Quotes of All Topics . Occasions . Authors
I'm on an Isabel Marant kick. She does an amazing job of making things that are everyday-wearable but also special and a little bit different. I definitely like that she has a '70s western vibe. There's something that's very fun and vintage in what she's doing.
I am lucky because I can - and I like to - mix the beautiful Caraceni jackets I inherited from my grandfather with a pair of Tsubi jeans or wear a favorite pin-striped suit from him for more formal occasions. I'm crazy about pinstripes and vintage fifties fabrics.
The 'Daughter of the Regiment' that I did in Boston was vintage Sarah Caldwell, which is to say it was brilliant. Before my career was over, I'm sure I sang the role of Marie at least a hundred times, often in productions that cost a fortune, but none touched hers.
I shop everywhere from Maxfield to antique stores. I love Alexander McQueen and Vivienne Westwood, and I love vintage. Golyester has the best selection of mint things and dead stock. I collect 1940s to 1970s platform shoes, and that's where I got a few of my best ones.
Put me in a vintage shop, and I am like a child with sweeties. I find it a million times easier to find a vintage dress than trawl the shops for a pair of jeans, so I am either dressed in really nice vintage, or I am in a pair of tracksuit bottoms looking like a scruffbag.
My grandparents in Istria had a frasca, which is about the most basic kind of grocery/restaurant. They sold wine from their own vineyard. I took control of the vineyard, hired a local winemaker, and bought another winery in 1996. We had our first commercial vintage in 1998.
It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up.
I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale.
My home has a split personality. Some of the rooms are very French antique. Think Aubusson rugs, turquoise ceramic jugs, sandbag pillows, and broken birdcages. The other half is very Aztec. Neon ikat fabric pillows, vintage books piled up to the ceiling, and shutters from Bali.
For my own style, I love vintage. 60's and 70's are my favorite. I love baby doll dresses and the soft colors. I try to mix a little bit of modern into that - maybe I'll wear it with boots. At my school we wear a uniform, but we have one day a week we can wear whatever we want.
Even though I avoid buying clothes that are 'in fashion', choosing things I fall in love with and wearing them till they fall apart - and generally going for vintage when it comes to evening wear - I still, like every woman I know, suffer from occasional pangs of 'clothes guilt'.
Everything I do is unfabulous. I'm the most normal person. I love walking everywhere and going to hole-in-the-wall places, like nail shops, because they do the best job. And I go to vintage stores rather than high-end boutiques, because I like to dress different from other people.
When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
Everything I do is unfabulous. Im the most normal person. I love walking everywhere, and going to hole-in-the-wall places, like nail shops, because they do the best job. And I go to vintage stores rather than high-end boutiques, because I like to dress different from other people.
I'm not one of those girls who can think, 'Right, I'll put a scarf with that and a little brooch there and maybe a vintage jacket.' I'm so impressed with girls who look terrific in a little thing they picked up at the local charity shop. I just look scruffy when I try to do vintage.
Everything kind of was leading towards that and I had so many specific ideas always about how exactly I wanted something to look. I would customize so many things in my wardrobe that were vintage or things that I was buying, and it just really all aligned and the timing was perfect.
When I went into the computer shop to change my last laptop, the 19-year-old kid behind the counter looked at my six-year-old model and described it as 'vintage.' 'Vintage?' I wanted to scream. 'Son, I've got shirts older than you! I own underpants that have seen more of the world!'
George Alessandro in New Jersey builds these great amplifiers. He was working on my Super Reverbs for years and he's kind of a vintage Marshall specialist. He built this amp and it's kind of a cross between a Dumble and a Super Reverb but a little juiced up with a little more power.
Purists behave as if there was a vintage year when language achieved a measure of excellence which we should all strive to maintain. In fact, there was never such a year. The language of Chaucer's or Shakespeare's time was no better and no worse than that of our own - just different.
I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.
In spite of all the skills that I do have, to relate to the normal world I have no applicable skills. I can speak Russian, I can speak French. I know about Chanel. Especially vintage Chanel. I know what Halston is. All of these things, but they can't really be applied to a nine-to-five.
I don't at all want to resemble some of these young designers who ask hallucinating prices for rags that are so in fashion now, that six months later, they are old-fashioned! I love vintage boutiques, I love to customize my clothes. And then, with my friends, we regularly exchange togs.
If you've read a lot of vintage science fiction, as I have at one time or another in my life, you can't help but realise how wrong we get it. I have gotten it wrong more times than I've gotten it right. But I knew that when I started; I knew that before I wrote a word of science fiction.
I didn't know anything about fashion. You would see me in the biggest sweater with jeans or the tightest elastic pants. Not nice clothes. My mom took me a lot to consignment stores when I was younger, and I never really got to go to fancy high-class stores, so... vintage was like a step up.
There's so many great designers. I'm a little bit of a vintage junkie when it comes to going out. I like to get unique pieces that you won't see everyone wearing, but at the same time I don't like to break the bank. I like to find great vintage pieces that you can hold on to for a long time.
