Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.

She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath, and then you can hear a pin drop, and I'm feeling nauseous and so desperately hoping that it's not me, that it's not me, that it's not me. Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it's not me. It's Primrose Everdeen.

I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.

Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.

The woods are never solitary — they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery — we may only wander, awed and spellbound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only — a mighty voice.

If you enjoy learning, if you enjoy the curiosity of music and what can be done with it, and stop looking at it as something you have to do because someone says this is what you have to do to be a professional, you know, learn it because you're curious about it and then I think you'll have a much better creative sense and enable this inner voice to come out. These things are not taught and are not encouraged.

I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.

Inequality also distorts our democracy. It gives an outsized voice to the few who can afford high-priced lobbyists and unlimited campaign contributions, and runs the risk of selling out our democracy to the highest bidder. And it leaves everyone else rightly suspicious that the system in Washington is rigged against them - that our elected representatives aren't looking out for the interests of most Americans.

The act of consciousness is central; otherwise we are overrun by the complexes. The hero in each of us is required to answer the call of individuation. We must turn away from the cacaphony of the outerworld to hear the inner voice. When we can dare to live its promptings, then we achieve personhood. We may become strangers to those who thought they knew us, but at least we are no longer strangers to ourselves.

The force of truth that a statement imparts, then, its prominence among the hordes of recorded observations that I may optionally apply to my own life, depends, in addition to the sense that it is argumentatively defensible, on the sense that someone like me, and someone I like, whose voice is audible and who is at least notionally in the same room with me, does or can possibly hold it to be compellingly true.

Don't accept less than what it is that you know that you want. Don't allow someone to be a jerk. Don't allow someone to disrespect you. Listen to the bigger voice in your head telling you that you deserve the best, whatever that is whatever that is you decide you like for yourself. It may differ from what I like or what is ideal for me. But the bottom line is to never accept less than what you know you deserve.

RJD was pretty much heavy metal personified, a tiny 5-foot-4-inch sorcerer with a mangy mane, demonic eyes and sly grin, all coupled to a simply huge, operatic voice, a diminutive powerhouse who prowled the stage like a feline elf and who was, it turns out, also finely intelligent and well spoken, an actual gentleman in a genre known all too well for its bombastic, monosyllabic doltbuckets. A rare thing indeed.

That was sheer luck that it [being immersed into folk scene] happened when my voice began to develop. I don't know exactly what would have happened if I hadn't been alive and well and really lively in the Cambridge scene. But (the folk scene) was, and I fell into it absolutely naturally in the little coffee shops, and pretty soon it was Newport and then it was an overwhelming response internationally, actually.

I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes.

I really don't want to produce artwork that does not have meaning beyond simple decorative values. I want to use public space to create a public voice, and a public consciousness about the presence of people who are, in fact, the majority of the population but who are not represented in any visual way. By telling their stories we are giving voice to the voiceless and visualizing the whole of the American story.

I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.

Matt?" "Yeah?" "You okay?" "Working on it." His voice sounded unusually tight. "I thought you said you did this a lot." "Yeah. I do. But apparently not with anyone I'm wildly attracted to." This caused certain reactions in her body that were best not experienced in mixed company. "It's just panties," she finally whispered. "And they're really great panties," Matt agreed. "But it's not the panties, Amy. It's you.

Jamie Keehn, our second Australian punter. Again, you have to learn the language. You just can't speak to those guys. You have to know how to speak Australian. ... Australians have a higher voice. When you just speak regular English, it doesn't quite get across. Of course, we've had experience with our Australians, so we're pretty comfortable with adjusting our dialect so that it fits the ability to communicate.

Sometimes I need silence; sometimes I need voices around - but not too loud or distinctive. I guess it depends on the piece in question, what stage I'm in. I think some voices can help me not to try too hard - especially at the beginning stages. Does that make sense? By some voice I mean, low chatter in the room. When there's low chatter in the room, I'm a little more relaxed, my mind might be a little more open.

I've become this voice for a millennial generation of feminism, which is awesome, but at the same time it's complicated. We all know I'm a girl, I'm a woman, but it's difficult to figure out how to talk about it and express how important it is without beating it with a hammer and having it be, "So you're a girl in music! So you're a girl in music!" Yes, I'm a girl in music - can we just talk about something else?

