Quotes of All Topics . Occasions . Authors
For all reality TV, and all the viewers of reality TV, just be entertained. Don't invest your feelings, your heart, your soul into reality TV. It is entertainment. And that's all that it should be.
I think this is a sport where we can really challenge all of ourselves as baseball fans, as baseball players, even the casual viewers. It's just good to think, What can we do that hasn't been done?
If you think the system - not you - but if your viewers think that the current political system is working well and serving the interest of our country, then what we're doing will not be attractive.
Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.
In banking, it was my responsibility to deliver investment opportunities and solutions to hedge fund clients, and at Bloomberg, it's my job to break down news that matters to our viewers and readers.
More than 40 per cent of my viewers are female. When I do meetups and events, oftentimes the majority of people who show up are LGBTQ+. So I'm looking forward to better serving that community of fans.
I've put my whole heart into cooking dishes that I am passionate about on 'Girl Meets Farm', and this has been met with such great support from the whole team and the Food Network and now our viewers.
I go on Twitter and I ask my viewers, 'What would you like to see next season in my line?' or 'What are things you love to wear?' They're the ones wearing it, so I want to make sure it applies to them.
The U.K. has been very progressive about on-demand, and the iPlayer has been a great invention. It has trained a generation of viewers to expect on-demand - unfortunately, it trains them to expect free!
Pay-per-views bring conclusion to storylines and what has been going on from television. It is important to give viewers satisfactory pay off over storylines and that is why pay-per-views are important.
I'm so fortunate in my career to be able to share with viewers my travels and experiences with some amazing and talented people and to bring that inspiration to television, books, and the digital world.
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
I find a lot of up-and-coming musicians I enjoy, present them to my viewers - and hopefully inflate the growth of these artists by putting them in front an audience that wouldn't have been aware of them.
Viewers make online requests to their favorite video-making whisperers to do the things that trigger their head tingles. Everyone's needs are different. It's like an interactive choose-your-own-adventure.
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
I started in local news in South Carolina, so viewers there supported me. We had a morning show that we put to No. 1, and then I moved to San Antonio, Texas, and we became the No. 1 morning show there, too.
When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.
Morning TV is about habits. What you really need is for viewers to find you, get comfortable with you, make you part of their mornings. If you can make news, deliver things they value, you can be successful.
'ABCD - AnyBody Can Dance' and 'ABCD 2' has succeeded not merely because of dance, but mainly because of its good script. Viewers have loved the story, and that's why my movies have done well at the box office.
I was a car journalist when I started on 'Top Gear.' It was all about cars. And then it all spun out of all control, and we turned into figures of ridicule to keep the viewers happy. It's a fair deal, I suppose.
Television, above all, is the place where people can see the world they live in, and if the world they live in is a world without the arts, so much the worse for television, and so much the worse for the viewers.
I'm very excited to be joining the 'Gadget Show' family. I'm always keen to try out new gadgets, so it's going to be brilliant to be able to get my hands on the latest models and test them on behalf of the viewers.
I don't think you really can send an exact message, because any two viewers are so disparate, in terms of their backgrounds, their point of view, their histories, that there's no telling what that message might be.
It frustrates me that Britain can't make something like 'CSI' or 'The Sopranos'. Instead, British TV puts soap in primetime while every other civilized nation leaves it in daytime. Viewers should be more demanding.
Bigg Boss Kannada' manages to surprise me every season with the innovations in the concept and introduction of numerous entertainment avenues, not only for the housemates and viewers of the show but also for myself.
My viewers actually know about my little routine for spraying perfume. I put it on my wrists and rub them together, then I spray a little bit on my neck and three spritzes in front of me and then I shimmy through them.
Twitch launched in June of 2011, and our growth ever since has exceeded even my expectations, which were not small. A year and a half later, the community of broadcasters and viewers has multiplied hundreds of percent.
If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.
Of course, 'Fox & Friends' is more of an entertainment product than a newscast. The show's viewers know that the morning show promotes Trump and his agenda. Most of Trump's interviews are with boosterish shows like this.
It wasn't until 1999 when my idols Mia Hamm and Kristine Lilly took home the women's World Cup trophy at the Rose Bowl in front of 40 million TV viewers that I remember thinking how rare it was to see women play sports on TV.
I feel like Drake saw that I was up-and-coming in the gaming scene, and he thought it would be a perfect way to just tap into another source of viewers by playing with me. He also might have just wanted to game. I'm not sure.
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
In its brief 14-episode run, 'Firefly' gave viewers as much chance of witnessing a horseback chase or train robbery as a laser gun and spacefight in any given episode. Snappy one-liners and silly hats were a constant, of course.
Shows like 'Empire,' 'Black-ish,' 'Scandal,' and 'How to Get Away With Murder' are expanding viewers' perspectives on what people of color can be like. They're showing more range. They're showing more diversity within diversity.
You can Google how many goals a player has scored in the last few seasons, or against this particular side, but our job is to point the viewers to something that is happening in the game that they may not have seen or thought of.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
I may have a very visible job that allows more than a million viewers to invite me and my fellow anchors into their homes every morning, but that doesn't make me famous, nor does my job entitle me to any kind of special privileges.
'The Great British Bake Off' is family entertainment. There aren't many programmes where all ages can sit and watch from beginning to end. Everything else is violent, cruel, and noisy. We're educational without viewers realising it.
Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.
CNN, a part of the Time Warner company, lives for news about everything and anyone. In the office, the bosses openly discuss the need for a diverse staff and diverse stories, and each time we draw new viewers, the effort intensifies.
A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.
Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.
Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
Viewers can't work or play while watching television; they can't read; they can't be out on the streets, falling in love with the wrong people, learning how to quarrel and compromise with other human beings. In short, they are asocial.
In New York, a 13-year-old Indian girl came up to me crying, saying to everyone nearby, 'This is where I come from.' It's easy to forget that actors have the ability to instill a sense of self in viewers. That's the greatest compliment.
The Food Network and the Cooking Channel have so many viewers. And, because there's no violence, some of that audience is children. So, I think we have a responsibility to educate parents how to produce healthy meals for their families.
One of the secrets of Fox News' outsized success - it's the most profitable news organisation in the U.S. and, quite likely, the world - is that it saw the country full of liberal occupiers and Fox News' viewers as the heroic resistance.
There's going to be all different price points, and you get what you pay for. There's certainly low things made of cardboard that you don't put on your head, you just hold up little viewers that give you this glimmer of what VR could be.
Technology has changed, and we need to figure out how to improve the archaic way of what makes a hit, or how to determine how many viewers are watching beyond some people with Nielsen boxes in a small percentage of homes in random areas.
Think of it: television producers joining with newspapers to tell stories. It's journalism of the future. Advertising will follow the crowd - the 'crowd' being viewers and readers, of course, which could bring revenue back into journalism.