I have way too many hobbies. I play guitar, and my buddies and I record music in a studio in my house. I have a couple of vintage Jeeps I'm always working on, fixing up. And I ride horses - I grew up on a horse ranch - and play basketball. I need to cut back on my hobbies so I can work more.
I've been a bit of an electronics enthusiast and maker for a long time. I actually started the forum called ModRetro. It's an electronics enthusiast community that focuses on modifying vintage game consoles, and it's actually one of the larger game console modification forums on the Internet.
Wine to me is something that brings people together. Wine does promote conversation and promote civility, but it's also fascinating. It's the greatest subject to study. No matter how much you learn, every vintage is going to come at you with different factors that make you have to think again.
Buying a particular vintage because everyone tips it and then waiting for it to mature is like gambling. The thrill is in placing the bet. Once the race is run or the match is played, you'll either win or lose. Until that happens, you're caught in this wonderful, agonising sense of expectation.
When I was little, I went to the Sahara desert and met an older woman with beautiful earrings that came all the way down to her stomach. She told me, 'For us Tuareg, jewelry is not meant for decoration. It absorbs negative energy that comes your way.' So think twice when you buy a vintage ring!
All my favorite establishments were either overly crowded or pathetically empty. People either sipped fine vintages in celebration or gulped intoxicants of who cares what kind, drowning themselves in a lack of moderation, raising a glass to lower inhibitions, imbibing spirits to raise their own.
[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.
I love small-business owners, and I actually love the idea of vintage clothing, but I don't get when they pretend that the Internet doesn't exist or that other customers have never been to the whole rest of the country where you can rummage around and buy the same dang belt for a buck and a half.
Tabitha was always trying unorthodox ways to set her up with guys. Although, to be fair to her sister, Tabitha didn't usually knock the guy unconscious before she forced them together. Still, with Tabitha there was a first time for just about anything. And extreme blind-dating was very vintage T.
I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.
Being a celebrity stylist, there are many tricks of the trade that I use in my house and with my clients. The Mr. Clean Magic Eraser has so many uses, so it's my secret cleaning tool for keeping my shoes - like the vintage Air Jordan's I am obsessing over now - and my clients' shoes, scuff and dirt free.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
I love Christopher Bailey and Burberry, Mulberry for bags, and Hudson for jeans. I like a little bit of designer with a bit of vintage and High Street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces. I always go for comfort, and like feeling confident and casual.
As I've said a million times, I'm obsessed with Liya Kebede's LemLem line. The pieces, made by artisans in her native Ethiopia, are perfect for summer! I'm also a big fan of jewelry line Lulu Frost. Designer Lisa Salzer and I have been friends forever, and I love how she incorporates vintage pieces into her jewelry.
'Mad Men' is nothing more than the fulfillment of every possible stereotype of the early 1960s bundled up nicely to convince consumers that the sort of morally repugnant behavior exhibited by its characters - with one-night-stands and excessive consumption of Cutty Sark and Lucky Strikes - is glamorous and 'vintage.'
I'm definitely a vintage collector. I have a wardrobe of core basics that I like to spice up with different colors, new accessories, and I love to try on new things to invite something different. I find, with every new stage of my life, my self-image shifts with new duties and responsibilities, and so does my fashion style.
I worked at a vintage guitar store, and the owner had ties with a lot of Japanese manufacturers and U.S. manufacturers that were beginning to pop up. So I was ordering parts and screwing them together and contacting local luthiers to finish and do frets and things, and I had put together two guitars, a red one and a black one.
The best Chateauneuf-du-Papes are among the most natural expressions of grapes, place and vintage. Chateauneuf-du-Pape vineyards are farmed organically or biodynamically, and the region's abundant sunshine and frequent wind (called 'le mistral') practically preclude the need for treating the fields with herbicides or pesticides.
I've always enjoyed searching for clothes. I like thrift stores and vintage stuff, and not so much going to Urban Outfitters. What got me interested is having to choose dresses for the carpet, and doing a lot of shoots with really cool clothes. I've gotten to try on a lot of things that I've liked, and some things that I haven't.
I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?
Some of my clothes are things that we'd play dress up with when we were little, and it's funny that now I'm wearing it, like, as an everyday thing. But if I say 'vintage' or 'thrifted' on the blog, there's this community of fashion bloggers, and I've become sort of tight with some of them, and we, like, just send each other packages.
I grew up in Texas, and people love their American-made muscle cars there. I grew up around people who loved cars and took care of cars and my dad's a big car nut, so I learned a little bit about cars - how to love them, most importantly. I think that from the time I could remember, I've always envisioned myself in a vintage muscle car.
But some of us are beginning to pull well away, in our irritation, from...the exquisite tasters, the vintage snobs, the three-star Michelin gourmets. There is, we feel, a decent area somewhere between boiled carrots and Beluga caviare, sour plonk and Chateau Lafitte, where we can take care of our gullets and bellies without worshipping them.
Consider the trivial but revealing hallmarks of urban hipsterdom: faux vintage photography, the handlebar mustache, and vinyl record players all hark back to an earlier time when people were still optimistic about the future. If everything worth doing has already been done, you may as well feign an allergy to achievement and become a barista.
I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.