Quotes of All Topics . Occasions . Authors
I'm trying to create a cohesive visual and auditory world for my audience to live in and that takes time.
Great visual effects serve story and character and in doing so, are, by their very definition, invisible.
It's been hard for me to nail visual language and personal style because I like so many different things.
I thought I would be a visual artist when I was growing up, so I'm always up for a bit of experimentation.
Cinema is a visual medium one has to communicate through visuals, and therefore, dialogues should be less.
Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.
I see my role as a translator, telling the story that's in the book using the more visual language of film.
I don't really care what the visual is looking like. I've gotten away from - not shenanigans, but spectacle.
I never had any preconceived ideas about acting, because I always thought I was going to be a visual artist.
If the reader doesn't care or relate to the characters, all that visual spectacle is pretty but feels empty.
I don't paint. I am a hobbyist photographer, so I relate to the visual arts that way, but I'm not a painter.
I have sketched since a young age, so there's always been an artistic side, a visual side to my personality.
Music doesn't have to sit within the confines of pop structure, you can really make stuff that's more visual.
At any filmmaking class, you learn the power of the visual medium and are always trying to minimise the words.
There's definitely a visual aspect and an emotional aspect to a song. And that harks back, for me, to theater.
I don't want to do transformations on people for the sake of a visual. I want to do it because it makes sense.
I've done a lot of dance sequences because I like them; I like to animate dancing because it's fun and visual.
Everything I do is very visual and very aural, so I don't read music, and I draw as much as I write out lyrics.
Directing action scenes is really just pure visual storytelling that just makes sense to me pretty intuitively.
It's almost as if creativity is dead. The visual power of advertising was everywhere - now it's basically gone.
When I was really young, I was convinced I wanted to be a visual artist. I would paint and draw and make crafts.
If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.
I was a painter before I was a writer, so I was always a visual artist. And my writing, to me, was always visual.
As a visual storyteller, a lot is learning what to include so you're not being redundant between images and text.
My overall plan for Instagram is to continue to create a tool that will inspire people to use their visual voice.
Before I became an actor, I was a visual artist, and I've always hankered for the storytelling behind the camera.
When The Temptations began, we wanted to be visual. So we did our own choreography and developed our own uniforms.
'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere.
Most of the theatre work that you see in India is very verbose and the visual is whatever you can create on stage.
I'm not a visual guy. I'm audio. I'm a musician. I know what I do. I play guitar, and in my category I'm doing O.K.
Google Glass is the wearable computer that responds to voice commands and displays information on a visual display.
Each time you do a film you gain a lot of experience and build a visual resume where people get to know who you are.
I think it's good to have switched to a much more visual world and that people are not all that interested in words.
Disability is as visual as race. If a wheelchair user can't play Beyonce, then Beyonce can't play a wheelchair user.
Well, I have to have some type of visual in my head to finish a song. I can't finish a song if I can't see anything.
With 'Anna Karenina,' I just think it's a stunning visual tour de force for a director who is at the top of his game.
Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.
Boys, young men, men of all ages are being captivated by the new visual grammar which pushes men to pout and posture.
It's hard to brief in the Oval. You know, you can't - no visual aids, hard to roll out something in front of somebody.
Over the years, advertising had become very lazy, very visual. Visuals are important, yes, but as a part of the story.
Essentially a joke is creating an idea, whether sonic or visual, whether it's something musical or a traditional joke.
I am primarily a writer of books, and I enjoy that. But I come to realize that a lot of people prefer a visual medium.
Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work.
Fat people are so rarely included in visual culture that fat is perceived as a blot on the landscape of sleek and slim.
If you respond to pop music as an older person, then it's your game. But this business has a tremendously visual focus.
I love making up visual works of art in language. I get to be an artist without actually being an artist in that sense.
The only reason that you do visual is solely for the visual. That's the only reason. It doesn't sell your music for you.
I write on a visual canvas, 'seeing' a scene in my thoughts before translating it into language, so I'm a visual junkie.
I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
I think of my visual work as an exploration of political epistemology: the politics of how we know what we think we know.