I began my career as a medical doctor in Ama Keng, a poor village in Lim Chu Kang. The people I cared for were ordinary Singaporeans. They were simple people who despite their hard work, had barely enough for themselves.

I wanted to open up a stand to sell dried fruit and beef jerky where we lived in Greenwich Village. I was 8 years old. I had been flipping through TV channels and got mesmerized by this infomercial for a food dehydrator.

My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.

As a child, we would all go to a tiny village near Burgos, and we'd have typical Spanish parties in the summer. There would be a band and grandparents dancing all night dressed up as American Indians and things like that.

It is no accident that I made Cartoon Town a simple little village - in many ways it mirrored my home town. And, yes, many of my puppet characters took on some of the more eccentric characteristics of people I knew there.

When I was a kid growing up, I lived in a little rural village called Woolton Hill, and the nearest town was Newbury. No bands played anywhere near us, so as much as I wanted to be on the grid and in the loop, I never was.

In this era of the global village, the tide of democracy is running. And it will not cease, not in China, not in South Africa, not in any corner of this earth, where the simple idea of democracy and freedom has taken root.

Within my own life, I read all the beloved novels by lamps of vegetable oil; I saw the Standard Oil invading my own village, I saw gas lamps in the Chinese shops in Shanghai; and I saw their elimination by electric lights.

I am a simple man who comes from a village, and villagers like us speak our mind. Now, in the process, if unknowingly my words came across as disrespectful or insulting, then I am deeply sorry. I don't want to hurt anyone.

One year, my parents hired someone in the village to dress up as Krampus for a surprise visit to our home - and they regretted it for ever. I went to the door and this huge creature was standing there. I think I passed out.

My art teacher in junior high was a very out gay man and a mentor to me. He would tell us about Greenwich Village and show us the 'Village Voice' and describe his life, but it was all sort of subversive and below the radar.

When my friends talk about childhood, I've never heard of any cartoons or TV they remember. The only thing we share is Michael Jackson. That's how far his music travelled - to a remote village on the other side of the world.

Now in the 1980s, I happened to notice that if you look at an aerial photograph of an African village, you see fractals. And I thought, 'This is fabulous! I wonder why?' And of course I had to go to Africa and ask folks why.

I was raised in a sort of village. I have a huge family, and I think there is strength in that. It helped me to deal with some of the complications of living in the South because I always felt like I belonged, no matter what.

It's our responsibility for the village to say, 'Hey we're going to create these programs,' whether it's sports, creative arts, music, we need some things to give young people positive things to do, and that's including jobs.

I was born into an upper-middle class family in a village in the South of Sweden in April 1899. It was a large family with seven children, a large house, and a home which was very hospitable and open to friends and relatives.

My father took me back home, back to Greenwich Village, and he thought by taking me out of the orphanage he'd be out of the World War too. But no way - they got him anyway. He went in the Navy and then I lived on the streets.

During the 1942 Quit India Movement, I was a student at Gwalior High School. I was arrested by the British for participating in the movement. My parents then sent me off to my village where, again, I jumped into the movement.

There was this mountain village in Russia where my music was getting in on some German radio station. I remember this because music used to get up to Saskatchewan from Texas. Late at night after the local station closed down.

Village is an idea; universe is an idea! If you cannot create an idea bigger than your village you live in, you remain inside your village; if we cannot create an idea greater than this universe, we remain inside this universe

I was privileged because my father was a policeman, and we lived in town. Many people in Malawi are from typical villages. My grandmother insisted I should be in both worlds, and so I needed to be acquainted with village life.

I'm lucky to live in New York, a city that offers so many options for lunch. I can pick up dumplings from a Midtown food truck, grab empanadas by the dozen in Spanish Harlem or get a fantastic bowl of ramen in the East Village.

Where I grew up, in a remote village at the back of a valley, the old still thought the dead needed attending to - a notion so universal, it's enscribed in all religions. If you didn't, they might exact revenge upon the living.

Coca-Cola is the only business in the world where no matter which country or town or village you are in, if someone asks what do you do, and you say you work for Coca-Cola, you never have to answer the question, 'What is that?'

My mum knows people in the village who died or were affected by Agent Orange who had kids who are disabled. I could have been an orphan. So many things could have gone wrong but here I am... I realise how lucky I am to be here.

I grew up in Sant Esteve Sesrovires, a small village near Barcelona. My house was near the countryside, so there was a lot of nature, and at the same time my village is surrounded by factories. That conditioned me a little bit.

I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.

When you truly accept that those children in some far off place in the global village have the same value as you in God's eyes or even in just your eyes, then your life is forever changed; you see something that you can't un-see.

Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.

I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.

We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.

India is a land of plenty inhibited by poverty; India has an enthralling, uplifting civilization that sparkles not only in our magnificent art, but also in the enormous creativity and humanity of our daily life in city and village.

We did not had enough facilities in the village. My family was also not well off. There was no mat, no gym; we used to wrestle in the mud. It was very different from the national camps where I trained before the Commonwealth Games.

I was traumatised in the medieval Afghan society at Sarana village by the local boys of Omar's Taliban who forced my in-laws to subjugate me for trying to be different. There can be Omars in other religions, too, who oppress women.

I don't have just one role model - rather, pieces of inspiration from many different entrepreneurs. One of the great things about being an entrepreneur is that it naturally enables you to build a village of advisors and role models.

In the globalized world that is ours, maybe we are moving towards a global village, but that global village brings in a lot of different people, a lot of different ideas, lots of different backgrounds, lots of different aspirations.

The sneaker comes from sports, but it's couture now. It's not made in Asia: it's made in my little village in Italy. I can customize everything. I use silk and diamonds and crystals. I think my sneakers have a lot of good vibrations.

Not long ago, in an excruciatingly remote village in the Australian Outback, I was startled to see a bartender in a cowboy hat measuring out a classically proportioned French 75 - something he'd picked up on the Internet, he told me.

I remember my father making many things. Once we made a shed, and a man in the village came along to help. After a couple of glasses of beer, he said, 'Give me a tape measure and I'll make it by eye,' and the result was so beautiful.

My family moved out of London's East End to a tiny village. The school I went to was supposed to be mixed gender, but there were hardly any boys born that year. So, yes, joining a youth theatre was a fun way to meet the opposite sex!

Photographer James Nachtwey has spent his professional life in the places people most want to avoid: war zones and refugee camps, the city flattened by an earthquake, the village swallowed by a flood, the farm hollowed out by famine.

I've seen villages in South America with no police whatever. Then the cops would arrive, then the sanitary inspectors, and before you know it they've got all the problems - crime, juvenile delinquency, the whole works - just like us.

The need is schools dedicated exclusively to the rural segment. If we have a child from a village and a city studying in the same class room, the former is bound to lag behind because children from the urban areas have a better start.

I have asked the village blacksmith to forge golden chains to tie our ankles together. I have gathered all the gay ribbons in the world to wind around and around and around and around and around and around again around our two waists.

People often ask me what I consider my goal to be at TOMS. The truth is that it's changed over the years. When we first began, the goal was to create a for-profit company to help the children that I met in a small village in Argentina.

Although I was good at my studies, I also thought to myself that I should play cricket as well. And when the cricket team that consisted of the boys from our village used to play, I was able to play with the team that had older players.

I had a series of jobs in the small fishing village in West Wales where my family lived when I was a teenager. I worked as a fisherman in the day, and then the skipper and his wife ran a small restaurant - she'd cook the fish he caught.

Hillary Clinton famously talked about how raising a child takes a village. Except our society isn't set up that way. We're organized in nuclear units, and a single mom can ask her friends only so many times for help picking up the kids.

One of my earliest memories is walking up a muddy road into the mountains. It was raining. Behind me, my village was burning. When there was school, it was under a tree. Then the United Nations came. They fed me, my family, my community.

I had a wonderful fan who once sent me an alpaca hat all the way from Peru, where he'd gone to volunteer in a remote village because he was inspired by 'Legend' to do good. That's probably one of the sweetest fan moments I've experienced.

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