He was trying to be everywhere at once," the redhead told the human. "Trying to make sure Alice had nothing to do, actually." He shook his head as he looked at the tiny blackhaired girl. "Alice doesn‘t need anyone‘s help." The vampire named Alice shot a glare at Jasper. "Overprotective fool," she said in her clear soprano voice. Jasper met her stare with a half smile, seeming to forget for a second that I existed.

Some stories I write in Swedish, some in English. Short stories I've almost exclusively written in English lately, mostly because there's such a small market for them in Sweden and it doesn't really pay either. So, the translation goes both ways. What also factors in is that I have a different voice in English, which means that a straight translation wouldn't be the same as if I'd written it in English originally.

The future's so random, and so mobile, there's no way you're going to get to your vision of what you want your community to be just by chance alone. I really believe you have to let people know, to use your voice, to say, 'this is what I like about my place, I want to keep it this way, this is what I think can be improved, this is what I disapprove of.' That's the only way you can have a part in shaping the future.

Which way did they go, Peeves?" Filch was saying. "Quick, tell me." "Say 'please.'" "Don't mess with me, Peeves, now where did they go?" "Shan't say nothing if you don't say please," said Peeves in his annoying singsong voice. "All right- PLEASE." "NOTHING! Ha haaa! Told you I wouldn't say nothing if you didn't say please! Ha ha! Haaaaaa!" And they heard the sound of Peeves whooshing away and Filch cursing in rage.

The stillness of the calm is awful. His voice begins to grow strange and portentous. He feels it in him like something swallowed too big for the esophagus. It keeps up a sort of involuntary interior humming in him, like a live beetle. His cranium is a dome full of reverberations. The hollows of his very bones are as whispering galleries. He is afraid to speak loud, lest he be stunned; like the man in the bass drum.

Finn, listen!" Trevanion said, his voice raw."I prayed to see you one more time. It's all I prayed for. Nothing more. And my prayers were answered. Go east, I'll lend them west." "We have a dilemma, then," Finnikin said fiercely. "Because I prayed that you would grow old and hold my children in your arms as you held me. My prayers have not been answered yet, Trevanion. So whose prayer is more worthy? Yours or mine?

I loved meditation. I love it because that's where you find what your voice is. You cannot really find it easily in this culture. This culture is the noisiest culture ever, ever. I think the damage that it has done to people is in that realm of silencing them. They are overwhelmed by gadgets. They don't know what to think because they're so heavily programmed about what it is that they should want and should think.

The normal citizen looked at us and saw a mixture of gangster, hippy, criminal and ape. Once somebody rang us up with a nice voice and asked if they could do a feature article on us about how a commune works. They came and asked us questions, took our photos and disappeared. One week later the article appeared and it said: 'This kind of community stinks and if this is the future of Germany then we need Adolf back.'

We live in an age disturbed, confused, bewildered, afraid of its own forces, in search not merely of its road but even of its direction. There are many voices of counsel, but few voices of vision; there is much excitement and feverish activity, but little concert of thoughtful purpose. We are distressed by our own ungoverned, undirected energies and do many things, but nothing long. It is our duty to find ourselves.

To live sanely in Los Angeles ... you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be.

A willingness to vocalize feelings. How important it is to be willing to voice one's thoughts and feelings. Yes, how important it is to be able to converse on the level of each family member. Too often we are inclined to let family members assume how we feel toward them. Often wrong conclusions are reached. Very often we could have performed better had we known how family members felt about us and what they expected.

If I profess with loudest voice and clearest exposition every portion of the truth of God except that little point which the world and the Devil are at that moment attacking, I am not confessing Christ, however boldly I may be professing Christ. Where the battle rages, there the loyalty of the soldier is proved, and to be steady on all the battlefield besides, is mere flight and disgrace if he flinches at that point.

All right, Watson. Don’t look so scared,” he muttered in a very weak voice. “It’s not as bad as it seems.” “Thank God for that!” “I’m a bit of a single-stick expert, as you know. I took most of them on my guard. It was the second man that was too much for me.” “What can I do, Holmes? Of course, it was that damned fellow who set them on. I’ll go and thrash the hide off him if you give the word.” “Good old Watson!(...)

I did 40 voices for Chris Wedge, the director of the first film, before coming up with the version we used. He was hard to please, I don't know why. I gave him really slow talking voices. then I thought perhaps Sid could be an Indian sounding sloth. To find out more about my character, I watched footage of sloths. I discovered that the food they store in their pouches rots and ferments and half the time they're drunk.

