Quotes of All Topics . Occasions . Authors
The Palestine I know is a place where Christians and Muslims are equal. My mother, a Muslim village girl, attended a Catholic girls' school in Ramallah, and my refugee husband spent the Second Intifada side by side with his Christian brothers from Bethlehem.
In my village, Kharkara, 20 km from Rohtak, I would work in our fields of sugarcane, wheat and paddy while dreaming of the day I would join the army, and receive a hero's welcome every time I came home on leave. In our part of the world, a soldier is a star.
The Village Voice gave me an outlet. They encouraged writers to publish idiosyncratic, intellectually ambitious journalism in voices that ranged from demonic to highfalutin. And they paid me well once the magazine was unionized. Getting paid is motivational.
There was a village watercolour society and they'd come and paint in my field. I watched them from the window, the way they would struggle this way and that to find the perfect moment. God has made every angle on that beautiful, and I felt that tremendously.
I thought I was going to write fiction but I fell backwards into non-fiction. It started when I got locked out of two apartments in one day and I told the story to some friends, one of whom worked in the 'Village Voice' and asked me to turn it into an essay.
The Jewish usurers are fast-rooted even in the smallest villages, and if they lend five gulden they require a security of six times as much. They charge interest, upon interest, and upon this again interest, so that the poor man loses everything that he owns.
It is true that I am a writer, and I was married to a composer, and I have lived in a small village in New England, but my children are not named Heracles and Persephone, and my daughter doesn't disappear underground every six months and emerge in the spring.
We lived in the schoolhouse of the village school in Church Preen, in deepest Shropshire, and my mum was the schoolmistress. She taught the juniors, and one other teacher taught the infants. I went there from the age of three, no doubt as a form of childcare.
For somebody like me, who has trained barefoot in a small village in Odisha, I know training without proper facilities can be extremely difficult. Having experienced it all, I would like to give back to my community by creating a running academy for children.
Patriotism is not an abstract concept. It begins from one's own home. It buds out from the love for one's parents, spouses and children, the love for one's own home, village and workplace, and further develops into the love for one's country and fellow people.
It was a village where I come from, obviously a lot smaller than London, so the support was unreal and close by. To come away to a new challenge, a new level, knowing that I was going to have to step up massively - not having those people around me was a test.
Guernsey itself was overcrowded, but its cliffs were utterly empty. I spent a wonderful year with a friend, climbing them. It was sheer magic: you went from this pretty, busy village of an island to the sea cliffs and heard nothing but the gulls and the waves.
Wireless technology is creating entrepreneurship on a small scale that allows a single woman to set up a business in a small village or a single farmer or fisherman to access and disseminate market information in order to get the best price for their products.
As a matter of fact, a modern society is many societies more or less loosely connected. Each household with its immediate extension of friends makes a society; the village or street group of playmates is a community; each business group, each club, is another.
Once you achieve success, you are consumed by the fear of living up to it. Which is why many directors stick to tried and tested fare. But, I made films on village subjects, love stories, movies with students as focus, crime thrillers... it was very satisfying.
Obviously, you would give your life for your children, or give them the last biscuit on the plate. But to me, the trick in life is to take that sense of generosity between kin, make it apply to the extended family and to your neighbour, your village and beyond.
In 1965, I went to what was called the worst Bihar famine in India, and I saw starvation, death, people dying of hunger, for the first time. It changed my life. I came back home, told my mother, 'I'd like to live and work in a village.' Mother went into a coma.
If you're an Afghan village leader in a small town down around Kandahar somewhere, and you know that the footprint is getting smaller for your security, and the Taliban saying don't forget, I'm going to be back real soon, who is your loyalty going to go through?
What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
The workplace can be a good place to find opportunities to socialise, but what if you don't meet any like-minded people there, or what if you work alone? Is it, somewhat counter-intuitively, easier to find yourself lonely in a city than in a small town or village?
When my elder sister decided to pursue sports, she faced a lot of music at home. We didn't have a TV in our village, so no one understood the value of sports. But my sister convinced my parents that participating in sports would mean a secure job in the government.
I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
People would go from village to village with their books in a time of poverty and disease. They would get people around them, and for an hour, these storytellers would change people's lives. I'd always thought I was a reincarnation of that. That's who I want to be.
I had to either get better or leave the field. I couldn't go back to my village as a failure. The only thing that occurred to me was that I would work hard and get better next year. I feel that my love for the craft has got me this far, and this love is still there.
The computer is my favourite invention. I feel lucky to be part of the global village. I don't mean to brag, but I'm so fast with technology. People think it all seems too much, but we'll get used to it. I'm sure it all seemed too much when we were learning to walk.
Information, education, skills, healthcare, livelihood, financial inclusion, small and village enterprises, opportunities for women, conservation of natural resources, distributed clean energy - entirely new possibilities have emerged to change the development model.
My parents, Mary Agnes Smith and Rowland Smith, both had to work since their early teens, she in the holiday boarding house of her mother and he in his father's market garden in Marton Moss, a village on the south side of Blackpool, just north of Saint Anne's-on-Sea.
One of the first things that helped me to understand certain things about writing was seeing 'The Iceman Cometh' in the Village when I was a kid, before I ever became a newspaperman, and realizing that the world I knew could also be the subject of some amazing stuff.
My father was a doctor, and I admired him and got along well with him. He took me with him on house calls. We were living in Flushing, which was then a sleepy village of 25,000 - before the subway got there. I've been sure I wanted to be a doctor since I was about 12.
My mom is a woman who grew up in a small farming village in the West Bank called Beit Ur El Foka. She only went to school up to 8th grade and then dropped out to go work in a tailor shop that made dresses and different embroidered designs to make money for her family.
Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.
Twenty years ago, I wrote a book called 'It Takes a Village.' And a lot of people looked at the title and asked, 'What the heck do you mean by that?' This is what I mean. None of us can raise a family, build a business, heal a community or lift a country totally alone.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
Almost every week, there are stories in the press or on Chinese social media about what even the official Chinese media call 'hot online topics:' stories about how people in a particular village or town used Weibo to expose malfeasance by local or regional authorities.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
The school in the Yorkshire mining village in which my father grew up in the 1920s and 1930s allowed only a few children to go to high school, and my father was not one of them. He spent much of his time as a young man repairing this deprivation, mostly at night school.
The whole world is global. With the Internet, it's like we're all living in a small village. We're starting more and more to realize there is no difference, we can work together, we can put aside our differences and work on our similarities and be successful in that way.
I never had posters on my walls, and I didn't have any icons, either. I come from a small village in Wirral, and my family didn't watch TV. I wasn't exposed to people with icon status. David Bowie popped up, but I had already shaved my eyebrows off by the time I saw his.
'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension of 'The Mountaintop.'
I know I am in a band that is famous, and my private life is famous. I get it, and it's fine. Even when I grew up in a village, people wanted to know who was going to the dance with whom, and I understand, but I think if I engage with it too much, it won't be that healthy.
I grew up playing with kids from Hurt Village, playing with kids from other housing projects, Lamar Terrace, because my grandmother lived in that particular area. So, I always wondered how I would have turned out if I would have lived in that particular given circumstance.
The big downside to the global village that the Internet has created is that nothing has time to grow out of the public gaze and, even more dangerous, whatever your personal interests might be, there will always be someone somewhere to provide validation and encouragement.
The Moon Village concept has a nice property in that it basically just says, 'Look, everybody builds their own lunar outpost, but let's do it close to each other.' That way... you can go over to the European Union lunar outpost and say, 'I'm out of eggs. What have you got?'
Shore Leave is the one who evolved the most - because he started as a one-off joke because we were gagging on how the G.I. Joe vocationally specific-themed characters reminded us of the Village People. We made a sassy Village People kind of guy, and then we brought him back.
Faculty met, and after the usual business, some conversation was had about certain students being addicted to drinking, and it was reported that a citizen of the village had informed a member of the Faculty that there was a good deal of drinking this term among the students.
I like to think about the biblical story of the woman at the well and how out of order her life was. Jesus pointed out she'd had five husbands and was living with a sixth. But Jesus chose her to be the one who would take the good news of the Messiah's arrival to her village.
A rescue mission doesn't involve going in and just taking a child and leaving. You can't just choose any child at random. Every kid has a case that is based on that child's original family. So, we made it over to a village, found the child; we were interacting with the child.
Giving women education, work, the ability to control their own income, inherit and own property, benefits the society. If a woman is empowered, her children and her family will be better off. If families prosper, the village prospers, and eventually so does the whole country.
The first time I walked into the Olympic athlete village seeing the Visa ATM machine with my picture on it and the Chinese characters saying 'Destiny.' For some reason, it just boosted my confidence and it was before I had even worked out or had my first training or competed.