Quotes of All Topics . Occasions . Authors
I don't like the definition 'war correspondent'. It is history, not journalism, that has condemned the Middle East to war. I think 'war correspondent' smells a bit, reeks of false romanticism: it has too much of the whiff of Victorian reporters who would view battles from hilltops in the company of ladies, immune to suffering, only occasionally glancing towards the distant pop-pop of cannon fire.
All these stupendous objects are daily around us; but because they are constantly exposed to our view, they never affect our minds, so natural is it for us to admire new, rather than grand objects. Therefore the vast multitude of stars which diversify the beauty of this immense body does not call the people together; but when any change happens therein, the eyes of all are fixed upon the heavens.
As natural selection acts by competition, it adapts the inhabitants of each country only in relation to the degree of perfection of their associates; so that we need feel no surprise at the inhabitants of any one country, although on the ordinary view supposed to have been specially created and adapted for that country, being beaten and supplanted by the naturalised productions from another land.
The orthodox view of colour experience assumes that, when we see a colour difference between two surfaces viewed side-by-side, this is because we have different responses to each of the two surfaces viewed singly. Since we can detect colour differences between something like ten million different surfaces, this implies that we are capable of ten million colour responses to surfaces viewed singly.
I do not know whether it is the view of the Court that a judge must be thick-skinned or just thick-headed, but nothing in my experience or observation confirms the idea that he is insensitive to publicity. Who does not prefer good to ill report of his work? And if fame a good public name is, as Milton said, the "last infirmity of noble mind", it is frequently the first infirmity of a mediocre one.
Anytime that knowledge and a version of the truth are considered to be absolute, fundamentalism is the result, whether the arena is Christianity, Islam, Judaism, or any other religious faith, as well as atheism, conservative or liberal political views, even evolution or intelligent design. Anytime our minds are closed and there is no room for dissent, we are on a slippery slope towards stagnation.
There is an apocalyptic view to this that is actually kind of appealing, which is the only way to kill big government is to let it kill itself. It's suicide by gluttony. Right now, the government is approaching Fat Elvis during those years in the '70s right before he croaked on the toilet seat. Basically ObamaCare is a huge tray of bacon and banana sandwiches. And it could happen in our lifetimes.
Could the waters of the Atlantic be drawn off, so as to expose to view this great sea-gash, which separates continents, and extends from the Arctic to the Antarctic, it would present a scene the most rugged, grand, and imposing. The very ribs of the solid earth, with the foundations of the sea, would be brought to light, and we should have presented to us at one view the empty cradle of the ocean.
One must be wary of the view that these loose and diverse coalitions represent a new form of globalized participatory democracy. The dissent industry is largely a product of the Internet revolution. Inexpensive, borderless, real-time networking provides advocacy non-governmental organizations [NGOs] with economies of scale and also of scope by linking widely disparate groups with one common theme.
What are plants doing? What are plants all about? They serve human beings by being decorative, but what is it from its own point of view? It's using up air; it's using up energy. It's really not doing anything except being ornamental. And yet here's this whole vegetable world, cactus plants, trees, roses, tulips, and edible vegetables, like cabbages, celery, lettuce - they're all doing this dance.
Government is not a solution to our problem, government is the problem. ... Government does not solve problems; it subsidizes them. Government's view of the economy could be summed up in a few short phrases: If it moves, tax it. If it keeps moving, regulate it. If it stops moving, subsidize it. ... The problem is not that people are taxed too little, the problem is that government spends too much.
Mastery requires endurance. Mastery, a word we don’t use often, is not the equivalent of what we might consider its cognate—perfectionism—an inhuman aim motivated by a concern with how others view us. Mastery is also not the same as success—an event-based victory based on a peak point, a punctuated moment in time. Mastery is not merely a commitment to a goal, but to a curved-line, constant pursuit.
Of course, when you're doing something that's unexpected, people are going to have a very specific point of view about it, but I think it's all good to have a healthy debate about who Hitchcock was and what that means to people. He means a lot of different things to a lot of different people because the films are so great. If the movies were not great, no one would be bothering to show any interest.
Photojournalism has become a hybrid enterprise of amateurs and professionals, along with surveillance cameras, Google Street Views, and other sources. What is underrepresented are those "metaphotographers" who can make sense of the billions of images being made and can provide context and authenticate them. We need curators to filter this overabundance more than we need new legions of photographers.
The Avatar does not as a rule interfere with the working out of human destinies. He will do so only in times of grave necessity - when He deems itabsolutely necessary from His all - encompassing point of view. For a single alteration in the planned and imprinted pattern in which each line and dot is interdependent, means a shaking up and a re-linking of an unending chain of possibilities and events.
