my voice is getting deeper.
After I started singing, I'd go to my dad's records I grew up with in his house listening to: Gordon Lightfoot, John Denver, the Carpenters, Bob Seger, Neil Diamond, voices that resonate with you, that you know who they are right away.
When somewhat at a distance, I cannot hear the high tones of instruments, voices. In speaking, it is not surprising that there are people who have never noticed it, for as a rule I am absent-minded, and they account for it in that way.
At the end of the day, sleep is a barometer of your emotional health. And so if you're not in the right place where you need to be, then you're going to have voices keeping you up at night because you have to work through those issues.
I feel like my experience on 'Community' was that I saw just how important that first year is for a series. That is where you work all the pieces out, and that means honing the characters' voices, setting that tone, finding your angle.
I like men. I like the sound of their voices, the way they think. They're more sensitive than women. With a woman, everything is either this or that, black or white. But a man can see shades of gray. That's what I call being sensitive.
When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife.