Quotes of All Topics . Occasions . Authors
I don't like the term 'voice-over.
I don't like the term 'voice-over.'
I love doing voice-over. It's so fun.
I always hear I have the voice-over voice.
I love doing voice-over. It's one of my favorite things.
I enjoy voicing even though I am not a voice-over artist.
I did get a degree in theater and took some voice-over classes.
I just want to get into the action. And voice-over work is all action.
Getting into the voice-over booth, there are no cameras and no inhibitions.
I like voice-over in films, and most of my films have been voice-over films.
I was going to be the next big voice-over thing, of course, in my mind. I didn't.
With voice-over, you have to pretend like you're three, except you can talk and read.
Really, voice-over IS great. If it paid as much as on camera work, it's all I'd ever do.
I haven't done much voice-over work, but I enjoy it. I'm hoping to do more in the future.
Doing voice-over work is something that I love to do, and it is a lot of fun at the same time.
I try to go out for everything. I go out for any acting stuff that comes up, and voice-over stuff.
My first proper credit was a small voice-over on an episode of 'The Sopranos' when I was, like, 11 or 12.
I probably became an actor because of my vivid imagination, and doing voice-over really sort of takes me back to that.
And in a world without heroes, as the movie trailer voice-over guy might say, the slightly awkward can be slightly cool.
Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
On TV, it is more efficient to use voice-over people because it is really hard to get celebrity voices to recur in a series.
The cool thing about doing a voice-over into a different language is that you get to bring the character of your own culture into it.
I would love to be doing more voice-over work. It's such a fun and free playground to take risks, play around, and get sort of ridiculous.
I love the freedom of voice-over and the ability to play multiple characters I could never play in real life: a hot young woman, a little boy.
Definitely in voice-over, you have to be completely uninhibited. More than that, you have to put yourself back into the enjoyment of pretending.
I had never really done voice-over. If you've ever seen me, I'm more the communicator through body language and movement... I'm a physical actor.
I find there is room in music to talk with music. It may expand ways people can participate with music. It doesn't sound hokey or like some kind of voice-over.
I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.
In an average week I'll be testing recipes, doing a voice-over, filming and writing. I cram everything in Monday to Friday because I refuse to give up the weekend.
To be in a Pixar movie is just great to begin with, and it has afforded me the opportunity to do a different medium because I have never done voice-over before. And I love it.
'Pi' was one of my favorite films growing up because I thought it employed paranoia and voice-over, and also because it used this unreliable narrator in a very fascinating way.
Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.
But with voice-over on a reality TV show, I think I'm pretty up there, maybe one of the best. It's a confidence boost, which helps my stand-up because I'll try more interesting stuff.
If I'm doing a voice-over session, like animation or something, and I'm doing three different voices, you've gotta separate them. You've gotta find the different places and do your different things.
'Taxi Driver' is one of those films that is groundbreaking in how much you're inside this character's head. It uses voice-over in a revolutionary way where the audience is invited as a co-conspirator to the whole story line.
I did my acting performance in 'Roger Rabbit.' I think I did a voice-over also in 'Osmosis Jones' and I directed an episode of my show years ago, 'Tales from the Crypt' and that's my endeavors in the non-producer oriented ranks.
I was always talking in weird voices from the time I was two. I guess I just found a way to keep doing it! I did get a degree in theater and took some voice-over classes... but most of it is just the same stuff I was doing as a kid!
I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'
The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.
One of the things that I'm realizing is that in voice-over work, you have to actually do more work with your facial muscles and your mouth. You have to kind of exaggerate your pronunciation a little bit more, whereas with live action, you can get away with mumbling sometimes.
I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
Think about 'GoodFellas': It could be a textbook on how not to write a screenplay. It leans on voice-over at the beginning, then abandons it for a while, then the character just talks right into the camera at the end. That structure is so unusual that you don't have any sense of what's going to happen next.
I remember seeing 'Aladdin' when I was five or six and loving it. I looked at the big screen and said to my mum, 'Whatever this Genie guy does, I want to do.' Mum said I couldn't be a genie, but that Robin Williams, who did the voice-over in the film, was an actor. So I said, 'OK, then, I want to be an actor.'
Live-action has always been my focus and my passion. I love voice-over, and I definitely could see myself doing some voice-over, as much as I could, and even if I ended up doing only that for the rest of my life, and I could be successful at it, that would be great. But I think my real dream is to do films and live-action films.
It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.