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I play a character in the WWE and everybody hates my character. I'm the evil villain bad guy. Whenever people meet me, they're like, 'Wow, you're such a nice guy. We never expected that.'
Ravana isn't the usual villain. He is smart, has a personality, and has shades of grey which make him a complex character. There is versatility in the role and I plan to maximize on that.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.
As a villain or a superhero, as a good guy or a bad guy, I think I can do, at this point, 'Okay, whatever you need boss. Is this what you need? Great, I will grab the brass ring doing it.'
I think the first villain that I ever played was on 'Stargate'. I was this superior being that would take over a human host and believe that he was the most superior being in the universe.
I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.
I'm not interested in playing the villain as a loud caricature, one-dimensional character. I am trying to humanise evil. If you see my character in 'Aurangzeb,' I am not trying to act evil.
Too often, we get attention and sympathy by being a victim. If we're invested in someone being our villain, we must love being the victim. We have to let go of both characters in the story.
Every villain in the DC Universe wants something different, and not all of them want to rule the world. Or at least, not all of them want to rule the world in the way the Crime Syndicate do.
Jake 'The Snake' Roberts of Stone Mountain, Georgia, was the darkest! I mean, he could've been a movie villain, he was so intense! He also had the hardest finishing move of all time, the DDT.
In the summer after sixth grade, I took a class at St. Robert Bellarmine. My first role, I was the villain in a play, and I forgot all my lines. I think I cried my way through the performance.
In my entire career, only two actors challenged me as villain in my films. One is Raghuvaran's character of Mark Antony in 'Baasha' and Ramya Krishnan's portrayal of Neelambari in 'Padaiyappa.'
I think, to me, I was always taught you never approach any character as a villain. Every human being on earth really believes that they're doing the best thing. We all have our rationalizations.
If you look a little punkish, then they're going to give you the parts. And if you play an iconic villain early on in your career, you tend to get asked to play one over and over and over again.
The greatest villain of all time is The Joker - he always has been, and I don't know anyone who's not going to have Heath Ledger's performance burnt into their brains for the rest of their lives.
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.
The difficult part of writing about someone you don't admire is that it's easy to demonize them. What you get then is a cackling villain, twirling their mustache at every dastardly deed they commit.
I'm interested in looking for solutions because it's become the case that in fashion you're either a villain or a victim. Look at the industry's very limited remit in terms of body size, for example.
When something happens far back in the past, people often can't recall exact details. Blame depends upon point of view. There may be a villain, but reality is frustrating because it's often ambiguous.
Nikolaj [Coster-Waldau] plays one of the ugliest villains. We had to create such a horrible guy, because he is the bad guy in the [The Other Woman] movie. We took him as far pathologically as possible.
It's important for a villain to be as threatening as possible, whether physically, mentally or emotionally... however you want to do it. If you can combine all three, well, that's the ultimate villain.
I hope I give a good performance; I hope it's enjoyable. If I'm a villain and you hate me, that means I'm doing my job. But I'm not the one to stand for anybody to call me out of my name for any reason.
Being an actor, and a villain for various movies, I've played all parts of Ravana's persona already. But as familiar as all these parts of it may seem, playing Ravana is a different ball game altogether.
From the very beginning of my career, I never planned anything. I did whatever came to me. Not that I never did positive roles but people loved me more as a villain. That's how I got this negative image.
'Profit' was an intriguing fellow that couldn't be approached as a villain or a hero. The challenge in hanging a show on a character like Jim Profit was that we knew that we were in for a rough reception.
The idea is to be different with every film, and I'm glad my mother and my brother, who were sitting besides me during the screening of 'Ek Villain,' forget it was me on screen after the first 15 minutes.
I would have loved to do a film like 'Piku' or 'Neerja.' But I never got a role where a woman played an authoritative role. In my time, the hero and the villain were both men. The heroine was only the victim.
If I play a villain, I try to find his lightness and his good side. And if I play a hero or a good guy, I'll try to find his darkness or his flaws. Because I don't believe in good and evil. I believe in grays.
He who outrages benevolence is called a ruffian: he who outrages righteousness is called a villain. I have heard of the cutting off of the villain Chow, but I have not heard of the putting of a ruler to death.
I hope we can see African American characters as the diva, as the villain, and also as the praying mother. We are all of those things. We tended to only be the best friend or the neighbor in everybody's sitcom.
I am absolutely ecstatic about it, ... To say you are one of the 50 favorite villains and one of the 50 favorite heroes in the history of American motion pictures, that is unbelievable, and I felt very honored.
Black Panther is a great film'. It has the most compelling villain of any Marvel movie, and it deals admirably with the issue of diminishing jeopardy in a million superhero films where the world is going to end.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
Some people are cowards... I think by and large a third of people are villains, a third are cowards, and a third are heroes. Now, a villain and a coward can choose to be a hero, but they've got to make that choice.
As long as I have the talent and there's a demand for the old Chinese man - whether he's a philosopher, or a master, or an old-time restaurant owner, or a villain, or a so-called good guy - I will always be working.
We weave our real lives into our WWE lives. We just look at what's happening in our lives, and what can we do? What's the most annoying - as a bad guy, as a villain, what's the thing we can do to make people hate us?
I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
I think that we are all the heroes of our own story, and I think life comes in all shades of gray. Personally, I love movies that exist like this, where you think someone can behave both heroically and like a villain.
The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.
If you find yourself always playing the villain, or if you find yourself being typecast into a corner where you're not happy then that's probably rather miserable, but if I have been typecast I am quite happy about it.
The most important political task facing the out-of-power party - the Democrats for now - is creating a villain to run against. It's certainly easier than developing some grand new ideas or policies on which to campaign.
Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.
Johnny 'Fairplay' Dalton manufactured a lie about his dear grandmother dying in order to win a challenge. This is one of the best villain moments of 'Survivor' ever! This lie was pre-planned, evil, and perfectly played out.
There is something very exciting when you're playing a villain. You're being a rebel within the story because you are breaking the norms, and also when it comes to the structure of what a conventional lead is supposed to be.
In the game of cricket, a hero is a person who respects the game and does not corrupt the game. The one who doesn't or corrupts the game, they are the villain. They should be punished, and they have been punished in the past.
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
Vampirism, for me, was a way to live in fantasy and have superpowers, but not just in a really perfect, happy, everything is great way. It's superpowers with a cost. It's having to be the villain, and what do you do about that.
You can't watch 'Daredevil' or 'Jessica Jones' or the Marvel films and not be aware that the villain has to be awesome. I've always wanted to have more space. And the scope, morally, is more broad for the villain than the hero.