Quotes of All Topics . Occasions . Authors
I love voiceover work.
I love doing voiceover.
I love doing voiceover work.
Thank God for voiceover work.
I love voiceover work - I think it's fun.
I'm not some beg voiceover. I'm a serious customer.
Well, actually, I do the voiceover for Quentin Sands.
I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover.
The whole voiceover world is new and different to me and quite challenging.
My aunt was so attuned to commercials that she could always identify the voiceover actor.
I found in making and directing films that the less you have voiceover, the better it is.
I think voiceover is an adjunct that actors have picked up that have given us some security.
I assume the body language no matter what in doing voiceover. There is a transformative aspect.
Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
To be able to be doing voiceover, and to be able to be doing 'Spider-Man,' it doesn't get much better than that.
Normally, if I would read in a script that there's mostly flashbacks and mostly voiceover, I would run as far away as possible.
It's fun to do voiceover work, although you still have to act. But it doesn't involve memorizing lines, and you don't have to dress up.
I love reading novels, and I love going to movies, but I kind of hate going to an adaptation of a novel, and it starts off with a voiceover.
I thought it's very funny that I ended up as a voiceover guy because when I started out as an actor, I had a very strong Long Island accent.
When you do voiceover it's such a fun job to be able to do. First of all, you can do it in your pajamas and you don't have to get dressed up for it.
I've done a handful of voiceover and on-camera jobs where I've been asked to 'be blacker.' That's code for sassier, more ghetto, more neck rolls and snaps.
As a young girl, I loved having stories read to me. There is something magical about narration and voiceovers. Recording a voiceover is an art form in itself.
I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
I'm trying to get more into television and film. I know, like, a million models and rappers have said that, but I actually enjoy voiceover and acting in particular.
There's not a fortune to be made doing voiceover work unless you're one of the main voices on The Simpsons. See, there's The Simpsons, and then there's everything else.
At one time there were voiceover artists, now there are celebrity voiceover artists. It's unfortunate because these people need the money less than the voiceover artist.
I did a bunch of commercial voiceovers in Chicago before I left. For Balducci's pizza, I did a whole series. Actually I was making a good living with voiceover before I left.
Doing voiceover is so much fun because you can play with the lines as much as you want. You can put a whole bunch of energy into it, jump up and down, whatever you got to do.
I want to do voiceover for animation, so I am looking to do something along those lines. So, my agent is looking for something in that area, and I think that would be a lot of fun.
You know when you bring your voice to different voiceover things like video games and cartoons, and I do tons of stuff like that in voiceovers and whatnot, it's very fun and freeing.
A lot of games and voiceover projects, they're not giving the actor a lot of context. The actor, no matter how good they are, might not be able to deliver a performance that fits the action.
My team and I used the actual footage to create a three-act story of the life of Ayrton Senna. There are no talking heads and no voiceover. Senna narrates his own epic, dramatic, thrilling journey.
You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.
Years ago, I couldn't get arrested in commercials because of my look: 'Is he Jewish, Hispanic, or African-American?' I ended up doing voiceover work, which has been great. Honestly, I can't complain.
As voiceover artistes, we don't transcribe; we translate. One has to communicate what the character is feeling, and introduce humour where needed with a regional flavour that the audience can relate to.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
I love voiceover. I never understood this idea that it was lazy. Well, yes, there are those movies or TV shows that use it as just a way to get out exposition. But you know what? That's just bad writing.
My dad had such a cool job. When you're a voiceover actor, it's a whole different skill - you're bringing these huge, larger-than-life monsters and characters to life. And, also, you have to learn accents.
I love to do voiceover because, for me, if you know what you're doing, it's simple. No makeup, no costuming, none of the baloney. None of the egos - you don't have to deal with all that crap. I love voiceovers.
In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story.
I have a studio at my house, and there is a sister studio for Disney which is about 45 minutes away, and we haven't dropped a beat. In the art of animation and voiceover work, you can pretty much work from anywhere.
Voiceover excited me and terrified me. I thought I was going to be really bad at it. It was so freeing and fun to not have to wait for 10 minutes between every setup. They just throw you a direction, and you just say it.
I use voiceover just like I use dialogue. There's a way to give out information or give out insight to the character or give out their worldview, and maybe you have to slip in exposition, but it's all about how you write it.
One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.
With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
I did voice work for many years before I started having success as an actress. It was mostly radio and television voiceover work, but I know my way around the studio. I know how to use the cappuccino machines and the headphones.
Voiceover is probably the toughest of all the markets to get into. Everybody wants to do it because it's again three to five hours work. You can roll in there with your bedroom slippers and robe on if you wanted to. And it's fun.
I did work with Ajay Devgn and Kajol, who did the voiceover in 'Makkhi'. I wanted a couple with easily identifiable voices but with an image for being family-oriented. Ajay and Kajol fitted the bill. You get a good feel about them.
It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.