God has given us a revelation in regard to celestial marriage. I did not make it. He has told us certain things pertaining to this matter, and they would like us to tone that principle down and change it and make it applicable to the views of the day. This we cannot do; nor can we interfere with any of the commands of God to meet the persuasions or behests of men. I cannot do it, and will not do it.
I think harmonious relations with the U.S. would be very good for us from the economical point of view, more than in any other field, because all our industry has been established by the U.S. and primary products and repair parts that we have to make with much difficulty or to bring from other areas could come directly. And besides, sugar, which traditionally we had the American market is also near.
In times of uncertainty, we tend to move away from deterministic world views. And when we try to find moral footing for our actions, we compare ourselves to the foil of all foils, the Nazi period. It's a quest for moral certainty by saying, "Even if we're not doing great these days, at least we're not the Third Reich." Which can be consoling or alarmist. There's always a present-day agenda behind it.
The need for mythic statements is satisfied when we frame a view of the world which adequately explains the meaning of human existence in the cosmos, a view which springs from our psychic wholeness, from the co-operation between conscious and unconscious. Meaninglessness inhibits fullness of life and is therefore equivalent to illness. Meaning makes a great many things endurable - perhaps everything.
We're at the start of the process of talking about a trade deal. We're both very clear that we want a trade deal. It will be in the interests of the UK from my point of view, that's what I'm going to be taking in, into the trade discussions that take place in due course. Obviously [Donald Trump] will have the interests of the US. I believe we can come to an agreement that is in the interests of both.
The more repression there is, the more need there is for irreverence toward those who are responsible for that repression. But too often sarcasm passes for irony, name-calling passes for insight, bleeped-out four-letter words pass for wit, and lowest-common-denominator jokes pass for analysis. Satire should have a point of view. It doesn't have to get a belly laugh. It does have to present criticism.
[W]e think the very term 'value investing' is redundant. What is 'investing' if it is not the act of seeking value at least sufficient to justify the amount paid? Consciously paying more for a stock than its calculated value -- in the hope that it can soon be sold for a still-higher price -- should be labeled speculation (which is neither illegal, immoral nor -- in our view -- financially fattening).
I've come to view screenwriting assignments as playwriting grants, because they provide a considerable financial cushion. However, they can also be extremely time-consuming. Film projects tend to drag on and on, which takes me away from the theatre, and then they don't get made. At the same time, the screenplays that have come my way have been quite challenging, for the most part, and even enjoyable.
We should always aim to read something different=not only the writers with whom we agree, but those with whom we are ready to do battle. Their point of view challenges us to examine the truth and to test their views...and let us not comment on nor criticize writers of whom we have heard only second-hand, or third-hand without troubling to read their works for ourselves...Don't be afraid of new ideas.
The humble person is open to being corrected, whereas the arrogant is clearly closed to it. Proud people are supremely confident in their own opinions and insights. No one can admonish them successfully: not a peer, not a local superior, not even the pope himself. They know - and that is the end of the matter. Filled as they are with their own views, the arrogant lack the capacity to see another view.
Internalist approaches to epistemology, I believe, have a great deal of intuitive appeal. Internalists believe that the features in virtue of which a belief is justified must somehow be internal to the agent. On some views, this amounts to the claim that these features must be accessible to introspection and armchair reflection. On others, it amounts only to the claim that they must be mental features.
You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, after a while just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so t here wouldn't be anything left that would think of itself as an 'I.' No point of view any longer, because you'd be an infinite sequence of views and of points.
When we are clear enough about our own point of view, we can find help in the methods of Eastern Christianity or in the ways of the Far East, perhaps by consulting the I Ching or through mandala contemplation; we may even find help in the ways of shamanism or Islam. If we are clear about where we stand and the direction we must take, such methods may be useful in order to follow our own way to the end.
I view all art as an effort to translate brain concepts into a work. These brain concepts are synthetic ones - the result of many experiences. But a single work of art, or even a series of works, more often than not cannot translate these synthetic concepts adequately. Yves Saint Laurent once said that he suffered greatly when creating. He is not alone in that. Most artists do the same and say as much.
The history of intellectual growth and discovery clearly demonstrates the need for unfettered freedom, the right to think the unthinkable, discuss the unmentionable, and challenge the unchallengeable. To curtail free expression strikes twice at intellectual freedom, for whoever deprives another of the right to state unpopular views necessarily also deprives others of the right to listen to those views.
Surprisingly, it's forgiveness, not guilt, that increases accountability. Researchers have found that taking a self-compassionate point of view on a personal failure makes people more likely to take personal responsibility for the failure than when they take a self-critical point of view. They also are more willing to receive feedback and advice from others, and more likely to learn from the experience.