I am standing on the seashore. A ship spreads her white sails to the morning breeze and starts for the ocean. I stand watching her until she fades on the horizon, and someone at my side says, She is gone. Gone where? The loss of sight is in me, not in her. Just at the moment when someone says, She is gone, there are others who are watching her coming. Other voices take up the glad shout, Here she comes! That is dying.

There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former understood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure.

The Little Mute Boy The little boy was looking for his voice. (The king of the crickets had it.) In a drop of water the little boy was looking for his voice. I do not want it for speaking with; I will make a ring of it so that he may wear my silence on his little finger In a drop of water the little boy was looking for his voice. (The captive voice, far away, put on a cricket's clothes.) Translated by William S. Merwin

There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.

I remember a few years ago I was sitting at home with my wife watching the Oscars. I was sitting on the couch and suddenly heard my voice. It's thrilling. It's interesting that a lot of guys do me. I have a friend who does me on his answering machine so when I call him I talk to myself. I don't really know what that comes from. It doesn't seem to me that I speak in a strange way. My wife says Kevin's (Spacey) the best.

I find that when I get casual in my relationships with divinity and when it seems that no divine ear is listening and no divine voice is speaking, that I am far, far away. If I immerse myself in the scriptures the distance narrows and the spirituality returns. I find myself loving more intensely those whom I must love with all my heart and mind and strength, and loving them more, I find it easier to abide their counsel.

If you aren’t hearing your inner voice, it could mean you’re overburdened or not stimulated enough, or that you’ve learned to shut it off because the people around you have refused to engage it. Perhaps you’ve had a hardening of the arteries around your soul. I believe the choices we make in our lives and the people and places surrounding us increase the volume of our inner voice, decrease it, or annihilate it entirely.

Rachel,” came a raspy voice from the upper level, and both Trent and I turned. It was Quen, wrapped in a blanket as if it was a death shroud, the black-haired intern at his side, supporting him. His hair was plastered to his skull with sweat, and I could see him wavering as he stood there. “Don’t touch Trenton,” he said, his gravelly voice clear in the hush, “or I’m going to have to come down there…and smack you around.

To get past your ego and its defenses you need to get quiet, be brave, and listen to your inner voices....When you embrace the messages of each aspect of your shadow, you begin to take back the power you’ve given to others and form a bond of trust with your authentic self. The voices of your unembraced qualities, when allowed into your consciousness, will bring you back into balance and harmony with your natural rhythms.

There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.

His thumb went back and forth over the satin, as if he were rubbing her hip as he had when they'd been together, and he moved his leg over so that it was on top of the skirting. It wasn't the same, though. There was no body underneath, and the fabric smelled like lemons, not her skin. And he was, after all, alone in this room that was not theirs. "God, I miss you," he said in a voice that cracked. "Every night. Every day.

He knows no other way but ugliness,” Sir Topher said quietly. “He was taught no other lessons but those of force. His teachers have been scum who live by their own rules. No one has ever taught him otherwise.” “Am I to forgive?” she said, her voice shaking with anger. “No,” he said sadly. “Pity him. Or give him new rules. Or put him down like a wild animal before he becomes a monster who destroys everything he encounters.

In my view, Jan Masaryk was thoroughly corrupt, who bumped himself off because he saw at last where his moral cowardice and ideological 'Playboyery' had led him. I vividly remember visiting him in Washington, fat, slightly tight, coming into the room looking like a broken-down butler with his master, the little Communist, Clementis, - and saying in a loud voice: 'Has anyone seen an Iron Curtain? I haven't.' Well, he has now.

Demetrius was wont to say that there was no difference between the words and speech of the unskilled and ignorant and the sounds and rumblings caused by the stomach being full of superfluous wind. This he said, not without reason, for, as he held, it did not in the least matter from what part of them the voice emanated, whether from the lower parts or the mouth, since the one and the other were of equal worth and importance.

Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?

You are out of control, Rand al'Thor,' she declared. I do what must be done,' he said, speaking now from the shadows. He sounded exhausted. ... I hate what you just did, Rand,' Nynaeve snarled. 'No, "Hate" isn't strong enough. I loathe what you've done. What has happened to you?' Test him!' Rand whispered, voice dangerous. 'Before condemning me, let us first determine if my sins have achieved anything beyond my own damnation.

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