Quotes of All Topics . Occasions . Authors
I'm not sure why I'm so drawn to heroes who do bad things and to villains who think they're the good guys, but I do find that moral ambiguity and conflict makes for great characters.
I feel like there's different kinds of evil and there's different kinds of villains, and as much as I would like to be dark and playing with knives... it's not me and it's not my look.
I sympathize with the zombies and am not even sure they are villains. To me they are this earth-changing thing. God or the devil changed the rules, and dead people are not staying dead.
The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
Part of what I like about the best villains in TV and film is when you feel sorry for them, and that makes you feel even worse for feeling guilty about wanting them to succeed, in some way.
Also for me it was different because I play a lot of villains and in this one I play a dad and I play a good guy, basically. He's the Secretary of the Treasury. I never had a job like that.
There's an honourable tradition of British actors who've gone to Hollywood playing baddies. Part of that is because we grow up with Richard III and Macbeth - we're not afraid of our villains.
If you look at the Disney Villains, I think you'll find that they do have mass appeal in some way, and it usually has to do with a voice quality that also matches very well with the animation.
I sometimes find that playing the bad guy, or villains, or psychopaths tend to be much more psychologically rewarding. And you can really push it, you can push the limits, and get away with it.
I don't do villains often enough. There are two approaches: give them sympathetic, reasonable motivations for doing the most unspeakable things, or get inside heads that are interestingly broken.
There was a time when villains were stylized as very fashionable with gelled hair, girls in arms and cigar in mouth but now films have come closer to the reality. Realism has entered our industry.
When you imagine the Koch brothers, it's hard not to think of the 1983 film 'Trading Places,' which featured as its villains a pair of brothers, commodity brokers named Randolph and Mortimer Duke.
It's more fun to write villains. They are more of a challenge, and I get a sick kind of pleasure out of delving into their minds. There's rarely emptiness, and there is almost always deep intelligence.
I always felt like Azula and Long Feng were much more interesting villains and three-dimensional characters than Ozai, who was just sort of a big jerk. Like a really big jerk, but not very complex or human.
We, at one point, had such great villains with shades of grey and a compelling story around them. But Bollywood did see a decline when villains were nothing but aimless goons who had no real purpose to them.
Villains have to be passionate enough to say to themselves, 'I will do anything.' It's a certain type of personality that in life, for me, is not the way I live. Because you can't live in a society that way.
If you look at the great superheroes in any universe, you will always find that they have the very best super villains opposing them. It's because they are foils; they are people that the heroes play off of.
There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch.
I can do more than anyone suspects. I pride myself on my versatility. It took 32 years of difficult parts, second leads, villains and juveniles. The Oscar changed the quality of the roles I was being offered.
We should tell the honest, painful stories of 9/11 because it dishonors the memory of heroes to invent a phony cast of villains when the actual terrorists were terrible enough to tear open this nation's heart.
Mr. Trump, like too much of the church, offers little more than an excuse to project complex problems onto simple villains. Yet the white working class needs neither more finger-pointing nor more fiery sermons.
I just want to say about Beto O'Rourke and Andrew Gillum, I mean, every superhero has to have the right nemesis. And for Beto O'Rourke, he's been very lucky in his choice of oppositional villains to run against.
It's fun playing villains. It's people who are not held by any moral constraints - or any constraints, for that matter. It's a chance to be completely off the leash and do things that you never could in real life.
I think that sometimes when they see me in a movie they expect me to be something nasty. I mean, I play a lot of villains and you show up and they think maybe... That's why it's good to defy expectations sometimes.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
There is a dark side in all of us. And for us 'bad' people, the bad side dominates. I think there is a great sadness in villains, and I have tried to put that across. We cannot stop ourselves doing what we are doing.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
It feels bad to play a bad guy. I did George W. Bush for years, and I hated him. But you have to give full voice to the villains. You have to have really convincing villains, or it's not worth anything as drama or comedy.
The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
I didn't expect to feel pathos for the villains in our show. I feel quite moved in several of our episodes; I never realized that a show like 'Motive,' which aims for a broad appeal, could have that sort of emotional impact.
The majority of comic book villains are pure evil, but Curt Connors is an exception. Curt Connors is a good man who initially wants to save the world, but he gets hungry and greedy and reckless, and he pays the price for that.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
To be honest, I never, ever thought I'd ever do comedy. I was so frequently cast early on as a high-born young man with... 'problems' and, later, as a heavy, from black-hatted western villains to the corporate raider to bad cops.
Sometimes you hate villains, but you love that you hate them, and it finds this happy medium where you enjoy the process of loathing them so much that you want them to be there. It's such a weird, twisted thing that our minds do.
That's the thing about writing for a lot of the villains is that, as a writer, you kind of have to put the best part of your own personality aside and instead focus on whatever little strange quirks you may have in your personality.
Batman is pretty much a self-trained guy. I think it would be fun to do a character like Superman or Captain Marvel or maybe Green Lantern, somebody who's got a completely different resource for fighting crime and fighting villains.
In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
I can be a teddy bear, but more people tend to see me as the other side of the coin, and that has to do with casting, more Iago than Hamlet. But I don't play villains; I play people doing the right thing for the circumstances and time.
Both villains and heroes are a bit boring, really, unless they're flawed and broken somehow. If they're not flawed and broken, then clearly they need to be broken and made flawed. That's what an author does if he or she has any dignity.
I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.
Besides Spiderman and Batman, 'The Flash' has, hands down, the best villains. You could do a TV show about The Rogues, and there's enough depth and interest and oddly honor amongst those characters that I think people will watch that show.
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
I'm very proud that I can be myself. I'm not trying to be Arabic, I'm just being me, and I happen to be Arabic. I think that might be refreshing to some people, and it's a bit more realistic than these pantomime villains we've seen before.
And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.
That's what's great about the Batman universe. When you explore Gotham, when you explore the villains, all of them point to this one character. This iconic American symbol for how we deal with pain and loss and how we move forward after it.
The idea that all Israelis are villains is a childish idea. Israel is the most deeply divided, argumentative society. You'll never find two Israelis that agree with one another - it's hard to find even one who agrees with himself or herself.
Ever since I was a kid and growing up and watching things like the 'Naked Gun' movies, there was always this stereotype about how Arabs were perceived and portrayed. I've never watched those Arab villains in the movie and felt like that was me.
Soap opera seems to be a dirty word, but actually they are the most popular shows we have. People want to know what happens next, people hate the villains and love the lovers. It's good, fun TV. But I wouldn't call 'Downton' a soap opera as such.
I like flawed characters, and I like seeing people who are supposed to be not villains but antagonists. There are elements to them, which are really annoying, but you kind of see where they came from. You see the things that caused those inadequacies.