I've discovered that I can't trust the ratings board at all, because they have - to my mind - a perverted point of view about what's appropriate for children. They think that if you see any part of a male or female anatomy, we have to protect children from it, which is not true, and they think almost any level of violence is okay for children, which is absolutely not true... They're really off the mark.
The pro-psychedelic plant position is clearly an antidrugs position. Drug dependencies are the result of habitual, unexamined, and obsessive behavior; these are precisely the tendencies in our psychological makup that the psychedelics mitigate. The plant hallucinogens dissolve habits and hold motivations up to inspection by a wider, less egocentric, and more grounded point of view within the individual.
I don't think that writers or painters or filmmakers function because they have something they particularly want to say. They have something that they feel. And they like the art form; they like words, or the smell of paint, or celluloid and photographic images and working with actors. I don't think that any genuine artist has ever been oriented by some didactic point of view, even if he thought he was.
I think it[3D] should be used as a new artistic form, not as a gimmick, not to impress you but the existence of an environment that you view as a theatrical dramatic experience is - you don't just have the X-Y axis, you have the Z and that makes a difference. You still have the framing, you still use lenses, so most of the cinematic rules and languages still apply but I think it's a different existence.
I have a really interesting political point of view, and its not always something I say too loud at dinner tables here, but you cant go from a $2,000-a-night suite at La Mirage to a penitentiary and really understand it and come out a liberal. You cant. I wouldnt wish that experience on anyone else, but it was very, very, very educational for me and has informed my proclivities and politics every since.
Photography is much more about elimination than inclusion. The images we make with a lens typically eliminate ninety percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. How can we call these kinds of artifacts unaltered?
I'm talking from the point of view of the States, we tend to assassinate people like Jesus, or if we don't we simply marginalise them. Oprah would have all those who think they are Messiah on her show, and we'd have six people who all claimed to be the Messiah, and we'd have got rid of Jesus and laughed him out of town. So as long as the Jesus that I'm hearing is there, I don't find him very comfortable.
What really drives the battle against law enforcement and punishment is not a commitment to treatment, but the widely held view that, first, we are imprisoning too many people for merely possessing illegal drugs; second, drug and other criminal sentences are too long and harsh, and third, the criminal justice system is unjustly punishing young black men. These are among the great urban myths of our time.
In truth, one cannot, it seems, oppose mechanism and finalism, one cannot oppose mechanism and anthropomorphism, for if the functioning of a machine is explained by relations of pure causality, the construction of a machine can be understood neither without purpose nor without man. A machine is made by man and for man, with a view toward certain ends to be obtained, in the form of effects to be produced.
In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.
The whole mass of any body is just the mass of ether surrounding the body which is carried along by the Faraday tubes associated with the atoms of the body. In fact, all mass is mass of the ether; all momentum, momentum of the ether; and all kinetic energy, kinetic energy of the ether, This view, it should be said, requires the density of the ether to be immensely greater than that of any known substance.
I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.
And with his arm around the younger man's shoulders still, he led him away from the bow and back to the small group by the tiller. Halt glanced up as they approached, caught a look from Gilan and had a pretty good idea what they had been talking about. "Where have you two been?" he asked, his tone light. admiring the view," Gilan told him. "Thought you might need a hand from the two wisest heads on board.
Since Oliver Cowdery was born in 1806 and was in Poultney from 1809 to 1825, he was resident in Poultney from 3 years of age until he was 19 years of age - 16 years in all. And these years encompassed the publication of View of the Hebrews, in 1822 [1823] and 1825. His three little half sisters, born in Poultney, were all baptized in Ethan Smith's church. Thus, the family had a close tie with Ethan Smith.
There are two ways you encounter things in the world that are different. One is everything that comes in reinforces what you already believe and everything that you know. The other thing is that you stay flexible enough or curious enough and maybe unsure of yourself enough, or may be you are more sure of yourself - I don't know which it is - that the new things that come in keep reforming your world view.
If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.
To me it seems not unreasonable to find a re-enforcement of optimism, a renewal of courage and hope, in the modern theory that man has mounted to what he is from the lowest step of potentiality, through toilsome grades of ever-expanding existence, even thought it have been by a spiral stairway, mainly dark or dusty, with loop-holes at long intervals only, and these granting but a narrow and one-sided view.
...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.
Part of what I feel is that the so-called bad fairies are really only there to get you to pay some attention. They trick you up until you're lying flat on your back and you literally have another point of view. They're about loosening up being rigid. They trip you over to break the barrier between you and the world. So their so-called "badness" actually can be quite instrumental in helping you with things.